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Questions about American Romanticism slide presentations
  written by students

Louisiana Purchase

When was the Louisiana Purchase deal signed?
How much land was purchased?
Who was the chief negotiator?
How long did the negotiation process last?
Why did the French own the land?
What people were affected by the purchase?

What influence did the “frontier” have on developing the American identity?

The cotton gin

Who invented the cotton gin?
What problem was it meant to solve?
What did the cotton gin do?
Did the cotton gin eliminate hand picking of cotton?
Who did most of the picking of cotton?
How much cotton could a person working by hand clean in a day?
How much faster was the first cotton gin than a person?
How long did the cotton season last?
What effect did the cotton gin have on industry?

How did industrialization affect people’s lives?

Mexican American War

What did “manifest destiny” mean?
What treaty ended the war?
How many Americans died in the war?
How did the war start? What was it about?
Name two battles.
Predict what would have happened if the war had not been fought.

How did conquering border lands influence American’s sense of identity?

Underground Railroad

Where did slaves escape to?
What were “passengers” on the Underground Railroad.
What were “stockholders”?
What happened to slaves who got caught?

How did the presence of slavery in American influence American’s sense of identity?
What affects did slavery have on American politics?

Posted by Michael L Umphrey on 10/31 at 10:13 AM
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Handouts •
Students who don’t have internet access at home
  Suggestions

If you have a computer at home, you can save your work on Google Documents to a floppy. You can save it as a Word document, or, if you use a different word processor, you can save it as an rtf document, which any word processor should be able to open.

You can also bring work you did at home on Word in to class on a floppy and upload it to Google (or just copy and paste it). If you want, you can also email your work (as a Word attachment) to me. That way, it will be accessible to you when you get to school. We can open it on my computer and paste it into Google Documents.

If you don’t have a computer at home, print a paper copy of your work before you leave class. You can continue writing and editing on paper and enter those changes into the digital document when you get to school.

I know this is a bit of a hassle, but I think it’s quite important that you get accustomed to creating and managing your work in a digital environment (computers have complicated all of our lives, but they’ve also provided so many advantages that we all use them). I want you to be as comfortable as possible using computers and the internet to do your work.

Posted by Michael L Umphrey on 10/30 at 08:58 PM
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Announcements •
Introduction to film studies
  film as art

Cinema includes elements from all the great art forms in one medium. When we watch movies we experience:
Photography the individual images in a film
Theatre ֖ fine acting performances, not to mention set and costume design
Storytelling both fictional stories and real-life stories in documentary films
Music ֖ the soundtrack or score
Poetry especially in experimental films
Architecture ֖ set design and the spatial design of shots
Graphic Design the opening and closing credit sequences

What’s more, film combines all of these elements and adds movement at twenty-four frames per second ֖ the speed at which films are projected in theatres to create a magical world of illusion, drama, comedy, and intrigue.

Posted by Michael L Umphrey on 10/30 at 12:28 PM
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Media Studies •
Persuasive Speech Rubric
  getting others to agree with you

Persuasive Speech Name__________________Grade_____

Organization I had a clear thesis statement.
My thesis statement stated an opinion that was controversial and that mattered.
I stayed focused and did not stray off topic.
The body of the presentation contained support for, or details about, the main
point(s).
Between main points I used helpful transitions (e.g., “First of all...” or
“Similarly...” etc.) and/or logical transitions (However, furthermore, etc).
A strong conclusion was present.
The audience could distinguish the introduction, body, and conclusion.

Grade: A B C D F Notes:


Content I had 2 - 5 distinct reasons that clearly supported my thesis.
These reasons seemed important to the audience.
Each of the reasons was developed, using facts, statistics, an anecdote, or logical reasoning

Grade: A B C D F Notes:


Delivery I used notes sparingly and maintained eye-contact
My pronunciation was clear and easy to understand.
My rate of speech was not too fast or too slow.
My voice could be heard easily by the entire audience.
My voice varied in pitch; it was not monotone.
I maintained good posture.
I used meaningful gestures.
I didn’t fidget, rock back and forth, or pace.

Grade: A B C D F Notes:

Posted by Michael L Umphrey on 10/30 at 09:50 AM
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Handouts •
Resources on Casablanca
  a classic movie

Scene by scene analysis

Posted by Michael L Umphrey on 10/29 at 09:46 PM
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Media Studies •
Kenwood - Stayin’ Alive
  Mini-stories

Many ads focus on telling a brief story

Posted by Michael L Umphrey on 10/29 at 09:14 PM
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Advertising videos •
Visa & Jeff Buttle
  Associating with something good

Posted by Michael L Umphrey on 10/29 at 09:03 PM
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Advertising videos •
1950s Gillette Razor advertisement
  Peewee Reese

Posted by Michael L Umphrey on 10/29 at 08:48 PM
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Advertising videos •
The angry librarian
  5 minute story of life in modern bureaucracies

Posted by Michael L Umphrey on 10/29 at 08:44 PM
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Media Studies •
the Gap
  Jeans take shape

Most high budget ads no longer contain information about the product--its quality, its usefulness. 

Posted by Michael L Umphrey on 10/29 at 08:32 PM
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Advertising videos •
FedEx Superbowl: spoofing advertisements
  What do successful ads need?

Posted by Michael L Umphrey on 10/29 at 08:20 PM
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Advertising videos •
Identities
  Are "selves" something we wear?

Posted by Michael L Umphrey on 10/29 at 08:07 PM
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Advertising videos •
Spoofing the beautiful woman stereotype
  Japanese commercial for tuna

Posted by Michael L Umphrey on 10/29 at 08:03 PM
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Advertising videos •
Consumerism
  Driving teen egos--and buying--through 'branding'

A glut of marketing messages encourages teens to tie brand choices to their personal identity.

BY KAREN KERSTING

America has seen a sharp upswing in marketing geared to teens since the 1980s, when research documented their significant buying power, thanks to after-school and summer jobs, not to mention increasing sway over parents.

Moreover, notes psychologist Susan Linn, EdD, of the Harvard Medical School, in her book, “Consuming Kids,” published by The New Press last month, U.S. companies market to adolescents and children with an annual budget of over $15 billion, or about two and a half times more than was spent in 1992. They now influence over $600 billion worth of spending.

As a result, teens are inundated with so much marketing about the importance of brands to identity and image, it has changed the way they socialize with each other, interact with adults and view themselves and the world, says child psychologist Allen Kanner, PhD, whose book “Psychology and Consumer Culture: The Struggle for a Good Life in a Material-istic World,” co-edited with Knox College’s Tim Kasser, PhD, is being published by APA this year. To back his point, Kanner cites research on the effects of branding on teenagers, including how it increases their spending, by psychologists such as Velma LaPoint, PhD, of Howard University in Washington, D.C.

“It’s the meta-message that you can solve all of life’s problems by purchasing the right products that’s having the most profound effect,” Kanner explains.

So with that in mind, psychologists, including Kanner, are pushing for increased research on the effects of marketing to teens--an area where little empirical work has been done--arguing for a change in the political and social culture that would wipe out marketing’s identity-molding effects for increased influence of parents and other role models in teenagers’ communities.

Seeking teen cash

The need for such a shift is pressing given marketing’s constantly increasing forcefulness, says Linn.

“Comparing the marketing of today with the marketing of yesteryear is like comparing a BB gun to a smart bomb; it’s enhanced by technology, honed by child psychologists and brought to us by billion of dollars,” she comments. “In the new millennium, marketing executives are insinuating their brands into the fabric of children’s lives. They want--to use industry terms--’cradle to grave’ brand loyalty and to ‘own’ children.”

By the time children reach their teens, a developmental stage when they’re naturally insecure and searching for a personal identity, they’ve been taught that material possessions are what matter, Kanner says. Advertisers understand the teen’s desire to be “cool,” and manipulate it to sell their wares, a concept that’s been offered to marketers by psychologists including James McNeal, PhD, who wrote “Kids As Customers: A Handbook of Marketing to Children,” published in 1992 by Lexington Books.

“Teens want to identify with their peer group and in a certain sense, that is a vulnerability,” Kanner says. Indeed, teens and tweens, children between the ages of 12 and 14, are attracted to the prestige they believe brand-name clothing provides them, according to a 1998 article in the journal Adolescence (Vol. 33, No. 131) by economist Linda Simpson, PhD, of Eastern Illinois University. The attraction to prestige brands develops in adolescent years because it’s a time when peer pressure and fitting in are very important, she notes.

The problem, says Kanner, is that marketers manipulate that attraction, encouraging teens to use materialistic values to define who they are and aren’t. In doing that, marketers distort the organic process of developing an identity by hooking self-value to brands, he adds. “More naturally, you might develop your identity around, for example, doing good in the world or building a career out of an interest,” he explains.

And even when good bubbles up, or creativity flourishes on its own, it’s likely to be co-opted by advertisers looking to keep up with trends among teens, says Linn. For example, advertisers use hip-hop culture to sell products such as Sprite, and the emergence of extreme sports coincided with the branding of associated products such as skateboarding.

Identity-oriented branding also encourages disapproval of anything different, be it a different generation, different cultural group or different school clique, says Linn. The way advertising separates kids from their parents is particularly insidious, Kanner says. Essentially, advertisers encourage rejection of the older generation’s preferences to the point of trying to create an official statement about what is cool for teenagers, Kanner says, citing 20 years of clinical work as a child psychologist in California. The message that doesn’t reach teens, he says, is that what is important is “how you think, what you like...and who you are.”

Targeting teen girls

Who you are includes how you fulfill your gender role, which with the intensity of marketing to teens, can’t help but be defined by products and images, Linn says. Although damaging to both sexes--men often encounter pressure to look and behave in hyper-masculine ways that influence identity--teen-age girls bear a particularly high burden of intense advertising, according to Linn.

Constant exposure to commercials promising the world--beauty, popularity, peace-of-mind, self-confidence, great relationships--turns many young girls into insatiable consumers, agrees psychologist Margo Maine, PhD, who treats eating disorders and founded the Eating Disorder Coalition for Research. Teenage girls spend over $9 billion on makeup and skin products alone, an example of advertisers successfully selling the “quick fix,” she says. But that kind of purchase robs them of self-determination, self-awareness and self-esteem, Maine believes.

“Encouraged to look outside of themselves for comfort, values and direction, girls become easy prey to addictive behaviors and unrealistic images that ads promote,” she says. “The diet, tobacco and alcohol industries target girls, capitalizing on the body image, weight concerns and beauty ideals that make them most vulnerable.”

Psychology’s role

Many teens are feeling the pressure, Kanner says. Some who he sees have trouble distinguishing between what they truly like and what marketers have told them to like.

And many teens believe that they are impervious to marketing manipulation, a topic that is very difficult to address in the therapy room. Instead, suggests Kanner, “the bulk of psychologist effort needs to be focused on the source of the problem--corporate advertising--rather than going along with the industry’s cynical attempts to shift the responsibility primarily onto teens and their parents.”

So, Linn says, parents and others who care about children need to take baby steps in several arenas to turn the materialistic tide:

* At home, find ways for children to spend time away from advertising and talk to them about why and how ads are produced.

* In communities, share concerns with parents and community leaders who can work together to change teen views of marketing.

* In schools, work to stop the influx of advertising messages in school buildings.

* In the marketplace, join advocacy groups, such as the Coalition to Stop Commercial Exploitation of Children, that lobby politicians and companies to be responsible marketers. Also, support foundations that fund research on marketing effects on children.

source

Posted by Michael L Umphrey on 10/29 at 06:35 PM
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Readings •
Merchants of Cool
  A world made of marketing

What is “cool”?

Discussion notes by Stay Free

Posted by Michael L Umphrey on 10/29 at 05:47 PM
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Media Studies •
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