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from Polson High School <a href="http://www.flatheadreservation.org/index.php/phs"> Michael L. Umphrey website</a> <h2 class="title">Huckleberry Finn Handout: point of view Huckleberry Finn's voice</h2> By Michael L Umphrey An automobile accident occurs. Two drivers are involved. Witnesses include four sidewalk spectators, a policeman, a man with a video camera who happened to be shooting the scene, and the pilot of a helicopter that was flying overhead. Here we have nine different points of view and, most likely, nine different descriptions of the accident. In fiction, who tells the story and how it is told are critical issues for an author to decide. The tone and feel of the story, and even its meaning, can change radically depending on who is telling the story. Remember, someone is always between the reader and the action of the story. That someone is telling the story from his or her own point of view. This angle of vision, the point of view from which the people, events, and details of a story are viewed, is important to consider when reading a story. Famous novelist Ernest Hemingway declared “All modern American literature comes from one book by Mark Twain called Huckleberry Finn.” Part of what he was getting at is that the book is written in voices that could only have been found in America. The excerpt below is from the novel Pride and Prejudice, published by English author Jane Austen in 1813. It’s typical of the sort of story people in the 19th Century were used to finding in novels. What can you surmise about the narrator from this short excerpt? Compare this reading with the first page of Huckleberry Finn. What can you surmise about Huck from the way he tells the story? <blockquote>It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of some one or other of their daughters. “My dear Mr. Bennet,” said his lady to him one day, “have you heard that Netherfield Park is let at last?” Mr. Bennet replied that he had not. “But it is,” returned she; “for Mrs. Long has just been here, and she told me all about it.” Mr. Bennet made no answer. “Do you not want to know who has taken it?” cried his wife impatiently. “You want to tell me, and I have no objection to hearing it.” This was invitation enough. “Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it, that he agreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.”</blockquote> ----------------------------------------------------------------------- <h3>Types of Point of View</h3> Objective Point of View With the objective point of view, the writer tells what happens without stating more than can be inferred from the story’s action and dialogue. The narrator never discloses anything about what the characters think or feel, remaining a detached observer. Third Person Point of View Here the narrator does not participate in the action of the story as one of the characters, but lets us know exactly how the characters feel. We learn about the characters through this outside voice. First Person Point of View In the first person point of view, the narrator does participate in the action of the story. When reading stories in the first person, we need to realize that what the narrator is recounting might not be the objective truth. We should question the trustworthiness of the accounting. Omniscient and Limited Omniscient Points of View A narrator who knows everything about all the characters is all knowing, or omniscient. A narrator whose knowledge is limited to one character, either major or minor, has a limited omniscient point of view. As you read Huckleberry Finn think about these things: How does the point of view affect your responses to the characters? How is your response influenced by how much the narrator knows and how objective he or she is? First person narrators, such as Huck, are not always trustworthy. It is up to you to determine what is the truth and what is not. <a href="http://www.flatheadreservation.org/index.php/phs/huckleberry_finn_handout_point_of_view/">Huckleberry Finn Handout: point of view</a> sent from Michael L. Umphrey's website