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Message: from Polson High School Michael L. Umphrey website Deconstructing “the invisible style” of Hollywood Movies    with answers By Michael L Umphrey Handout: http://www.flatheadreservation.org/index.php/phs/film_language/ This video focuses on the creation of a single scene from a movie. It will help make the “invisible style” more visible by deconstructing it--letting you see all the decisions that are made along the way. You get to see some of the decisions that need to be made before the shooting, during the shooting and after the shooting during the editing. 1. List three decisions the director needs to make while planning the rooftop scene? what actors to cast whether to shoot in sequence camera positions how shots will be framed costumes business for the actress movements of the players Name three things a director needs to decide while shooting. How actors interpret the scene How many takes is enough How to reshoot a scene Where the actor’s sight line is How shots are framed Name two things a director needs to decide while editing. Which takes to use When sight lines are convincing The timing of the dialogue
from Polson High School Michael L. Umphrey website
By Michael L Umphrey
Handout: http://www.flatheadreservation.org/index.php/phs/film_language/
This video focuses on the creation of a single scene from a movie. It will help make the “invisible style” more visible by deconstructing it--letting you see all the decisions that are made along the way. You get to see some of the decisions that need to be made before the shooting, during the shooting and after the shooting during the editing.
1. List three decisions the director needs to make while planning the rooftop scene?
what actors to cast whether to shoot in sequence camera positions how shots will be framed costumes business for the actress movements of the players
Name three things a director needs to decide while shooting.
How actors interpret the scene How many takes is enough How to reshoot a scene Where the actor’s sight line is How shots are framed
Name two things a director needs to decide while editing.
Which takes to use When sight lines are convincing The timing of the dialogue