<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Polson High School</title>
    <subtitle type="text">Polson High School:</subtitle>
    <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/phs/index/" />
    <link rel="self" type="application/atom+xml" href="http://www.flatheadreservation.org/index.php/site/atom/" />
    <updated>2008-06-29T01:33:10Z</updated>
    <rights>Copyright (c) 2008, Michael L Umphrey</rights>
    <generator uri="http://expressionengine.com/" version="1.6.4">ExpressionEngine</generator>
    <id>tag:flatheadreservation.org,2008:06:26</id>


    <entry>
      <title>&#8220;A River Runs Through It&#8221; Student Resources</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/a_river_runs_through_it/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2455</id>
      <published>2008-05-09T16:26:00Z</published>
      <updated>2008-06-29T01:33:10Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><a href="http://www.flatheadreservation.org/images/phs/Unit_Overview_River_runs_through_it.pdf">Overview (1 page PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/AssignmentChecklistRiverRuns.pdf">Assignment Checklist (1 page PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/index.php/phs/printer/a_river_runs_through_it/" title="Detailed Assignment Guidesheet">Detailed Assignment Guidesheet</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/Assignment_schedule_for_River_unit.pdf">Daily Assignment Schedule - 2-page table (PDF)</a>
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/Quotes-.River_Runs_Through_It.pdf">Quotes (PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/index.php/phs/quotes_river/" title="Quotes">Quotes</a> from the novel
<br />
<a href="http://www.generationterrorists.com/quotes/river.html" title="More quotes">More quotes</a> from the novel
<br />
<a href="http://www.bradpittfan.com/pics/river.htm" title="Images">Images</a> from the movie
</p>
<p>
<a href="http://polson.ning.com/" title="PHS">Ning Space</a>
<br />
<a href="https://www.google.com/accounts/ServiceLogin?service=pages&amp;continue=http%3A%2F%2Fpages.google.com%2F&amp;ltmpl=yessignups" title="Google">Google Page Creator</a>
</p>
<p>
<b>Discussion Schedule (have the reading finished by these dates)</b>
</p>
<p>
Tuesday, May 14 (1-47)
<br />
Monday, May 19 (48-63)
<br />
Thursday, May 22 (64-79)
<br />
Wednesday, May 28 (80-95)
<br />
Monday, May 30 &amp; June 2 (96-104)
</p>
<p>
<b>Writing and Performance Assignment Schedule (late work not accepted)</b>
</p>
<p>
&#8220;Where I&#8217;m From&#8221; poem due May 20
<br />
&#8220;Character Sketch&#8221; due May 23
<br />
&#8220;Essay of Place&#8221; due May 29
<br />
Oral Poetry Slam June 4
<br />
&#8220;Persuasive Essay&#8221; due June 6
<br />
Finished Google Web site June 6
</p>
<p>
<b>Essential Questions</b>
</p>
<p>
What is &#8220;the chief end of man"--or, in other words, what is the purpose of life?
<br />
Why can we never leave our youth and childhood behind? 
<br />
Can fly fishing, or any art, take the place of religion in a person&#8217;s life?
<br />
In what ways do men and women tend to differ? In what ways are they the same?
<br />
What should the relation between men and women be?
<br />
What is place? What role does it play in our lives?
<br />
What is &#8220;it&#8221; in &#8220;a river runs through it.&#8221;
</p>
<p>
<b>Discussion Questions</b>
</p>
<p>
<i>A River Runs Through It</i>, like <i>Huckleberry Finn</i>, features a river as a central image. In what ways are the rivers in these two novels similar? In what ways do they differ?
<br />
What does Norman get from fishing? Why does it matter to him?
</p>
<p>
<b>Overview</b>
</p>
<blockquote><p>First, write a &#8220;Where I&#8217;m From&#8221; poem to use in the personal profile of your Ning page.
</p>
<p>
Then, create a <b>Web page with four quotations</b> from the book and four photographs that illustrate the quotations. These quotations each communicate a different piece of information about the novel:
</p>
<ul type="square"><li>a quotation that shows the importance of place (the setting) in the novel</li>
<li>a quotation that shows the relationship between two characters (e.g., for <i>A River Runs Through It</i>, the two brothers)</li>
<li>a quotation that helps establish a metaphor explored in the book (e.g., for <i>A River Runs Through It</i>, the river or fly-fishing is a metaphor for life)</li>
<li>the quote from the novel, the one passage or quotation that captures the essence, the true meaning, of the novel for you
</ul></li>
<br />
Next, write three hyperlinked pieces: an <b>essay of place</b>, a <b>character sketch</b> and a <b>persuasive essay</b> explaining the quotation you&#8217;ve chosen as the quotation of the book

<p>
While you&#8217;re reading, keep a <b>response reading journal</b> that collects quotations from your readings. Include these details for each journal entry:
<br />
<ul type="square"><li>Date.</li>
<li>Two significant quotations from the day&#8217;s reading and the page number that they appeared on.</li> 
<li>Personal connections between your own life and events in the day&#8217;s reading.</li>
<li>Two interesting questions you want to discuss further in class.</li></ul></p></blockquote>
<p>
<font size=+2><b>Assignment Guide Sheet</b></font>
</p>
<blockquote>
<p>
<b>Assignment 1: &#8220;Where I&#8217;m From&#8221; poem (May 20)</b>
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/dvd_mri003-500_thumb.jpg" onclick="window.open('http://www.flatheadreservation.org/images/phs/dvd_mri003-500.jpg','popup','width=515,height=322,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.flatheadreservation.org/images/phs/dvd_mri003-500_thumb.jpg" width="259" height="159" /></a>
</p>
<blockquote>Put this poem on your <a href="http://polson.ning.com/" title="The Cool School Space">Ning page</a> as your personal profile. <a href="http://www.flatheadreservation.org/index.php/phs/template_for_a_where_im_from_poem1/" title="George Ella Lyon">Here&#8217;s a template</a> to use in writing the poem.

<p>
This blog post has a <a href="http://pratie.blogspot.com/2005/03/update-where-im-from-meme.html" title="list of links">list of links</a> to student &#8220;Where I&#8217;m From&#8221; poems
</p>
</blockquote>
<p>
<b>Assignment 2: Four quotations on your home page (using <a href="https://www.google.com/accounts/ServiceLogin?service=pages&amp;continue=http%3A%2F%2Fpages.google.com%2F&amp;ltmpl=yessignups" title="Google">Google Page Creator</a>) with explanatory paragraphs</b>
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/dvd_mri029-500_thumb.jpg" onclick="window.open('http://www.flatheadreservation.org/images/phs/dvd_mri029-500.jpg','popup','width=515,height=375,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.flatheadreservation.org/images/phs/dvd_mri029-500_thumb.jpg" width="250" height="180" /></a>
</p>
<blockquote><p>Choose quotes from the novel and four photographs that illustrate the quotations. These quotations each communicate a different piece of information about the novel:
</p>
<p>
    * a quotation that shows the importance of place (the setting) in the novel
<br />
    * a quotation that shows the relationship between two characters (e.g., for <i>A River Runs Through It</i>, the two brothers)
<br />
    * a quotation that helps establish the metaphor explored in the book (e.g., for A River Runs Through It, the river or fly-fishing is a metaphor for life)
<br />
    * the quote of the novel, the one passage or quotation that captures the essence, the true meaning, of the novel for you 
</p>
<p>
Write a paragraph giving a &#8220;close reading&#8221; of each quote and post this below the quote.
<br />
<a href="http://www.readwritethink.org/lesson_images/lesson782/HypertextResponse.pdf" title="Assignment sheet">Assignment sheet for quotations</a>
<br />
</p></blockquote>
<p>
<b>Assignment 3: Character Sketch (May 23)</b>
</p>
<blockquote><p>Write a character sketch of someone who has had some special meaning in your life. Provide specific details about the person and your relationship, and explain how this person helped form you into who you are today.
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/mri009a-480_thumb.jpg" onclick="window.open('http://www.flatheadreservation.org/images/phs/mri009a-480.jpg','popup','width=495,height=335,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.flatheadreservation.org/images/phs/mri009a-480_thumb.jpg" width="250" height="166" /></a>
</p>
<p>
Publish your character sketch on your Ning blog. Later, you will move it to your Google web site, and at that time you should make a link to the quotation that youve chosen from your novel which shows the relationship between two characters.&nbsp; If possible, include a photograph (recent or historical).
</p>
<p>
<b>Gathering thoughts for a character sketch</b>
</p>
<p>
Respond to the following prompts, allowing several minutes for writing answers to each question, to begin gathering details and ideas for their character sketches:
</p>
<ol><li>Think about the person you want to write about--why is this person important to you? why do you want to tell someone else about him or her?</li>
<li>Now that you have a particular person in mind, focus on giving your readers a strong image of the person. First, what do you see when you look at the person? How does the person dress? Describe the person&#8217;s gestures or facial expressions.</li>
<li>Next, talk about how the person talks. What topics does the person talk about? What kind of words does the person use? What makes you recognize this persons voice?</li>
<li>What values are important to this person? What does the person care most about, and how can you tell?</li>
<li>Think of a specific time you were with this person. Briefly tell the story of your time together--just get your ideas down. You can expand on them later.</li>
<li>What kind of emotional reaction do you want your reader to have to this person? How do you want your reader to feel after reading about him or her?</li></ol>
<p>
<a href="http://www.flatheadreservation.org/images/phs/Character_sketch_assignment.pdf">Character Sketch Assignment Sheet (1 page PDF)</a>
<br />
<a href="http://www.readwritethink.org/lesson_images/lesson782/GrandmaAtkinson.pdf" title="Example of a character sketch">Example of a character sketch</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/Character_sketch--how_to.pdf">Character Sketch: Sample sentences</a></p></blockquote>
<p>
<b>Assignment 4: Essay of Place (May 29)</b>
<br />
<blockquote><p>Write a descriptive essay about a place that has had some special meaning in your life--a place that is still a part of you. Provide specific physical details about the place, and explain how this place helped form you into the person you are today.
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/dvd_mri038-500_thumb.jpg" onclick="window.open('http://www.flatheadreservation.org/images/phs/dvd_mri038-500.jpg','popup','width=515,height=393,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.flatheadreservation.org/images/phs/dvd_mri038-500_thumb.jpg" width="250" height="189" /></a>
</p>
<p>
As you get started, take a few minutes to think about how you want to order your essay: What will you summarize? What will you dramatize? Will you use chronological order or flashback?
</p>
<p>
Publish your essay of place on Ning then solicit comments on it. When it is finished, post a copy on your Google web page along with at least one photograph. Link the page to the quotation of place that you&#8217;ve chosen from your novel.
</p>
<p>
Here&#8217;s a <a href="http://www.montanaheritageproject.org/edheritage/tools/eopintro.htm" title="Montana Heritage Project">complete unit</a> I wrote for &#8220;Writing an Essay of Place.&#8221; It&#8217;s a larger process than I&#8217;m asking you to do, but it&#8217;s a good source of ideas.
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/Essay_of_Place_overview.pdf">Essay of Place Assignment Sheet (2 page PDF)</a>
<br />
<a href="http://www.montanaheritageproject.org/edheritage/HE_99sum/SU99index.htm" title="Essays of Place">Essays of Place</a> written by Montana high school students
</p>
<blockquote><i>The hunger for place is a hunger for orientation in a universe that cannot be known. Think of the consummate folly of attempting to go away from <b>here</b> when the constant endeavor should be to get nearer and nearer <b>here</b>.

<p>
<b>Here</b> are all the friends I ever had or shall have, and as friendly as ever. . .A man dwells in his native valley like a corolla in its calyx, like an acorn in its cup.
</p>
<p>
<b>Here</b>, of course, is all that you love, all that you expect, all that you are.
<br />
<p align="right">Henry David Thoreau</p>
<br />
</i></blockquote></blockquote>
<p>
<b>Assignment 5: Persuasive essay arguing for your view of <i>A River Runs Through It</i> and including what you think is the quotation that best gets to the heart of the novel. (June 6)</b>
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/dvd_mri050-500_thumb.jpg" onclick="window.open('http://www.flatheadreservation.org/images/phs/dvd_mri050-500.jpg','popup','width=515,height=335,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.flatheadreservation.org/images/phs/dvd_mri050-500_thumb.jpg" width="250" height="160" /></a>
</p>
<blockquote><p>If you really want to get better at this sort of writing, read this little essay, &#8221;<a href="http://www.flatheadreservation.org/images/phs/Writing_about_ideas_in_literature.pdf">Writing about an idea or a theme in a literary work</a>,&#8221; very carefully. Underline things and think about them. </p></blockquote>
<p>
<b>Assignment 6: Turn in your reading journal</b>. It should include at least 5 entries, and each entry should include the following:
<br />
<blockquote><p>date
<br />
2 quotations with page number
<br />
notations making personal connections
<br />
2 interesting questions you want to discuss further in class</p></blockquote>
<p>
<b>Assignment 7: Participate meaningfully in class seminars </b>on the novel, focusing on close reading of passages in the novel. Come prepared with your reading journal and with questions to discuss. These discussion may take place orally or they may take place online, using the Ning Forum.
</p>
<p>
<b>Extra Credit:</b>
</p>
<p>
1. <b>Poetry Slam</b>: Oral reading of your &#8220;Where I&#8217;m From Poem&#8221; suitable for uploading to You Tube
<br />
2. <b>Original photography</b> illustrating your &#8220;essay of place&#8221; and character sketch.
<br />
3. <b>Best 3 Google Web pages:</b> 40 bonus points (completeness, thoughtfulness and beauty)</p></blockquote>
<p>
<b>Handouts and Notes</b>
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/Clos-_Reading-Francin-_Prose.pdf">&#8220;Close Reading&#8221;</a> from <i>the Atlantic Monthly</i>
</p>
<p>
Poem: &#8220;A Ritual to be Read to Each Other&#8221; by William Stafford
</p>
<p>
<a href="http://www.readwritethink.org/lesson_images/lesson782/ht-planning.pdf" title="Planning worksheet">Planning sheet</a>
<br />
Essays will be scored using <a href="http://www.readwritethink.org/lesson_images/lesson782/Rubric.pdf" title="this rubric">this rubric</a></blockquote>
<p>
It&#8217;s tricky to get photos to school, since they&#8217;re blocked in email and flickr is also blocked. Try to insert your photos at home. If you can&#8217;t do this, you can upload photos to Mosaic, then download them at school so you can insert them into your webpage. See me for a demonstration.
</p>
<p>
From <a href="http://www.readwritethink.org/lessons/lesson_view.asp?id=782" title="NCTE">NCTE</a>
<br />

</p>]]></content>
    </entry>

    <entry>
      <title>Timeline Experiment</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/timeline_experiment/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2490</id>
      <published>2008-06-26T10:11:00Z</published>
      <updated>2008-06-29T01:32:27Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Class Logistics"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Class Logistics/"
        label="Class Logistics" />
      <content type="html"><![CDATA[<div><div id="my-timeline" style="height: 200px; border: 1px solid #eaeaea; font-size: 11px; font-family: verdana;"></div><p style="font-size: x-small">Powered by <a href="http://www.mytimelines.net/" title="Free Interactive Timelines">My Timelines</a></p></div>]]></content>
    </entry>

    <entry>
      <title>Links</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/links/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2480</id>
      <published>2008-06-09T13:51:00Z</published>
      <updated>2008-06-09T14:27:42Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><li dir="ltr"><a href="http://amandaberens7.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Amanda Berens&#8217;s Google page</font></a> 
<li>
<br />
<div><a href="http://jamesar91.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Amanda James&#8217; Google page</font></a></div>
<p>
<li>
<br />
<div><a href="http://angelinalosleben.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Angelina Losleben&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://ashleeclairesteiner.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Ashlee Steiners&#8217; Google page</font></a></div>
<li>
<br />
<div><a href="http://ashleyarcher03.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Ashley Archer&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://gusta816.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Augusta Passow&#8217;s Google page</font></a></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://bryannakristine09.googlepages.com/thefantastichomepage"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Bryanna Peterson&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://440magnummopar.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Chance Allison&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://adidascj8.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Charlee Jenson&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://cnnrtompkins.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Connor Tompkins&#8217; Google page</font></a></div>
<p>
<li>
<br />
<div><a href="http://petersondakota.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Dakota Peterson&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://danielleburris5.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Danielle Burris&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://dtidwell8.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Danielle Tidwell&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://deanna.boyll168.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Deanna Boyll&#8217;s Google page</font></a></div>
<li>
</p>
<div><a href="http://derrikebigsam.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Derrike BigSam&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://got.fog.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Ellie Costilla&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://erinmichelle90.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Erin King&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://heatherhowell.googlepages.com/heather"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Heather Howell&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://mishlulu04.googlepages.com/ariverrunsthoughit"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Jackie Fahlgren&#8217;s Google page</font></a></div>
<p>
<li>
<br />
<div><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://bigamus.jakeamus.googlepages.com/"><font color="#000066">J</font><font color="#000066">ake Walsh&#8217;s Google Page</font></a></font></div>
<li>
<br />
<div><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://squeepanda.googlepages.com/"><font color="#000066">J</font><font color="#000066">essica Huntley&#8217;s Google page</font></a></font></div>
<li>
<br />
<div><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://josefallik.googlepages.com/"><font color="#000066">J</font><font color="#000066">oe Allik&#8217;s Google Page</font></a></font></div>
<li>
<br />
<div><a href="http://twitch2.0.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Justin Moldenhauer&#8217;s Google page</font></a></div>
<p>
<li>
<br />
<div><a href="http://kmartin2009.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Katy Martin&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://keiosalmonson.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Keio Salmonson&#8217;s Google page</font></a></div>
<li>
<br />
<div><a href="http://jonzyjones11.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Kelsie Jones&#8217; Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://kylecooper2008.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Kyle Cooper&#8217;s Google page</font></a></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://kow10120.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Kyle Van Atta&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://auntielisa09.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Lisa Cole&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://lizcarolsimshaw.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Liz Simshaw&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><font face="georgia" size="2"><a href="http://rearflank.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" color="#000066">Mathias Mortensen&#8217;s Google Page</font></font></a></div>
<li>
</p>
<p>
<div style="MARGIN-RIGHT: 0px"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://funnyguymax.googlepages.com/"><font color="#000066">M</font><font color="#000066">ax Toland&#8217;s Google Page</font></a></font></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><font face="Georgia" size="2"><a href="http://meganrenee2009.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" color="#000066">Megan Walk&#8217;s Google Page</font></font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://mdf6049.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Misty Futrell&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://mobboy13.googlepages.com/home"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Mitchell Quiones&#8217; Google Page</font></a></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://twiztedbluntz.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Nic Roark&#8217;s Google Page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://zamendean7.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Noelle Deneault&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://rochelle2421.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Rochelle Woods&#8217; Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://4x4jeep.shortty.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Sam Boyle&#8217;s Google page</font></a></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://jubberdel.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Sarah Odell&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://misskootenai0506.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Seneca Incashola&#8217;s Google Page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://sethhovenkotter.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Seth Hovenkotter&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://smortgies.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Shawn Ortgeis&#8217; Google page</font></a></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://4x4jeepin.googlepages.com/ariverrunsthroughitquotes"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Stefan McCrumb&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://steviemarieescujuri.googlepages.com/"><font color="#000066">S</font><font color="#000066">tevie Escujuri&#8217;s Google Page</font></a></font></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://pereztenas05.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Su-san Perez-Tenas&#8217; Google Page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://tashaconrad.googlepages.com/"><font color="#000066">T</font><font color="#000066">asha Conrad&#8217;s Google Page</font></a></font></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://surfnturfcowgirl.googlepages.com/"><font color="#000066">T</font><font color="#000066">ina Richard&#8217;s Google Page</font></a></font></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2"><a href="http://thvolkswagenfan.googlepages.com/"><font color="#000066">Tr</font><font color="#000066">avis Healy&#8217;s Google page</font></a></font></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://wmorigeau.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Tucker Morigeau&#8217;s Google page</font></a></div>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://tyfreestyler47.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Tyler Engebretson&#8217;s Google page</font></a></div>
<p>
<li>
<br />
<div style="MARGIN-RIGHT: 0px"><a href="http://y.kiefer.googlepages.com/"><font style="BACKGROUND-COLOR: #ffffff" face="georgia" color="#000066" size="2">Yannes Keifer&#8217;s Google page</font></a></div></li></ul></p>]]></content>
    </entry>

    <entry>
      <title>Quotes from A River Runs Through It</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/quotes_river/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2469</id>
      <published>2008-05-18T21:33:01Z</published>
      <updated>2008-06-05T15:36:14Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p>1. In our family, there was no clear line between religion and flyfishing. We lived at the junction of great trout rivers in western Montana, and our father was a Presbyterian minister and a fly fisherman who tied his own flies and taught others. He told us about Christ&#8217;s disciples being fishermen, and we were left to assume, as my brother and I did, that all first-class fishermen on the Sea of Galilee were fly fishermen and that John, the favorite, was a dry-fly fisherman. (1)
</p>
<p>
******************
</p>
<p>
2. As a Scot and a Presbyterian, my father believed that man by nature was a mess and had fallen from an original state of grace. Somehow, I early developed the notion that he had done this by falling from a tree. As for my father, I never knew whether he believed God was a mathematician but he certainly believed God could count and that only by picking up God&#8217;s rhythms were we able to regain power and beauty. Unlike many Presbyterians, he often used the world &#8220;beautiful.&#8221; (2)
</p>
<p>
*******************
</p>
<p>
3. My father was very sure about certain matters pertaining to the universe. To him, all good things--trout as well as eternal salvation--come by grace and grace comes by art and art does not come easy. (4)
</p>
<p>
*******************
</p>
<p>
4. Paul was too young to swing an axe or pull a saw all day, and besides he had decided this early that he had two major purposes in life: to fish and not to work, at least not allow work to interfere with fishing. In his teens, then, he got a summer job as a lifeguard at the municipal swimming pool, so in the early days he could look over girls in bathing suits and date them up for the late evenings. . .Early, then, he had come close to realizing life&#8217;s purposes, which did not conflict in his mind from those given in answer to the first question in the Westminster Catechism. (6-7)
<br />
("Man&#8217;s chief end is to glorify God, and to enjoy him forever.")
</p>
<p>
******************
</p>
<p>
5. [Florence, Norman&#8217;s mother-in-law] She knew how to clean fish when the men forgot to, and she knew how to cook them, and, most important, she knew always to peer into the fisherman&#8217;s basket and exclaim &#8220;My, my!&#8221; so she knew all that any woman of her time knew about fishing, although it is also true that she knew absolutely nothing about fishing.
</p>
<p>
&#8220;I would like very much to think of Neal with him and you,&#8221; she concluded, no doubt hoping that we would improve his morals even more than his casting. In our town, Paul and I were known as &#8220;the preacher&#8217;s kids,&#8221; and most mothers refrained from pointing us out to their children, but to this Scottish woman we were &#8220;the pastor&#8217;s sons,&#8221; and besides as fly fishermen we would be waist deep in cold water all day, where immorality is faced with some real but, as it turned out, not insurmountable problems.
</p>
<p>
&#8220;Poor boy,&#8221; she said, adding as many Scottish r&#8217;s as she could to &#8220;poor.&#8221; More than most mothers, Scottish mothers have had to accustom themselves to migration and sin, and to them all sons were prodigal and welcome home. Scotsmen, however, are much more reserved about welcoming returning male relatives, and do so largely under the powerful influence of their women.
</p>
<p>
&#8220;Sure I will,&#8221; Paul said, &#8220;if Florence wants me to.&#8221; And I knew that, having been given his word, I would never get another kick out of him.&#8221; (11)
</p>
<p>
******************
</p>
<p>
6. Even though Paul must have had three or four fish by now, I took my time walking down the trail, trying with each step to leave the world behind. Something within fishermen tries to make fishing into a world perfect and apart. I don&#8217;t know what it is or where, because sometimes it is in my arms and sometimes in my throat and sometimes nowhere in particular except somewhere deep. Many of us would probably be better fishermen if we did not spend so much time watching and waiting for the world to be better. (37)
</p>
<p>
******************
</p>
<p>
7. Fishing is a world apart from all others, and inside it are special worlds of their own--one is fishing for big fish in small water where there is not enough world and water to accommodate a fish and a fisherman, and the willows on the side of the creek are all against the fisherman. (40)
</p>
<p>
*****************
</p>
<p>
8. I suppose he took my rod so I wouldn&#8217;t think that the cast into the bushes could be done only by his rod. It was in this way that I came to know that my rod can be made to cast into bushes, but the truth is I have never mastered the cast, probably because I still flinch from the prospect of losing flies that I don&#8217;t have to pay for.
</p>
<p>
I had no choice now but to cast into the willows if I wanted to know why fish were jumping in the water all around me except in this hole, and I still wanted to know, because it is not fly fishing if you are not looking for answers to questions. (42)
</p>
<p>
*****************
</p>
<p>
9. When we were silent we could hear the needles falling like dry leaves. Suddenly the needles stopped. &#8220;I should leave Montana,&#8221; he [Paul] said. &#8220;I should go to the West Coast.&#8221;
</p>
<p>
I had thought that, too, but I asked, &#8220;Why?&#8221;
</p>
<p>
&#8220;Here,&#8221; he said, &#8220;I cover local sports and personal items and the police blotter. I don&#8217;t have anything to do. Here I will never have anything to do.&#8221;
</p>
<p>
&#8220;Except hunt and fish,&#8221; I told him.
</p>
<p>
&#8220;And get into trouble,&#8221; he added. (57)
</p>
<p>
*****************
</p>
<p>
10. As the heat mirages on the river in front of me danced with and through each other, I could feel patterns from m own life joining with them. It was here, while waiting for my brother, that I started this story, although, of course, at the time I did not know that stories of life are often more like rivers than books. But I knew a story had begun, perhaps long ago near the sound of water. And I sensed that ahead I would meet something that would never erode so there would be a sharp turn, deep circles, a deposit, and quietness.
</p>
<p>
The fisherman even has a phrase to describe what he does when he studies the pattern of a river. He says he is &#8220;reading the water,&#8221; and perhaps to tell his stories he has to do much the same thing. Then one of his biggest problems is to decide where and at what time of day life lies ready to be taken as a joke. And to guess whether it is going to be a little or a big joke.
</p>
<p>
For all of us, though, it is much easier to read the waters of tragedy (63-64)
</p>
<p>
*****************
</p>
<p>
11. He knew I was being blamed for Neal, and he may well have thought my marriage was breaking up. He had heard me called a bastard, and he was out of the house when I and the three Scottish women publicly declared our love for each other, given the restrictions that Scots put on such public declarations. Actually, I was feeling lordly with love and several times broke into laughter that I can&#8217;t explain otherwise, but he could have thought I was trying to be brave about having made a mess of my life. I don&#8217;t really know what he thought, but he was as tender as I usually tried to be to him. (78)
</p>
<p>
*****************
</p>
<p>
12. &#8220;Help,&#8221; he said, &#8220;is giving part of yourself to somebody who comes to accept it willingly and needs it badly.
</p>
<p>
&#8220;So it is,&#8221; he said, using an old homiletic transition, &#8220;that we can seldom help anybody. Either we don&#8217;t know what part to give or maybe we don&#8217;t like to give any part of ourselves. Then, more often than not, the part that is needed is not wanted. And even more often, we do not have the part that is needed.&#8221; (81)
</p>
<p>
*****************
</p>
<p>
13. They weren&#8217;t the biggest or most spectacular fish I ever caught, but they were three fish I caught because my brother waded across the river to give the fly that would catch them and because they were the last fish I ever caught fishing with him. (94)
</p>
<p>
*****************
</p>
<p>
14. Then he told me, &#8220;In the part I was reading it says the Word was in the beginning, and that&#8217;s right. I used to think water was first, but if you listen carefully you will hear that the words are underneath the water.&#8221;
</p>
<p>
&#8220;That&#8217;s because you are a preacher first and then a fisherman,&#8221; I told him. &#8220;If you ask Paul, he will tell you the words are formed out of water.&#8221;
</p>
<p>
&#8220;No,&#8221; my father said, &#8220;you are not listening carefully. The water runs over the words. Paul will tell you the same thing.&#8221; (95-96)
</p>
<p>
[In the beginning was the Word, and the Word was with God, and the Word was God. John 1:1]
</p>
<p>
*****************
</p>
<p>
15. &#8220;He is beautiful,&#8221; my father said. . .(100)
</p>
<p>
At the end of this day, then, I remember him both as a distant abstraction in artistry and as a closeup in water and laughter. (101)
</p>
<p>
*****************
</p>
<p>
16. A river, though, has so many things to say that it is hard to know what it says to each of us. As we were packing our tackle and fish in the car, Paul repeated, &#8220;Just give me three more years.&#8221; At the time, I was surprised at the repetition, but later I realized that the river somewhere, sometime, must have told me, too, that he would receive no such gift. (102)
</p>
<p>
*****************
</p>
<p>
17. &#8220;If you push me far enough, all I really know is that he was a fine fisherman.&#8221;
</p>
<p>
&#8220;You know more than that,&#8221; my father said. &#8220;He was beautiful.&#8221;
</p>
<p>
&#8220;Yes,&#8221; I said, &#8220;he was beautiful. He should have been--you taught him.&#8221; (103)
</p>
<p>
*****************
</p>
<p>
18. &#8220;After you have finished your true stories sometime, why don&#8217;t you make up a story and the people to go with it?
</p>
<p>
&#8220;Only then will you understand what happened and why.&#8221; (104)
</p>
<p>
*****************
</p>
<p>
19. Eventually, all things merge into one, and a river runs through it. The river was cut by the world&#8217;s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
</p>
<p>
I am haunted by waters. (104)
</p>]]></content>
    </entry>

    <entry>
      <title>Assignment Schedule: MacLean</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/assignment_schedule_maclean/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2464</id>
      <published>2008-05-12T20:55:04Z</published>
      <updated>2008-05-12T21:02:19Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><b>Discussion Schedule</b>
</p>
<p>
Friday, May 9   1-14
<br />
Monday, May 12 (15-32)
<br />
Tuesday, May 14 (33-47)
<br />
Monday, May 19 (48-63)
<br />
Thursday, May 22 (64-79)
<br />
Wednesday, May 28 (80-95)
<br />
Monday, May 30 &amp; June 2 (96-104)
</p>
<p>
<b>Writing and Performance Assignment Schedule</b>
</p>
<p>
&#8220;Where I&#8217;m From&#8221; poem due May 20
<br />
&#8220;Character Sketch&#8221; due May 23
<br />
&#8220;Essay of Place&#8221; due May 29
<br />
Oral Poetry Slam June 4
<br />
&#8220;Persuasive Essay&#8221; due June 6
<br />
Finished Google Web site June 6
</p>]]></content>
    </entry>

    <entry>
      <title>Template for a &#8220;Where I&#8217;m From&#8221; poem</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/template_for_a_where_im_from_poem1/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2463</id>
      <published>2008-05-12T18:10:01Z</published>
      <updated>2008-05-12T18:33:38Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><b>Where Are You From?</b>
</p>
<p>
&#8220;If you don&#8217;t know where you&#8217;re from, you&#8217;ll have a hard time saying where you&#8217;re going.&#8221; Wendell Berry, among others, has voiced this idea that we need to understand our roots to know our place in the world.
</p>
<p>
Give it a try. The prompts have a way of drawing out memories of the smells of attics and bottom-drawer keepsakes; the faces of long-departed kin, the sound of their voices you still hold some deep place in memory. You&#8217;ll be surprised that, when you&#8217;re done, you will have said things about the sources of your unique you-ness that you&#8217;d never considered before. What&#8217;s more, you will have created something of yourself to share--with your children, spouse, siblings--that will be very unique, very personal and a very special gift.
</p>
<p>
<b>Brainstorm a list</b>
</p>
<p>
Brainstorm a list of places that stick in your mind. 
<br />
Next, go beyond places. Describe colors, people, and objects
<br />
Then, try to remember sayings from parents/friends
<br />
Keep going: 
<br />
<blockquote><p>Items from around the house
<br />
Items from the yard
<br />
Items found in the neighborhood
<br />
Names of relatives
<br />
Names of foods, dishes that recall family gatherings</p></blockquote>
<p>
<b>Organize some of them into a form, starting with the WHERE I&#8217;M FROM Template:</b>
</p>
<p>
1. I am from _______ (specific ordinary item), from _______ (product name) and _______.
<br />
2. I am from the _______ (home description&#8230; adjective, adjective, sensory detail).
<br />
3. I am from the _______ (plant, flower, natural item), the _______ (plant, flower, natural detail)
<br />
4. I am from _______ (family tradition) and _______ (family trait), from _______ (name of family member) and _______ (another family name) and _______ (family name).
<br />
5. I am from the _______ (description of family tendency) and _______ (another one).
<br />
6. From _______ (something you were told as a child) and _______ (another).
<br />
7. I am from (representation of religion, or lack of it). Further description.
<br />
8. I&#8217;m from _______ (place of birth and family ancestry), _______ (two food items representing your family).
<br />
9. From the _______ (specific family story about a specific person and detail), the _______ (another detail, and the _______ (another detail about another family member).
<br />
10. I am from _______ (location of family pictures, mementos, archives and several more lines indicating their worth).
</p>
<p>
<a href="http://www.georgeellalyon.com/where.html" title=""Where I'm From" - the original poem">&#8220;Where I&#8217;m From&#8221; - the original poem</a>  
<br />
<a href="http://www.georgeellalyon.com/audio/where.mp3" title="George Ella Lyon">Audio</a> of George Alyon reading &#8220;Where I&#8217;m From&#8221;
</p>]]></content>
    </entry>

    <entry>
      <title>Reading Schedule to End of Quarter</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/reading_schedule_to_end_of_quarter/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2458</id>
      <published>2008-05-09T19:58:01Z</published>
      <updated>2008-05-09T20:06:17Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><b>Reading Schedule</b>
</p>
<p>
<i>A River Runs Through It</i>
</p>
<p>
Friday, May 9   1-14
</p>
<p>
Monday, May 12  15-32
<br />
Tuesday, May 13 33-47
<br />
Wednesday, May 14 48-63
<br />
Thursday, May 15 64-79  
<br />
Friday, May 16 80-95 
</p>
<p>
Monday, May 19 96-104
</p>
<p>
<i>Wind From an Enemy Sky</i>
</p>
<p>
May 19 Hand out books, read first 2 chapters
</p>
<p>
May 20 Chap 1-2 (1-25)
<br />
May 21 Chap 3-4 (26-39)
<br />
May 22 Chap 5-6 (40-52)
<br />
May 23 Chap 7-10 (53-85)
</p>
<p>
May 26 Memorial Day No School
<br />
May 27 Chap 11-12 (86-100)
<br />
May 28 Chap 13-14 (101-111)
<br />
May 29 Chap 15-16 (112 - 128)
<br />
May 30 Chap 17-18 (129-151)
</p>
<p>
June 2 Chap 18-20 (152-173)
<br />
June 3 Chap 21-22 (174-187)
<br />
June 4 Chap 23-24 (188-198)
<br />
June 5 Chap 25-26 (199-215)
<br />
June 6 Chap 27-28 (216-226)
</p>
<p>
June 9 Chap 29-30 (227-241)
<br />
June 10 Chap 31-32 (242-258) 
<br />
June 11 Quarter Final Exam (Chosen, River, Wind)
<br />
June 12 Last Day / Checkout
<br />

</p>]]></content>
    </entry>

    <entry>
      <title>McNickle: Student resources &#45; handouts, assignments, etc.</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/student_resources_handouts_assignments_etc/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2457</id>
      <published>2008-05-09T19:45:01Z</published>
      <updated>2008-05-09T19:58:41Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Contemporary"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Contemporary/"
        label="Contemporary" />
      <category term="Local Studies"
        scheme="http://www.flatheadreservation.org/index.php/site/category/local_studies/"
        label="Local Studies" />
      <content type="html"><![CDATA[<p>May 19 Hand out books, read first 2 chapters
</p>
<p>
May 20 Chap 1-2 (1-25)
<br />
May 21 Chap 3-4 (26-39)
<br />
May 22 Chap 5-6 (40-52)
<br />
May 23 Chap 7-8 (53-65)
</p>
<p>
May 26 Memorial Day No School
<br />
May 27 Chap 9-10 (66-85)
<br />
May 28 Chap 11-12 (86-100)
<br />
May 29 Chap 13-14 (101-111)
<br />
May 30 Chap 15-16 (112 - 128)
</p>
<p>
June 2 Chap 17-18 (129-151)
<br />
June 3 Chap 18-20 (152-173)
<br />
June 4 Chap 21-22 (174-187)
<br />
June 5 Chap 23-24 (188-198)
<br />
June 6 Chap 25-26 (199-215)
</p>
<p>
June 9 Chap 27-28 (216-226)
<br />
June 10 Chap 29-30 (227-241)
<br />
June 11 Chap 31-32 (242-258) Quarter Final Exam (Chosen, River, Wind)
<br />
June 12 Last Day / Checkout
</p>]]></content>
    </entry>

    <entry>
      <title>Wind from an Enemy Sky</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/wind_from_an_enemy_sky/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2444</id>
      <published>2008-04-30T20:40:01Z</published>
      <updated>2008-04-30T21:36:07Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><a href="http://christa.umphrey.googlepages.com/wind.from.an.enemy.sky">http://christa.umphrey.googlepages.com/wind.from.an.enemy.sky</a>
</p>
<p>
<b>Chapter 1</b>
</p>
<p>
1. What are Bull and his grandson doing at the beginning of the book? What does this beginning lead you to believe this story may be about?
</p>
<p>
2. Where has the boy (Antoine) been and what was his experience like?
</p>
<p>
3. What does Bull do when he sees the Dam? How does his reaction affect Antoine? What insight does this give you into their relationship?
</p>
<p>
4. Compare what Bull believes his grandson is thinking at the dam with what Antoine was really thinking. What does this show about their relationship?
</p>
<p>
5. What detail about Bull do you remember most vividly from this chapter? Why does this stand out? What other person does he remind you of (if you had to pick someone)? What are the similarities?
</p>
<p>
<b>Chapter 2</b>
</p>
<p>
6. How/ where did the government men want Bull to live? Why do you think they want this?
</p>
<p>
7. Find at least one detail about both Basil and Louis. Explain how the men are related to Antoine, in both the white and tribal relationship.&nbsp; 
</p>
<p>
8. Who is Two Sleeps and where did he come from?
</p>
<p>
9. Who is the man who comes into the camp at night singing? Why has he come and how do the other men in the circle feel about him?
</p>
<p>
10. It has been 30 years since Bull and his brother have talked. Why? How has the land changed since the men&#8217;s earlier years when they got along?
</p>
<p>
11. What is Henry Jim&#8217;s plan and how does Bull feel about it? How would you feel in Bull&#8217;s position?
</p>
<p>
<b>Chapter 3</b>
</p>
<p>
12.&nbsp; Compare Bull and Henry Jim. Which character is more interesting to you? Why? Which would you rather spend time with?
</p>
<p>
13.&nbsp; Who is Toby Rafferty and why has Henry Jim come to see him?
</p>
<p>
14.&nbsp; What are four of the things the &#8220;men from afar countries, from somewhere east of the mountains&#8221; tell the Indians to do? What effect did these things have on the Indian families?
</p>
<p>
<b>Chapter 4</b>
</p>
<p>
15.&nbsp; How would you rate Toby Raferty&#8217;s effectiveness on the Little Elk Reservation? Explain. 
</p>
<p>
16.&nbsp; How does the Indian tradition of the &#8220;midsummer dances&#8221; affect their farming? What would you do about this dilemma if you worked for the BIA?
</p>
<p>
17.&nbsp; Who is Edwards and what kind of person is he?
</p>
<p>
18.&nbsp; What is Rafertys opinion of the training Washington DC gives the people they send to work with the Indians?
</p>
<p>
19.&nbsp; Compare Raferty&#8217;s description of Henry Jim with the earlier description about him from the book? What is similar? Different? What do you think accounts for the variance? 
</p>
<p>
<b>Chapter 5</b>
</p>
<p>
20. How are Pock Face and Theobold described? After being introduced, do you like these men or not? Explain. 
</p>
<p>
21. What do Pock Face &amp; Theobold do in this chapter and how do they pull Bull into their actions? Do you think their actions are justifiable?
</p>
<p>
<b>Chapter 6</b>
</p>
<p>
22.&nbsp; How is Wells involved with the medicine bundle and how does he think the Little Elk people would&#8217;ve acted differently if they had never lost the bundle? Do you agree with his speculation? Why or why not?
</p>
<p>
23.&nbsp; What involvement did Henry Jim have with the bundle 30 years ago?
</p>
<p>
24.&nbsp; Why won&#8217;t Wells help Raferty get the bundle back? What is the right thing to do?
</p>
<p>
<b>Chapter 7</b>
</p>
<p>
25. Where is Henry Jim going on Red Son at the beginning of the chapter? Why?
</p>
<p>
26.&nbsp; How do all Henry Jims kinsmen react to the message he is bringing them?
</p>
<p>
27.&nbsp; Why is Henry Jimand then everyone else&#1495;singing?
</p>
<p>
28.&nbsp; Why won&#8217;t the US Marshall let the group of Indians inside the agency?
</p>
<p>
29.&nbsp; Who is already inside the agency?
</p>
<p>
<b>Chapter 8</b>
</p>
<p>
30.&nbsp; What does Two Sleeps tell the women when he&#8217;s ask to decide what should be done about Pock Face &amp; Theobold? How do the women react to his answer?
</p>
<p>
31.&nbsp; What happens with the whiskey? Why do you think this section is included in the book?
</p>
<p>
32.&nbsp; What did Bull do to fool Antoine as Antoine was trying to find him? According to Veronica, why does he do this?
</p>
<p>
33.&nbsp; How does Bull react when Pock Face tells him what he has done? How does this compare with what you would expect?
</p>
<p>
<b>Chapter  9</b>
</p>
<p>
34.&nbsp; After they find the body, what is the tension between Rafferty and Grant? How are they approaching the crime differently?
</p>
<p>
35.&nbsp; What do we learn about the man who was killed?
</p>
<p>
36.&nbsp; What seems to be Sid Grant&#8217;s opinion of the Indian community? Find specific examples to back up your ideas.
</p>
<p>
37.&nbsp; What does Antoine do as he translates?
</p>
<p>
<b>Chapter 10</b>
</p>
<p>
38.&nbsp; Who is the Boy? What do you think are the most important pieces information we get about him in this chapter?
</p>
<p>
39.&nbsp; What is confusing to Rafferty about the situation with the murder and how Bull and his people are involved?
</p>
<p>
40.&nbsp; Who is singing in this chapter and what is the significance?
</p>
<p>
<b>Chapter 11</b>
</p>
<p>
41.&nbsp; Where are Bull and his men kept and why is this location chosen instead of the jail?
</p>
<p>
42.&nbsp; What does The Boy think working for the government does to an Indian mans relationship with his own people? Why do you think he continues his job if he believes this?
</p>
<p>
43.&nbsp; What problem does Bull have with the white man&#8217;s law that is keeping him at the agency?
</p>
<p>
44.&nbsp; What does Pock Face tell his people when he decides to speak?
</p>
<blockquote><p>How does Pock Face&#8217;s dad, Louis, react to his son&#8217;s announcement?
</p>
<p>
How does Bull react?</p></blockquote>
<p>
45. What has the Boy come to talk to Bull&#8217;s people about?
</p>
<p>
46. What is Bull&#8217;s impression of the &#8220;government man&#8221; (Rafferty)?
</p>
<p>
47. How does Bull want to handle the situation he and his people are in?
</p>
<p>
48. Why does Bull grieve for his brother Henry Jim when he isnt even dead?
</p>
<p>
<b>Chapter 12</b>
</p>
<p>
49. What do Catherine and Lucille have in common?
</p>
<p>
50. What are all the women in camp doing or getting ready for?
</p>
<p>
51. What is Marie Louise&#8217;s predicament and how does it turn out?
</p>
<p>
52. If you were a woman in camp, whose actions would probably most closely resemble your own? Why?
</p>
<p>
<b>Chapter 13</b>
</p>
<p>
53. Who arrives on the train?
</p>
<p>
54. Who is Adam Pell? 
</p>
<p>
<b>Chapter 14</b>
</p>
<p>
55. Where does Antoine plan to go after leaving the women at his Uncle Jeromes camp?
</p>
<p>
56. What plan for the Indians does the Long Armed man explain to Antoine at the boarding school?
</p>
<p>
57. Describe Antoine&#8217;s experience at boarding school.
</p>
<p>
58.&nbsp; What brings Antoine back to the Little Elk Reservation?
</p>
<p>
<b>Chapter 15</b>
</p>
<p>
59.&nbsp; What disturbs Antoine about Henry Jim&#8217;s place, and what does he see once he gets there that makes him feel better?
</p>
<p>
60.&nbsp; What is strange about Henry Jim lying on the ground? Why has Henry Jim moved out of his house? Does this make sense to you? Why or why not?
</p>
<p>
61.&nbsp; What did the government man tell Henry Jim that turned out not to be true?
</p>
<p>
62. How does Henry Jim seem to feel now about the decisions he&#8217;s made in his life?
</p>
<p>
<b>Chapter 16</b>
</p>
<p>
63. What is Edwards evaluation of Henry Jim&#8217;s health?
</p>
<p>
64. What is Rafferty concerned about? What is The Boys advice to Rafferty when he questions him about how to proceed with the murder investigation?
</p>
<p>
65. What conclusion has Henry Jim come to about why his tribe just left him behind? Assuming his conclusion is correct, do you think they did the right thing?
</p>
<p>
66. How does Rafferty decide to handle the situation with Bull and the murder accusations &amp; Henry Jim needing his family near him as he is growing weaker?
</p>
<p>
<b>Chapter 17</b>
</p>
<p>
67. What happened many years ago that first caused Bull to become angry? What changed? How?
</p>
<p>
68. What types of things were the white people doing at first that just made the Indians laugh?
</p>
<p>
69. Initially, what did Indians think would eventually happen to the white men? How did things actually progress? What does Bull think his people&#8217;s mistake was in dealing with the white people?
</p>
<p>
70. Explain Bull&#8217;s experience with the white school.
</p>
<p>
<b>Chapter 18</b>
</p>
<p>
71. What is the relationship between Adam Pell and Gen (or Ms. Thomas Hendricks Cook) and how is the boy that was murdered related to them?
</p>
<p>
72. What did Adam&#8217;s friend Carlos do with his family&#8217;s land and how did people react?
</p>
<p>
73. What was Adam Pell&#8217;s promise to Carlos that caused him to miss his sisters Christmas gathering to go to Cuno, Peru?&nbsp; What did living in Cuno make Adam begin to think about?
</p>
<p>
74. What decision does Thomas Cooke make after listening to Adam and how does Gen react?
</p>
<p>
<b>Chapter 19</b>
</p>
<p>
75. Why is the design of the dam impressive to the engineer? He uses the word &#8220;beautiful&#8221; in his description. What adjective would you use?
</p>
<p>
76. How did the US Marshal and his men find the gun? What two questions are still left unanswered even after the gun is discovered?
</p>
<p>
<b>Chapter 20</b>
</p>
<p>
77. What is the first thing Bull says to the group when he arrives at the agency? How is this received?
</p>
<p>
78. How are the white laws and Indian ways of handling crimes different? What are the benefits and drawbacks of each system?
</p>
<p>
79. Why is Bull afraid of Sid Grant?
</p>
<p>
80. What are the contents of the two packages from Bull&#8217;s camp?
</p>
<p>
81. What are the two reasons the Marshall gives for his belief that Bull is not the murderer?
</p>
<p>
82. Who interrupts the meeting at the agency meeting and what is his message?
</p>
<p>
83. What stops Bull from rising to confront Adam Pell when he realizes he was the one responsible for the dam?
</p>
<p>
84. How does Thomas Cooke react to Pock Faces declaration and what does he recommend?
</p>
<p>
85. What realization has shocked Adam Pell? In what way, besides the trouble over the dam, is Adam Pell involved in the trouble on the Little Elk Reservation? After the discussion, what does he want to do and why?
</p>
<p>
<b>Chapter 21</b>
</p>
<p>
86. What did Rafferty and Doc Edwards make up to explain to some of the government men that came to Henry Jim&#1170;s funeral and asked why his body was taken from a teepee and not his &#8220;elegant house&#8221; and why they were taking his horse along to the burial?
</p>
<p>
87. What did Henry Jim&#8217;s burial service entail?
</p>
<p>
88. How long was Rafferty on the Little Elk Reservation before any of the Natives actually started taking to him? Does this seem a long or short amount of time? Explain.
</p>
<p>
89. What does Henry Two Bits come to ask Rafferty? What does he have that surprises Rafferty?
</p>
<p>
90. How have things changed between The Boy and the rest of the Little Elk people?
</p>
<p>
91. What does Bull ask The Boy to do for him?
</p>
<p>
<b>Chapter 22</b>
</p>
<p>
92.&nbsp; How does it seem things are going to turn out for Pock Face? What leads you to this conclusion?
</p>
<p>
93.&nbsp; What behavior of Bull&#8217;s, in his younger days when he was still drinking, sometimes scared others? What ended Bull&#8217;s drinking days?
</p>
<p>
<b>Chapter 23</b>
</p>
<p>
94.&nbsp; What does Adam Pell realize American laws made legal that he feels is wrong (but none of his important friends seemed to agree). What did the law allow that Rafferty considered &#8220;thievery&#8221;? How does he think the white men who came to the reservation were also &#8220;exhorted&#8221;?
</p>
<p>
95.&nbsp; What are the two things that resulted as the dam?
</p>
<p>
96.&nbsp; How does Adam react to the judge&#8217;s claim that these exploits against the Indians were &#8220;hasty and not well considered&#8221;?&nbsp; 
</p>
<p>
<b>Chapter 24</b>
</p>
<p>
97.&nbsp; What does Two Sleeps experience in this chapter?
</p>
<p>
<b>Chapter 25</b>
</p>
<p>
98.&nbsp; The Little Elk people always get together for storytelling and remembering in the winter, but there are some things different than this winter than last. What are they?
</p>
<p>
99.&nbsp; Describe the circumstances of how Antoine ended up at boarding school.
</p>
<p>
100. Describe how Celeste, Antoine, Veronica and Bull are related and how their relationships have changed over the years.
</p>
<p>
101. Why does Bull want to tell old stories&#8212;those his father knew&#8212;instead of telling stories from his own life? Do you think anything similar to this happens in society today? 
</p>
<p>
102. Who is Featherboy really? What does he bring the Little Elk people and why is the bundle important or why do they people need to protect it?
</p>
<p>
<b>Chapter 26</b>
</p>
<p>
103. Why does Adam Pell want to bring the Little Elk people a gift?&nbsp; What does he plan to give them? Where did this come from and why does he think it is a good gift? Do you think his gesture is appropriate or not? Explain.
</p>
<p>
<b>Chapter 27</b>
</p>
<p>
104. What messages does the Boy bring to Bull&#8217;s camp?
</p>
<p>
105. How does Louis feel about the current situation they are all in? What does he think they should do? What is Bull&#8217;s reply?
</p>
<p>
<b>Chapter 28</b>
</p>
<p>
106. How has the Little Elk Valley changed over the last few years? Which changes are positive? Negative?
</p>
<p>
107. What does Pock Face think they should do about the requests they receive? What does Louis think about it or want to do?
</p>
<p>
<b>Chapter 29</b>
</p>
<p>
108. What problem does Adam Rafferty think would arise if all 2,000 Indians actually decided they wanted to farm, as the government wants them to?
</p>
<p>
109. How does Adam Pell feel about the government&#8217;s Indian policy now he is aware of it?
</p>
<p>
110. What do Doc Edwards and Rafferty want Pell to do instead of telling Bull what actually happened to the bundle? Why? Do you think their plan is wise? Explain.
</p>
<p>
111. Why does Adam think his object is a good substitute for the bundle?
</p>
<p>
<b>Chapter 30</b>
</p>
<p>
112. Where are Bull and his group going, and what makes Bull suspicious?
</p>
<p>
<b>Chapter 31</b>
</p>
<p>
113. Where is Veronica going?
</p>
<p>
114. What do Veronica and Two Sleeps end up doing?
</p>
<p>
115. What does Veronica see that Two Sleeps seems to miss?
</p>
<p>
116. What does Two Sleeps see/ understand?
</p>
<p>
<b>Chapter 32</b>
</p>
<p>
117.&nbsp; What does Rafferty think of The Boy? Of Bull?
</p>
<p>
118. What does Rafferty confront Adam about? (then warn him about again a few pages later)
</p>
<p>
119. What chance does Rafferty think they&#8217;ve missed by telling the Little Elk people their sacred object is gone?
</p>
<p>
120. Why has Adam Pell brought Mr. Davis?
</p>
<p>
121. What does Adam Pell tell Bull and his men? How do Bull&#1170;s men react? 
</p>
<p>
122. What does Louis that basically ends the meeting?
</p>
<p>
123. Whose acts would you say are noble in the end? How do you decide?
</p>
<p>
124.&nbsp; What do you think of the ending of the book? Is it strong or weak? Interesting? Regardless of whether your like or dislike it, does it seem appropriate? Why or why not?
</p>
<p>
125. Go back to the first sentence of the book: &#8220;The Indian named Bull and his grandson took a walk into the mountains to look at a dam built in a cleft of rock, and what began as a walk became a journey into the world.&#8221; After finishing, what do you think this means?
</p>
<p>
126. What parts of the book seems to reflect historical events?
</p>]]></content>
    </entry>

    <entry>
      <title>Becoming American</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/becoming_american/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2443</id>
      <published>2008-04-29T06:24:00Z</published>
      <updated>2008-04-29T06:27:35Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p>Thomas Lindsay, chairman of the National Endowment for the Humanities, <a href="http://insidehighered.com/views/2008/04/25/lindsay" title="Inside Higher Ed">discusses</a> what it means to be an American:
</p>
<blockquote><p>First, what is the meaning of human equality as articulated in the Declarations assertion that &#1171;all men are created equal? Equal in what respects? What view of human nature does this presuppose? Does the Declaration mean to include African-Americans, as Abraham Lincoln, along with Frederick Douglass and the Reverend Dr. Martin Luther King, Jr., insisted?
</p>
<p>
Second, what does the Declaration mean by asserting that we possess rights that are not &#1299;alienable? Who or what, precisely, cannot alienate our rights? Are all rights deemed inalienable, or only some? And why?
</p>
<p>
Third, why does the Founding generation consider government just only when it is instituted by the consent of the governed? Is justice for the Founders merely consent-based? If not, what might trump consent?
</p>
<p>
Fourth, why did the Founders opt for representative democracy over the &#1299;pure version of democracy practiced in ancient Athens? What did The Federalist (penned by Alexander Hamilton, James Madison, and John Jay) assert was the inadequacy of ancient democracy?
</p>
<p>
Fifth, how does the Constitution seek to reconcile democracy, which means rule by the majority, with the rights of minorities? Stated differently, how do we do justice both to the equality of all and to the liberty of each?
</p>
<p>
Sixth, and finally, what economic conditions make American democracy possible? Why does the Constitution protect property rights? Why do its critics, such as Marx, believe private property to be the root of injustice? How would Madison and Hamilton have responded to Marx&#1298;s and his followers critique?
</p>
<p>
Implicit in these questions are at least ten fundamental documents and major speeches that every American citizen should study. The questions regarding the meaning of human equality, inalienable rights, popular consent, and the right of revolution clearly require an examination of the Declaration, along with Frederick Douglass&#1170;s The Meaning of the Fourth of July to the Negro,&#1236; and Chief Justice Taneys infamous opinion for the majority in the Dred Scott case (where Taney denies that African-Americans have any rights that whites are bound to respect). Against Taney, Frederick Douglass&#1170;s and Lincolns scathing critiques of the Dred Scott opinion need to be taught.
</p>
<p>
The Declaration needs also to be scrutinized in its relation to the pro-woman&#1170;s-suffrage, 1848 Seneca Falls Declaration of Sentiments and Resolutions&#1236; and the Reverend Martin Luther King, Jr.s &#1171;I Have a Dream speech, delivered on the National Mall in 1963. Why did Elizabeth Cady Stanton look to the form and substance of the Declaration of Independence in crafting the Seneca Falls Declaration? What did the Reverend King mean by asserting that the Declaration of Independence and the Constitution constituted a &#1299;promissory note to which every American was to fall heir?
</p>
<p>
The Constitution, of course, must be taught to our students. As both critics and admirers of the Constitution agree, there is no more authoritative commentary on that document than The Federalist, the series of 85 newspaper essays defending and explaining the Constitution, written during the period that the states were debating its ratification. Specifically, the questions regarding representation, minority rights, and the economics of democracy require examination of the Constitution and The Federalist, along with Theodore and Franklin Roosevelt&#1298;s writings and speeches on economic democracy.
</p>
<p>
Finally, for reasons already articulated, all students need to be introduced both to Tocquevilles defense of democratic equality and to his concerns over the intellectual conformism to which American democracy lies exposed.</p></blockquote>]]></content>
    </entry>

    <entry>
      <title>ump</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/ump/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2438</id>
      <published>2008-04-23T04:23:00Z</published>
      <updated>2008-04-23T04:24:44Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><img src="http://flatheadreservation.org/images/uploads/portraitgif.gif" border="0" alt="image" name="image" width="200" height="200" />
</p>]]></content>
    </entry>

    <entry>
      <title>Creating an online profile</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/creating_an_online_profile/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2437</id>
      <published>2008-04-23T01:13:01Z</published>
      <updated>2008-04-23T01:29:21Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p>I&#8217;m a _________, ________ and _________ (list three things that describe you; for example, a writer, a video game addict, a shepherd)  from __________ (list the general area you live in, e.g. country, state or city, but don&#8217;t ever give your address). 
</p>
<p>
I think of myself as a _______ (your temperament e.g. quiet, bubbly, shy, outgoing) person, although I&#8217;ve also been known to __________ when __________ . I asked my friends how they would describe me and they said ________, ________ and _________.
</p>
<p>
The things I love most in life are ______, _________ and ________ (list your favorite things, e.g. hanging with friends, my relationship with God, photography, cycling, family, my kids). I&#8217;ve been ___________ (one of your hobbies) for ____ years, and I really love it.
</p>
<p>
My idea of the perfect day would start with _________. And then I&#8217;d _______ and finish off by ________.
</p>
<p>
The kinds of people I&#8217;d like to spend time with are ones who are ________ and ________. That&#8217;s important to me because __________.
<br />

</p>
<blockquote><p>Use specifics. Be sincere and honest. Write like you talk. Show your personality. If you make jokes, make them tasteful, self-deprecating or sarcastic, and do so with caution. Figure out what makes you different from everyone else, and use it to your advantage. Again, stay away from generic adjectives and focus more on proper nouns and stories. Stay consistently positive and confident without seeming annoying and arrogant. Be proud of who you are and wear it confidently in your language and tone. No red flags, no obvious baggage, no glaring insecurities, no spelling mistakes, no superficial wish list about money or looks.</p></blockquote>
<p>
You should have fun writing your profile. If you have fun writing it, the reader will likely have fun reading it.
<br />

</p>]]></content>
    </entry>

    <entry>
      <title>Portfolio Essays Assignment Sheet</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/portfolio_essays_assignment_sheet/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2424</id>
      <published>2008-04-14T18:27:00Z</published>
      <updated>2008-04-14T18:29:24Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Handouts"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Handouts/"
        label="Handouts" />
      <content type="html"><![CDATA[<p>Citizenship Essay due Monday, May 5
<br />
Postsecondary Essay due Monday, May 12
<br />
Work Ethic Essay due Monday, May 19
<br />
Issue of Concern Essay due Tuesday, May 27
</p>
<p>
<b>Citizenship Essay</b>
</p>
<p>
Write an essay in which you discuss how you anticipate meeting the personal challenges and responsibilities of citizenship in your community and/or the world. (200 words or less)
</p>
<p>
<b>Postsecondary Education and Career Goals Essay</b>
</p>
<p>
Write an essay in which you state your postsecondary and career goals and summarize your plan to achieve them. Your essay should include a discussion of education and its role in your future plan. (200 words or less)
</p>
<p>
<b>Work Ethic Essay</b>
</p>
<p>
Write an essay responding to one of the following statements regarding the value of work and the work ethic. (200 words or less)
</p>
<p>
	<blockquote><p>&#8220;The secret of joy in work is contained in one wordexcellence. To know how to do something well is to enjoy it.&#8221; Pearl Buck
</p>
<p>
	&#8220;Opportunity is missed by most people because it is dressed in overalls and looks like work.&#8221;
<br />
	Thomas A. Edison
</p>
<p>
	&#8220;My grandfather once told me that there are two kinds of people: those who work and those who take the credit. He told be to try to be in the first group; there was less competition there.&#8221;
<br />
	Indira Ghandi
</p>
<p>
	&#8220;Nothing is really work unless you would rather be doing something else.&#8221;
<br />
	James M. Barrie
</p>
<p>
	&#8220;Instead of thinking about where you are, think about where you want to be. It takes twenty years of hard work to be an overnight success.&#8221; Diana Rankin
</p>
<p>
	&#8220;Far and away the best prize that life offers in the chance to work hard at work worth doing.&#8221;
<br />
	Theodore Roosevelt</p></blockquote>
<p>
<b>An Issue of Concern Essay</b>
</p>
<p>
Discuss an issue of personal, local, national, or international concern, and it&#8217;s importance to you. (300 words or less)
</p>]]></content>
    </entry>

    <entry>
      <title>The Chosen Student Resources</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/the_chosen1/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2423</id>
      <published>2008-04-10T18:14:00Z</published>
      <updated>2008-05-09T16:44:48Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Contemporary"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Contemporary/"
        label="Contemporary" />
      <content type="html"><![CDATA[<p><b>Goals for Reading, Discussing and Writing about <i>The Chosen</i></b>
<br />
<blockquote><p>1. Students will learn about others by listening to them and asking them questions about their thinking</li>
<br />
2. Students will learn how texts operate, how they shape our thought and manipulate our emotions</li>
<br />
3. Students will learn about cultures and societies, their varying concepts of the &#8220;good life,&#8221; of love and hate, justice and revenge, good and evil, and other significant issues of human  experience</li>
<br />
4. Students should learn how context shapes meaning</li>
<br />
5. Students should learn about the processes by which they make meaning  (by thinking about literary texts or about life experiences)</p></blockquote>
<p>
<b>Grades</b>
<br />
<blockquote><p>30 points for each team assignment (90 points possible)
<br />
5 points for participation each day (80 points possible)
<br />
50 points for final test over the reading and material presented in class
<br />
30 points for periodic checks of study guide questions</p></blockquote>
<p>
<b>Handouts</b>
<br />
<blockquote><p><a href="http://www.flatheadreservation.org/index.php/phs/printer/reading_schedule/" title="M Umphrey PHS Website">Reading Schedule</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/study_guide_-student.pdf" title="Study Guide Questions">Study Guide Questions</a>
<br />
<b>Literary Circle</b>
<br />
   <blockquote>
<br />
<b>   Assignment Schedules</b>
<br />
<a href="http://www.flatheadreservation.org/images/phs/2-schedule.pdf">Period 2 (PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/3-schedule-rev.pdf">Period 3 (PDF)</a>
<br />
    <a href="http://www.flatheadreservation.org/images/phs/5-schedule.pdf">Period 5 (PDF)</a>
<br />
   <a href="http://www.flatheadreservation.org/images/phs/7-schedule.pdf">Period 7 (PDF)</a> 
<br />
<b>Guidesheets</b>
<br />
<a href="http://www.flatheadreservation.org/images/phs/Discussion_Leader.pdf">Discussion Leader guidesheet (PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/Passage_Master.pdf">Passage Master guidesheet (PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/summarizer.pdf">Summarizer guidesheet (PDF)</a>
<br />
<a href="http://www.flatheadreservation.org/images/phs/Word_Reporter.pdf">Word Reporter guidesheet (PDF)</a>
<br />
</p></blockquote>

</blockquote>
<p>
<b>Participation Grades</b>
<br />
Come to class having read the book, able to answer the study guide questions, and with a thought or question of your own. Up to 5 points each day (80 points possible) for answering questions with insight, providing thoughtful comments, observations, or questions for other members. <b>Students must have study guide filled in and out on their desk during the discussion each day.</b>
</p>
<p>
These behaviors will result in a &#8220;0&#8221; for the day:
<br />
<blockquote><p>1. Asking &#8220;off task&#8221; questions or otherwise engaging in distracting or disrupting tactics
<br />
2. Engaging in a &#8220;side&#8221; conversation
<br />
2. Having homework for other classes out
<br />
3. Putting head down or appearing to sleep
<br />
4. Not having class materials including the book
<br />
5. Not participating or being absent 
<br />
<blockquote>(<b>To make up a day you were absent</b>, turn in a typewritten sheet answering the study guide questions for that day. It should have your name and the reading assignment at the top of the page. It is due one day after you return to class. If it is late is will not be accepted).</p></blockquote>
</blockquote>]]></content>
    </entry>

    <entry>
      <title>The Chosen</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/the_chosen/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2406</id>
      <published>2008-04-07T16:48:00Z</published>
      <updated>2008-04-07T20:21:35Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Contemporary"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Contemporary/"
        label="Contemporary" />
      <content type="html"><![CDATA[<p><a href="http://www.flatheadreservation.org/images/phs/study_guide_-student.pdf">Printable PDF Copy of Study Guide</a>
</p>
<p align="center"><b>BOOK ONE</b></p>

<p>
<b>Chapter One</b>
</p>
<p>
<b>Hasidic</b> - <i>the members of a sect of Jewish mystics that originated in Poland in the eighteenth century</i>
<br />
<b>samovars</b> - <i>metal urns used throughout Russia for boiling water for tea</i>
<br />
<b>Yiddish</b> - <i>a language spoken by many European Jews and their descendants</i>
<br />
<b>Michna service</b> - <i>afternoon services</i>
<br />
<b>Shabbat</b> - <i>the Sabbath, the day set apart in the fourth commandment of the Bible to be observed as a day of rest from all labor, originally the seventh day of the week, Saturday, the day on which God rested from the work of creation</i>
<br />
<b>Yeshiva</b> - <i>a school or college for Talmudic studies, combining religious and secular studies</i>
<br />
<b>Apikorism</b> - <i>Jews who are not Hasids; an extremely negative term</i>
<br />
<b>Shamashim</b> - <i>an official in synagogue</i>
<br />
<b>Jewish Orthodox</b> - <i>strictly observing the rites and traditions of Judaism as formulated in the Torah and Talmud
<br />
<b>Talmud</b> - the collection of writings constituting the Jewish civil and religious law. It consists of two parts</i>
<br />
<b>tzitzit</b> (zitzit) - <i>the fringes or tassels worn by orthodox Jewish men</i>
<br />
<b>Torah</b> - <i>the first five books of the Old Testament</i>
<br />
<b>momzer</b> -<i> a curse; a term of abuse</i>
</p>
<p>
1. Why do the Jewish parochial schools have competitive baseball leagues?
<br />
2. Briefly describe Mr. Galanter. What is his baseball philosophy?
<br />
3. What painful thing does Reuven do just before the start of a game?
<br />
4. Contrast the uniforms of the opposing team with the way Reuven&#8217;s team is dressed.
<br />
5. What does the first confrontation between the two coaches signify?
<br />
6. Briefly describe Danny Saunders. Why is Reuven angry when Danny calls the team apikorism?
<br />
7. As the game continues, why does Reuven find himself more and more angry at the opposing team?
<br />
8. For what reasons does Mr. Galanter put Reuven in as the pitcher for the last inning of the game?
<br />
9. List two possible reasons Reuven decides to throw a fastball to Danny for the last strike.
<br />
10. Briefly describe Reuven&#8217;s injuries. Why does Mr. Galanter go to call a cab after his team loses the game?
</p>
<p>
<b>Chapter Two</b>
</p>
<p>
<b>kosher</b> - <i>food which is considered fit to eat by Jewish law</i>
<br />
<b>abba </b>- <i>father</i>
<br />
<b>tefillin </b>- <i>an assist and reminder used in Jewish prayer</i>
</p>
<p>
1. Describe a few things which occur at the very beginning of Reuven&#8217;s hospital stay.
<br />
2. Briefly describe Mr. Savo, Billy, and Reuven&#8217;s father.
<br />
3. How does Reuven feel about Danny Saunders? What does his father think about his son&#8217;s attitude toward Danny? State a theme for this story based on Mr. Malter&#8217;s advice to Reuven that he should listen when someone wants to talk to him.
<br />
4. Why is Reuven worried about his eye? What insight does Reuven gain about life while worrying about his eye?
<br />
5. What does Reuven&#8217;s father do for a living?
<br />
6. Could Reuven&#8217;s thoughts about blindness also serve as a theme? If so, what?
</p>
<p>
<b>Chapter Three</b>
</p>
<p>
<b>phylacteries</b> - <i>a leather box which holds passages from the Torah, worn during prayers</i>
<br />
<b>rabbi</b> - <i>the Jewish religious leader, similar to a priest or minister</i>
<br />
<b>blatt</b> - <i>a section of reading from the Talmad</i>
</p>
<p>
1. What is happening in Europe that is exciting to the patients in the ward?
<br />
2. Why does Reuven need to ask the nurse for permission to pray during his phylactery?
<br />
3. Why does Reuven say to Danny, &#8220;. . .you can go to hell, and take your whole snooty bunch of Hasidism along with you!&#8221;? (pg. 63) In what way is Reuven being unfair to Danny and his team?
<br />
4. What rule from the Talmud does Reuven violate when he sends Danny home?
<br />
5. While talking to Danny in the hospital, why does Reuven have &#8220;the feeling that everything around [him] was out of focus&#8221;? (pg. 67)
<br />
6. How does Danny learn &#8220;two blatt&#8221; of Talmud each day?
<br />
7. Why is Danny surprised Reuven wants to be a Rabbi? What does Danny want to be?
<br />
8. In what way is Reuven partly responsible for his own injury?
<br />
9. Why does Reb Saunders not like to write? What does he mean when he says &#8220;he wishes everyone could talk in silence&#8221;?
<br />
10. What is ironic about Danny&#8217;s answer that his father is &#8220;quite a man&#8221;? (pg. 22)
</p>
<p>
<b>Chapter Four</b>
</p>
<p>
1. State a theme for this story based on the following passage from this chapter:
<br />
<blockquote><p>&#8220;I wish I was outside now,&#8221; I said. &#8220;I envy them being able to walk around like that. They don&#8217;t know how lucky they are.&#8221;
<br />
&#8220;No one knows he is fortunate until he becomes unfortunate,&#8221; my father said quietyly. &#8220;That is the way the world is.&#8221;</p></blockquote>
<p>
2. State another theme for this story based on Mr. Malter&#8217;s reaction to Reuven&#8217;s story of Danny Saunders&#8217; visit.
<br />
3. What two things does the Talmud say a person must do for himself? How does Mr. Malter define friendship? Why do you think he wants Reuven and Danny to be friends?
<br />
4. State why you agree or disagree with the following statement made by Mr. Savo when he is warning Reuven to be careful about making friends with Danny:
<br />
<blockquote><p>&#8220;You&#8217;re a good kid. So I&#8217;m telling you, watch out for those fanatics. They&#8217;re the worse cloppers around.&#8221; (pg. 76)</p></blockquote>
<p>
5. What, according to Danny&#8217;s father, is a Jew&#8217;s mission in life? Why is Danny confused by this idea?
<br />
6. Why is Reuven confused about Danny?
<br />
7. In what way is Danny&#8217;s life similar to Billy&#8217;s?
<br />
8. How does Danny feel when he first realizes Mr. Malter is the same man who has been suggesting books for him to read in the library? What happens to make Danny comfortable again?
</p>
<p align="center"><b>BOOK TWO</b></p>

<p>
  <b>Chapter Five</b>
</p>
<p>
1. Briefly describe Manya.
<br />
2. What does the following passage from the novel tell the reader about how Reuven&#8217;s experience during the last five days have changed his life?
<br />
&#8220;I felt I had crossed into another world, that little pieces of my old self had been left behind on the black asphalt floor of the school yard alongside the shattered lens of my glasses. . .I lay very still on the lounge chair and thought a long time about Danny.&#8221; (pg. 96)
</p>
<p>
  <b>Chapter Six</b>
</p>
<p>
<b>shofar</b> - <i>a wind instrument made from a ram&#8217;s horn</i>
<br />
<b>tallit</b> - <i>a shawl for prayer</i>
<br />
<b>kabbalah</b> - <i>a book of Jewish mysticism</i>
<br />
<b>mitnaged</b> - <i>a sect which opposed the Hasids</i>
</p>
<p>
1. Briefly describe the relationship between the Jewish people and the nobles of Poland. In what way did the Jews act as a buffer between the nobles and the serfs? How did this position lead to the destruction of the great Jewish community in Poland?
<br />
2. What happened to the faith of the Jewish people after the Chmielnicki uprising?
<br />
3. Briefly summarize Israel&#8217;s (Besht&#8217;s) teachings, known as Hasidism.
<br />
4. Reuven&#8217;s father tells him the story of the evolution of the Hasids. Who is the tzaddik of the Hasidic community? How does the Hasidic movement begin to degenerate? Which kind of Hasidic sect does Danny belong to?
<br />
5. Why is the story of Solomon Maimon sad? How is he similar to Danny?
<br />
6. The character of Reuven&#8217;s father is frequently the author&#8217;s voice, stating the themes of the book. He often finishes a statement clarifying a theme with the words, &#8220;That is the way the world is.&#8221; Find a similar quotation at the end of the chapter. What theme is he summarizing for the reader?
</p>
<p>
  <b>Chapter Seven</b>
</p>
<p>
<b>shtibblach</b> - <i>the name for the house of worship in a Hasidic sect</i>
<br />
<b>shul</b> - <i>school</i>
<br />
<b>ark</b> - <i>an enclosure in a synagogue or temple for the scrolls of the Torah</i>
<br />
<b>caftan</b> - <i>a long garment like a jacket</i>
<br />
<b>kaddish</b> - <i>a prayer for someone who has died</i>
<br />
<b>challah</b> -<i> type of bread</i>
<br />
<b>amalek</b> - <i>heathen</i>
<br />
<b>b&#8217;kuit</b> - <i>simple interpretations of the Talmud</i>
<br />
<b>nu </b>- <i>&#8220;good," &#8220;well,&#8221; &#8220;continue;&#8221; the word has many different connotions; similar to &#8220;so&#8221;</i>
<br />
<b>gematriya</b> - <i>a mystical method of interpretation of the Hebrew scriptures based upon the numerical value of the letters in the words.</i>
<br />
<b>Havdalah</b> - <i>a brief service at the end of Shabbat</i>
</p>
<p>
1. Why is Danny&#8217;s uncle, his father&#8217;s older brother, not inherit the rabbinical position? How did Reb Saunders save his Hasidic community?
<br />
2. Why, according to Danny, did the devotees of Reb Saunders all follow him to America? What is Reuven&#8217;s opinion of that?
<br />
3. What is the author saying about Danny by using this extended metaphor to compare him to a blind soldier?
<br />
<blockquote><p>&#8220;I began to hear, distinctly, the tapping sounds of Danny&#8217;s metal-capped shoes. . .and I remembered the old man I often saw walking along Lee Avenue, moving carefully through the busy street and tapping, tapping, his metal-capped cane, which served him for the eyes he had lost in a First World trench during a German gas attack.&#8221; (pg. 116)</p></blockquote>
<p>
4. What is &#8220;number one on [the Hasidic community&#8217;s] catechism? How does the community react when Rabbi Saunders enters the synagogue? What is symbolic about his appearance?
<br />
5. Reb Saunders shakes hands with Reuven twice in this chapter. How is the second time different from the first?
<br />
6. Briefly describe Danny&#8217;s little brother. How does he behave during the service?
<br />
7. Who is the Master of the Universe Reb Saunders refers to when he speaks? How can the Master of the Universe fulfill a man&#8217;s wishes?
<br />
8. List two parts of Reb Saunders&#8217; service that Danny disagrees with?
<br />
9. What ritual does Danny endure each week?
<br />
10. List one way Reb Saunders approves and one he disapproves of Mr. Malter.
<br />
11. Who is Rav Gershenson?
<br />
12. In what way does David Malter defend Reb Saunders&#8217; practice of publicly arguing the Talmud with Danny?
<br />
13. Find a passage in this chapter where the character of Mr. Malter, while discussing Danny&#8217;s training, restates a theme for this novel.
<br />
14. What is David Malter&#8217;s opinion of Reb Saunders as a leader for his community?
</p>
<p>
  <b>Chapter Eight</b>
</p>
<p>
<b>goy</b> - <i>a non-Jew</i>
</p>
<p>
1. Why is Danny bothered by the history he reads concerning Drov Baer, a man is father considers to be almost a saint?
<br />
2. State a theme for this story using the following passage from the novel.
<br />
&#8220;Your father said I should read a Jewish history. He said the first important step in anyone&#8217;s education is to know your own people.&#8221; (pg. 147)
<br />
3. Cite a passage from this chapter to support or refute the following statement: Not everything you read is true; it is important to understand the biases and limitations of the author.
<br />
4. How does Mr. Malter justify his decision to suggest books for Danny without Reb Saunders&#8217; knowledge?
<br />
5. List the two ways Rabbincal literature can be studied. Which way does Reuven&#8217;s father prefer? In what way is Reuven&#8217;s knowledge of the Talmud equal to Danny&#8217;s?
<br />
6. One of the overall themes in this story is the theme of true friendship. What do you think of Reuven&#8217;s decision to answer Reb Saunders&#8217; questions about Danny&#8217;s reading? Is he being disloyal? What information about Danny does Reuven not tell Reb Saunders?
<br />
7. Find a clue in this chapter that might help the reader understand why Reb Saunders believes in silence.
<br />
8. In what way is Reuven a buffer between Reb Saunders and Danny? What lesson from Jewish history lets the reader know that Reuven in in a dangerous position when he becomes a way between Danny and his father?
</p>
<p>
  <b>Chapter Nine</b>
</p>
<p>
1. Find the extended metaphor in this chapter about the spider and the fly. How does it relate to Billy, his blindness, and his unsuccessful operation? What does Reuven learn about life from Billy&#8217;s situation?
</p>
<p>
  <b>Chapter Ten</b>
</p>
<p>
<b>kashruth</b> - <i>the laws applying to food preparation</i>
</p>
<p>
1. Danny is having difficulties understanding Freud written in its original German. How does he solve his problems with the writings. In what ways might studying Freud contribute to Danny&#8217;s reluctance to be his father&#8217;s replacement?
<br />
2. How does Reuven try to add balance to the new world of knowledge Danny discovers in the library?
</p>
<p>
  <b>Chapter Eleven</b>
</p>
<p>
1. What is wrong with Danny&#8217;s eyes?
<br />
2. What major figure dies?
<br />
3. How do Danny&#8217;s father and Reuven&#8217;s father react to the news from Europe that six million Jewish people have been killed in the concentration camps? How does this tragedy help the reader understand their differing opinions on how God wants them to conduct their lives?
<br />
4. Why does Reuven go to live with Danny&#8217;s family?
</p>
<p>
  <b>Chapter Twelve</b>
</p>
<p>
1. In what way does Freud contradict the teaching of the Talmud?
<br />
2. What ironic element seems to be occurring in the book?
<br />
3. Define Zionism.Why is Reb Saunders against the idea of Palestine becoming the homeland for the Jewish people?
<br />
4. Why is Danny really concerned about his brother&#8217;s health.
<br />
5. How does Danny feel about his father?
</p>
<p align="center"><b>BOOK THREE</b></p>

<p>
  <b>Chapter Thirteen</b>
</p>
<p>
1. What two pieces of advice does Reuven offer Danny to help him deal with his frustration at college?
<br />
2. In what way is Mr. Malter&#8217;s method of teaching Reuven the Talmud similar to Professor Appleman&#8217;s method of teaching psychology?
<br />
3. What is the Irgun? Why does Reuven&#8217;s father have mixed feelings about its activities?
<br />
4. What is Reuven&#8217;s father saying when he tells his son,
<br />
<blockquote><p>&#8220;I learned a long time ago, Reuven, that a blink of an eye is in itself nothing. But the eye that blinks, that is something.&#8221; (pg. 204)
<br />
</p></blockquote>
<p>
5. One of the overall themes of this story is friendship. Find a statement in this chapter where Reuven&#8217;s father tells his son that good friends can disagree and still remain friends.
<br />
6. Why does Danny decide to learn experimental psychology?
<br />
7. How does Danny feel about Zionism? Why does he not voice his opinion?
<br />
8. Why is Danny not allowed to be seen with Reuven anymore?
</p>
<p>
  <b>Chapter Fourteen</b>
</p>
<p>
<b>rebbes</b> - <i>plural of rabbi</i>
<br />
<b>mishna</b> - <i>written rabbinical law</i>
<br />
<b>inyan</b> - <i>a Talmudic passage</i>
</p>
<p>
1. What is the only contact Reuven has with Danny at the beginning of their second year of college? In what way is this contact ironic?
<br />
2. Explain the Partition Plan of the United States.Why is Reuven glad he restrains the anger he feels toward the anti-Zionist Hasidic students after this plan is adopted by the United Nations?
<br />
3. List the two methods Reuven uses to prepare a passage of the Talmud for Rav Gershenson&#8217;s class.
<br />
4. Why does Rav Gershenson ask Reuven never to use his father&#8217;s method of studying the Talmud in his classroom?
</p>
<p>
  <b>Chapter Fifteen</b>
</p>
<p>
1. After the establishment of the Jewish state, what happens to end the anti-Zionist activities inside the school?
</p>
<p>
  <b>Chapter Sixteen</b>
</p>
<p>
1. How does Reuven feel about Reb Saunders when he meets him again after the ban on his friendship with Danny is lifted? What does Reb Saunders want from Reuven?
</p>
<p>
  <b>Chapter Seventeen</b>
</p>
<p>
1. How does Danny&#8217;s understanding of silence change since the last chapter?
<br />
2. Why is it important that Danny anticipate the questions Reb Saunders will ask him when he tells his father he wants to be a psychologist?
<br />
3. What does Mr. Malter say about &#8220;silence&#8221; as a method of raising children?
<br />
4. Why does Danny not tell his father about the plan to be a psychologist?
<br />
5. For what reason is Reuven&#8217;s father angry with his son at the end of this chapter?
</p>
<p>
  <b>Chapter Eighteen</b>
</p>
<p>
1. Discuss Reb Saunders reasons for raising Danny in silence. What is ironic about his methods? Are the methods cruel, or correct for a person like Danny?
<br />
2. What is the &#8220;tortured victory&#8221; referred to in the following passage:
<br />
<blockquote><p>&#8220;Reb Saunders sat back slowly in his chair. And from his lips came a soft, tremulous sigh. He was silent for a moment, his eyes wide, dark, brooding, gazing upon his son. He nodded his head once, as if in final acknowledgment of his tortured victory.&#8221;
<br />
</p></blockquote>
<p>
3. Why is the following passage ironic:
<br />
<blockquote><p>Reb Saunders looked at me and smiled feebly, nodding his head. &#8220;My son, my Daniel, has also become a man. It is a great joy for a father to see his son suddenly become a man.&#8221;
<br />
Danny stirred faintly in his chair, then was still.
<br />
&#8220;What will you do after your graduation?&#8221; Reb Saunders asked quietly.
<br />
&#8220;I have another year to student for my smicha.&#8221;
<br />
&#8220;And then what?&#8221;
<br />
&#8220;I am going to the rabbinate.&#8221; (pg. 262)</p></blockquote>
<p>
4. In what ways is this novel a coming-of-age, rite-of-passage experience for both Reuven and Danny?
<br />
5. Another important theme in this novel is the theme of the importance of the father-son relationship. Compare and contrast the two father-son relationships in this story. Do you believe both fathers have raised their sons to the best of their abilities? How much influence does Reuven&#8217;s father have over the kind of man Danny becomes and how much influence does Reb Saunders have over Reuven&#8217;s development?
<br />
6. Cite incidents from the story to support or refute the following statement: Danny and Reuven will remain life-long friends despite their differences.
</p>





<p>

</p>]]></content>
    </entry>

    <entry>
      <title>Reading Schedule: The Chosen</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/reading_schedule/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2404</id>
      <published>2008-04-07T16:02:00Z</published>
      <updated>2008-04-07T18:14:50Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Readings"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Readings/"
        label="Readings" />
      <content type="html"><![CDATA[<p><b>These are the dates these chapters will be discussed/tested.</b>
</p>
<p>
  <b>Book One</b>
</p>
<p>
April 14:&nbsp;   Chap 1 (1-31) 31 
<br />
April 15:&nbsp;   Chap 2 (32-53) 19
<br />
April 16:&nbsp;   Chap 3 (54-72) 18
<br />
April 17:&nbsp;   Chap 4 (73-92) 19
</p>
<p>
  <b>Book Two</b>
</p>
<p>
April 21:&nbsp;   Chap 5 (95-99) 4
<br />
April 22:&nbsp;   Chap 6 (100-111) 11
<br />
April 23:&nbsp;   Chap 7 (112-148) 37
<br />
April 24:&nbsp;   Chap 8 (149-170) 23
<br />
April 28:&nbsp;   Chap 9 - 10  (171-182) 13
<br />
April 29:&nbsp; Chap 11 (183-192) 9
<br />
April 30:&nbsp; Chap 12 (193-203) 10
</p>
<p>
  <b>Book Three</b>
</p>
<p>
May 1:&nbsp; Chap 13 (207-233) 27
<br />
May 2:&nbsp; Chap 14 (234-254) 21
<br />
May 5:&nbsp; Chap 15 - 16  (255-266) 10
<br />
May 6:&nbsp; Chap 17 (267-278) 12
<br />
May 7:&nbsp; Chap 18 (279-291) 13
</p>
<p>
   <b>Reader&#8217;s Guide Questions</b>
</p>
<p>
1. One of the central metaphors of <i>The Chosen</i> is combat. How does this metaphor advance the themes of the book?
<br />
2. Chaim Potok spoke often of his interest in a core-to-core culture confrontation in his books. What does this mean in <i>The Chosen</i>? What are the essential differences between the Hasidic and the Orthodox Jews?
<br />
3. Reb Saunders uses silence as a way of instructing and changing Danny. Why? What causes him to finally communicate with his son?
<br />
4. When Danny begins to read widely, what writer/thinker/innovator and what methodology lead him to the path he finally chooses?
<br />
5. Reb Saunders&#8217;s Hasidic sect is hostile at first to the establishment of the State of Israel. What causes Reb to change his mind?
<br />
6. David Malter and Reb Saunders have different opinions about the war in Europe and the fact that 6 million Jews died in death camps. Can you explain how and why they differ?
<br />
7. Some people are puzzled by the title. What do you think &#8220;The Chosen&#8221; means?
</p>]]></content>
    </entry>

    <entry>
      <title>Readings on Citizenship</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/readings_on_citizenship/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.1733</id>
      <published>2008-04-07T14:26:00Z</published>
      <updated>2008-04-07T14:37:46Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Readings"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Readings/"
        label="Readings" />
      <content type="html"><![CDATA[<p><a href="http://www.flatheadreservation.org/images/phs/readings_on_citizenship.pdf">Readings on Citizenship</a>: 21 page PDF
</p>
<p>
<a href="http://www.flatheadreservation.org/images/phs/quotes_on_citizenship_2_pages.pdf">Quotes on Citizenship</a>2 pages PDF
</p>]]></content>
    </entry>

    <entry>
      <title>Bored?</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/bored/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2392</id>
      <published>2008-03-21T18:18:01Z</published>
      <updated>2008-03-22T01:00:46Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Readings"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Readings/"
        label="Readings" />
      <content type="html"><![CDATA[<p><a href="http://www.flatheadreservation.org/images/phs/bordedom-format.pdf"><i>Scientific American Mind</i> research on boredom</a>
</p>
<p>
The <a href="http://ceep.indiana.edu/hssse/pdf/HSSSE_2006_Report.pdf" title="High School Survey of Student Engagement">High School Survey of Student Engagement</a> covers some of the same issues as the Student Aspirations Survey being used here.
</p>]]></content>
    </entry>

    <entry>
      <title>Modernism</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/modernism/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2379</id>
      <published>2008-03-19T18:13:00Z</published>
      <updated>2008-03-19T18:28:41Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p>&#8220;A Wagner Matinee&#8221; by Willa Cather, p. 539-546
<br />
&#8220;His Father&#8217;s Earth&#8221; by Thomas Wolfe p. 550-556
<br />
Robert Frost poems p. 558-574
<br />
&#8220;Winter Dreams&#8221; by F. Scott Fitzgerald, p. 586-602
<br />
&#8220;The Leader of the People&#8221; by John Steinbeck p. 609-619
<br />
&#8220;A Worn Path&#8221; by Eudora Welty p. 634-639
<br />
&#8220;Soldier&#8217;s Home&#8221; by Ernest Hemingway 653-659
<br />
T.S. Eliot poems p. 661-670
<br />
&#8220;A Rose for Emily&#8221; by William Falkner p. 716-722
<br />
&#8220;Night&#8221; by Elie Wiesel p. 921-930
</p>]]></content>
    </entry>

    <entry>
      <title>Huckleberry Finn Discussion Questions</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/huckleberry_finn_discussion_questions/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2377</id>
      <published>2008-03-18T14:30:01Z</published>
      <updated>2008-03-18T14:30:44Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <category term="Realism"
        scheme="http://www.flatheadreservation.org/index.php/site/category/Realism/"
        label="Realism" />
      <content type="html"><![CDATA[<p>1. Some critics claim that Jim is Huck&#8217;s &#8220;true father.&#8221; Defend or refute this statement.
</p>
<p>
2. What is the role of the Mississippi River in this book? What is the symbolic importance of the setting of the novel (land vs. river)? How is Huck&#8217;s trip down the river actually a passage into manhood?
</p>
<p>
3. What did freedom mean to Huck? What did it mean to Jim? Explain how the American Dream is or is not achieved by three characters in this novel. Begin by explaining what each character holds as his or her American Dream.
</p>
<p>
4. Huck&#8217;s sound heart and deformed conscience came into conflict in this novel. Describe one situation and tell how Huck resolves the conflict.
</p>
<p>
5. This novel is also a satire on human weaknesses. What human traits does he satirize? Give examples for each. What evidence do you find of Twain&#8217;s cynicism?
</p>
<p>
6. What is &#8220;civilization&#8221; in the mind of Huck? Compare and contrast society in Twain&#8217;s time to today&#8217;s society. Does time change the &#8220;message&#8221; of the book? What do you think makes this novel an important record of American culture?
</p>
<p>
7. Ernest Hemingway has said that all modern American literature comes from The Adventures of Huckleberry Finn. What features make this book modern? What features make this book American?
</p>
<p>
8. What makes The Adventures of Huckleberry Finn a controversial and banned book? What makes the book important and popular in today&#8217;s world? Huckleberry Finn has been called the &#8220;Great American Novel.&#8221; However, it is the sixth most frequently banned book in the United States. Discuss why this masterpiece is banned mostly in Christian academies and in all black institutions.
</p>
<p>
9. Discuss the qualities Huck possesses which are necessary for survival on the frontier. Give specific examples from the novel.
</p>
<p>
10. Appearance versus reality is a major theme in Huckleberry Finn. Using specifics from the book, discuss this very prevalent theme.
</p>]]></content>
    </entry>

    <entry>
      <title>Montana Literature: Elective course for English 12</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/montana_literature_elective_course_for_english_12/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2376</id>
      <published>2008-03-18T04:00:00Z</published>
      <updated>2008-03-18T04:05:23Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><b>Montana Literature: Reading and Writing and the Sense of Place</b>
</p>
<p>
Montana is fortunate to have a rich literary tradition. Many Montana writers have earned national reputations by telling stories about what life has been like at various times in &#8220;the last best place.&#8221; This course will explore some of the best-loved works of Montana literature, including fiction, memoirs and poetry.
</p>
<p>
Students in this course will not only read Montana literature, they will create some. Using the readings to form important questions, they will gather stories from their own family or community, researching in family photo albums, old newspapers, and other documents, and conducting oral history interviews. Each student will be expected to finish one previously unpublished story based on this research.
</p>
<p>
The reading will pay special attention to several important themes that occur over and over in Montana&#8217;s literature:
</p>
<blockquote><p><i>Men and Women and Families in Literature</i>: Many Montana writers have written about the  joys and challenges of living in families, including differences and similarities in male and female nature and character; possibilities of conflict between men and women; equality, subordination, oppression, rebellion, manipulation, conflict, harmony, and happiness in the relations between the sexes; love, courtship, marriage, maternity and paternity; ideals of masculinity and femininity.
</p>
<p>
<i>Nature in Literature</i>: We will pay attention to the role of nature and the landscape in literary works; relations between human beings and the natural world; obligations of human beings toward nature; conflicts between ecological and human interests; proper and improper uses of nature; meaning and role of natural forces and phenomena in literature; natural objects as symbols.
</p>
<p>
<i>American Indians in Literature</i>: We will explore how American Indians are represented in literature, discussing the relationship between culture and place; stories and storytellers in community; struggle and conflict with living between diverse worlds; traditional roles, stereotypes, and ideals of American Indians; cultural and personal loss and survival; concepts of power, success, relatedness, dreams, humor, and the sacred; the representation of heroes. </p></blockquote>
<p>
<b><i>The Big Sky</i> by A.B. Guthrie</b>
<br />
<i>The Big Sky</i> is the first of Pulitzer Prize winning author A. B. Guthrie, Jr.&#8217;s, epic adventure novels of Montana&#8217;s vast frontier. In The Big Sky<i></i> we will explore Montana during the fur trade era, traveling with Boone Caudill, Jim Deakins, and Dick Summers, three of the most memorable characters in Western American literature. Traveling the Missouri River from St. Louis to the Rockies, these frontiersmen live as trappers, traders, guides, and explorers. The story centers on Caudill, a young Kentuckian driven by a raging hunger for life and a longing for the blue sky and brown earth of big, wild places. Caught up in the freedom and savagery of the wilderness, Caudill becomes an untamed mountain man, married to the beautiful daughter of a Blackfoot chief. In <i>The Big Sky</i>, Guthrie gives us an unforgettable portrait of a spacious land and a unique way of life.
</p>
<p>
<b><i>We Pointed Them North</i> by E. C. ("Teddy Blue") Abbott  $13.57</b> 
<br />
Blue&#8217;s recollections present a delightful view of cowboy life, drama, and humor during the great cattle drive and cattle ranching era. This fast-paced and irreverent memoir presents a vivid view of the real cowboy and the code that drove their action. Teddy Blue took part in the original cattle drives from the South to the Montana prairies and he tells the unforgettable stories of what young men in wild country did and thought.
</p>
<p>
<b><i>The Undying West: A Chronicle of Montana&#8217;s Camas Prairie</i> by Carlene Cross   $9.66</b>
<br />
In <i>The Undying West</i>, Carlene Cross creates a memorable blend of personal and Flathead Reservation history. It&#8217;s a wonderful model of writing based on family history research. She presents both homesteader and native views of the homestead era. The voices in her stories include those of her father and his &#8220;sod-busting&#8221; friends; the Salish, Kootenai, Nez Perce, and Iroquois Indians; the fossil remains of Montana&#8217;s prehistory; and even the wind, the soil, and the prairie grasses. She offers a personal testament to the enduring qualities of the West.
</p>
<p>
<b><i>Winter Wheat</i> by Mildred Walker  $11.16</b>
<br />
Montana&#8217;s literature is especially rich in its stories of what life was like for women here. With an arid &#8220;dry-land&#8221; wheat farm as both its geographic and metaphoric center, Winter Wheat--a One-Book Montana selection--is a love story in which  eighteen-year-old Ellen Webb comes to understand herself better, but also comes to see her parents&#8217; marriage in a new light. Her Vermont-born father and Russian-born mother, married during the first World War, have come as homesteaders to Barton, Montana - a grain-elevator and general store. It is 1940, the year Ellen will start college if the wheat harvest is good. The harvest pays and Ellen goes off to college, where she immediately falls in love: &#8220;I hadn&#8217;t meant to fall in love so soon, but there&#8217;s nothing you can do about it. It&#8217;s like planning to seed in April and then having it come off so warm in March that the earth is ready.&#8221; Ellen and Gil plan their marriage for after the summer harvest. But Gil arrives and doesn&#8217;t find Montana or the life of dry-land wheat farmers beautiful. Ellen begins to see everything, including her parents, with new eyes in this poignant examination of love and life.
</p>
<p>
<b><i>Fools Crow </i>(Contemporary American Fiction) by James Welch  $10.20</b>
<br />
Suspenseful and moving, written with an authenticity and integrity that give it sweeping power, Welch&#8217;s third novel is a masterful evocation of a Native American culture and its passing. >From their lodges on the endless Montana plains, the members of the Lone Eaters band of the Pikuni (Blackfeet) Indians live in harmony with nature, hunting the &#8220;blackhorns&#8221; (buffalo), observing a complex system of political administration based on mutual respect and handing down legends that explain the natural world and govern daily conduct. We watch the escalating tensions between the Pikunis and the white men ("the Napikwans"), who deliberately violate treaties and initiate hostilities with the hard-pressed red men, leading up to a searing experience based on the Marias River Massacre. There is much to savor in this remarkable book: the ease with which Fools Crow and his brethren converse with animals and spirits, the importance of dreams in their daily lives, the customs and ceremonies that measure the natural seasons and a person&#8217;s lifespan. Without violating the patterns of Native American speech, Welsh writes in prose that surges and sings. We follow Fools Crow&#8217;s growth from a boy in a traditional community to a man, responsible for keeping his family and tribe together through terrible challenges.
</p>
<p>
<b><i>Red Rover</i> by Deirdre McNamer  $16.47</b>
<br />
As boys, brothers Aidan and Neil Tierney ride the Montana prairie on horseback, yearning for adventure. As men, they find it: Neil pilots a B-29 over Japan, while Aidan hunts Nazis in Argentina for the FBI. But although they both return from the war, Aidan proves a casualty nonetheless. Sickened by a mysterious ailment, suffering almost more from disillusionment, he won&#8217;t survive 1946. Spanning the years 1927 through 2003 and employing richly layered, interlocking points of view, McNamer teases out the surprising truth behind Aidan&#8217;s death, portraying an era of idealism and of myopia and paranoia. If the high plains and deep valleys of Montana seem an unlikely place to play out the cynical spy hunting of the J. Edgar Hoover era, modern-day echoesallegations of profiteering in Iraq&#1495;remind us that no place on earth is too remote to be touched by the prevailing winds. The powerful ending rewards the time spent getting there. Elegant and assured, with a joy in language that shows on every page.
</p>]]></content>
    </entry>

    <entry>
      <title>Microsoft Workspace</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/microsoft_workspace/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2367</id>
      <published>2008-03-09T01:36:01Z</published>
      <updated>2008-03-09T03:13:54Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p>Microsoft just announced they&#8217;ve made Microsoft Workspace available free to the public. Sign up is here: <a href="http://workspace.officelive.com/">http://workspace.officelive.com/</a>
</p>
<p>
You save your files on a free internet site instead of on the hard drive of your computer, so you can get to the files and open them from any computer that is connected to the internet. 
</p>
<p>
    * Save 1000+ Microsoft Office documents in one place
<br />
    * Access them from almost any computer with a Web browser
<br />
    * No more flash drives or sending yourself documents via e-mail 
</p>
<p>
This is a great way to get files from home to school, or vice versa. Also, you can &#8220;share&#8221; your files so that others can read and comment on them, so this is a great way to work together on group projects. No more getting hung up if someone in the group is absent but the files are in their folder on the school server.
</p>]]></content>
    </entry>

    <entry>
      <title>Huckleberry Finn Handout: the moral sense</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/huckleberry_finn_handout_the_moral_sense/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2366</id>
      <published>2008-03-05T16:10:01Z</published>
      <updated>2008-03-05T22:11:01Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><b>The Moral Sense</b>
</p>
<p>
Every one has heard people quarreling. Sometimes it sounds funny and sometimes it sounds merely unpleasant; but however it sounds, I believe we can learn something very important from listening to the kinds of things they say. They say things like this: &#8220;How&#8217;d you like it if anyone did the same to you?"&#8212;"That&#8217;s my seat, I was there first"&#8212;"Leave him alone, he isn&#8217;t doing you any harm"&#8212;"Why should you shove in first?"&#8212;"Give me a bit of your orange, I gave you a bit of mine"&#8212;"Come on, you promised.&#8221; People say things like that every day, educated people, as well as uneducated, and children as well as grown-ups.
</p>
<p>
Now what interests me about all these remarks is that the man who makes them is not merely saying that the other man&#8217;s behavior does not happen to please him. He is appealing to some kind of standard of behavior which he expects the other man to know about. And the other man very seldom replies: &#8220;To hell with your standard.&#8221; 
</p>
<p>
Nearly always he tries to make out that what he has been doing does not really go against the standard, or that if it does there is some special excuse. He pretends there is some special reason in this particular case why the person who took the seat first should not keep it, or that things were quite different when he was given the bit of orange, or that something has turned up which lets him off keeping his promise. It looks, in fact, very much as if both parties had in mind some kind of Law or Rule of fair play or decent behavior or morality or whatever you like to call it, about which they really agreed. 
</p>
<p>
And they have. If they had not, they might, of course, fight like animals, but it they could not quarrel in the human sense of the word. Quarreling means trying to show that the other man is in the wrong. And there would be no sense in trying to do that unless you and he had some sort of agreement as to what Right and Wrong are; just as there would be no sense in saying that a footballer had committed a foul unless there was some agreement about the rules of football.
</p>
<p>
Now this Law or Rule about Right and Wrong used to be called the Law of Nature. Nowadays, when we talk of the &#8220;laws of nature&#8221; we usually mean things like gravitation, or heredity, or the laws of chemistry. But when the older thinkers called the Law of Right and Wrong &#8220;the Law of Nature,&#8221; they really meant the Law of Human Nature. The idea was that, just as all bodies are governed by the law of gravitation and organisms by biological laws, so the creature called man also had his law&#8212;with this great difference, that a body could not choose whether it obeyed the law of gravitation or not, but a man could choose either or obey the Law of Human Nature or to disobey it.
</p>
<p>
We may put this in another way. Each man is at every moment subjected to several sets of law but there is only one of these which he is free to disobey. As a body, he is subjected to gravitation and cannot disobey it; if you leave him unsupported in mid-air, he has no more choice about falling than a stone has. As an organism, he is subjected to various biological laws which he cannot disobey anymore than an animal can. That is, he cannot disobey those laws which he shares with other things; but the law which is peculiar to his human nature, the law he does not share with animals or vegetables or inorganic things, is the one he can disobey if he chooses.
</p>
<p>
This law was called the Law of Nature because people thought that every one knew it by nature and did not need to be taught it. They did not mean, of course, that you might not find an odd individual here and there who did not know it, just as you find a few people who are colour-blind or have no ear for a tune. But taking the race as a whole, they thought that the human idea of decent behavior was obvious to everyone. And I believe they were right. If they were not, then all the things we said about the war were nonsense. What was the sense in saying the enemy were in the wrong unless Right is a real thing which the Nazis at bottom knew as well as we did and ought to have practiced? If they had no notion of what we mean by right, then, though we might still have had to fight them, we could no more have blamed them for that then for the colour of their hair.
</p>
<p>
I know that some people say the idea of a Law of Nature or decent behavior known to all men is unsound, because different civilizations and different ages have had quite different moralities.
</p>
<p>
But this is not true. There have been differences between their moralities, but these have never amounted to anything like a total difference. If anyone will take the trouble to compare the moral teaching of, say, the ancient Egyptians, Babylonians, Hindus, Chinese, Greeks and Romans, what will really strike him will be how very like they are to each other and to our own. Some of the evidence for this I have put together in the appendix of another book called <i>The Abolition of Man</i>; but for our present purpose I need only to ask the reader to think what a totally different morality would mean. Think of a country where people were admired for running away in battle, or where a man felt proud of double-crossing all the people who had been kindest to him. You might just as well try to imagine a country where two and two make five. Men have differed as regards what people you ought to be unselfish to&#8212;whether it was only your own family, or your fellow countrymen, or everyone. But they have always agreed that you ought not to put yourself first. Selfishness has never been admired. Men have differed as to whether you should have one wife or four. But they have always agreed that you must not simply have any woman you liked.
</p>
<p>
But the most remarkable thing is this. Whenever you find a man who says he does not believe in a real Right and Wrong, you will find the same man going back on this in a moment later. He may break his promise to you, but if you try breaking on to him he will be complaining &#8220;It&#8217;s not fair&#8221; before you can say Jack Robinson. A nation may say treaties do not matter; but the next minute, they spoil their case by saying that the particular treaty they want to break was an unfair one. But if treaties do not matter, and if there is not such thing as Right and Wrong&#8212;in other words, if there is no Law of Nature&#8212;what is the difference between a fair treaty and an unfair one? Have they not let the cat out of the bag and shown that, whatever they say, they really know the Law of Nature just like anyone else?
</p>
<p>
It seems, then, we are forced to believe in a real Right and Wrong. People may be sometimes mistaken about them, just as people sometimes get their sums wrong; but they are not a matter of mere taste and opinion any more than the multiplication table. Now if we are agreed about that, I go on to my next point, which is this. None of us is really keeping the Law of Nature. If there are any exceptions among you, I apologize to them. They had much better read some other work, for nothing I am going to say concerns them. And now, turning to the ordinary human beings who are left:
</p>
<p>
I hope you will not misunderstand what I am going to say. I am not preaching, and Heaven knows I do not pretend to be better than anyone else. I am only trying to call attention to a fact; the fact that this year, or this month, or, more likely, this very day, we have failed to practice ourselves the kind of behavior we expect from other people. There may be all sorts of excuses for us. That time you were so unfair to the children was when you were very tired. That slightly shady business about the money--the one you have almost forgotten&#8212;came when you were very hard up. And what you promised to do for old So-and-so and have never done&#8212;well, you never would have promised if you had known how frightfully busy you were going to be. And as for your behavior to your wife (or husband) or sister (or brother) if I knew how irritating they could be, I would not wonder at it&#8212;and who the dickens am I, anyway? 
</p>
<p>
I am just the same. That is to say, I do not succeed in keeping the Law of Nature very well, and the moment anyone tells me I am not keeping it, there starts up in my mind a string of excuses as long as your arm. The question at the moment is not whether they are good excuses. The point is that they are one more proof of how deeply, whether we like if or not, we believe in the Law of Nature. If we do not believe in decent behavior, why should we be so anxious to make excuses for not having behaved decently? The truth is, we believe in decency so much&#8212;we feel the Rule of Law pressing on us so&#8212;that we cannot bear to face the fact that we are breaking it, and consequently we try to shift the responsibility. For you notice that it is only for our bad behaviour that we find all these explanations. It is only our bad temper that we put down to being tired or worried or hungry; we put our good temper down to ourselves.
</p>
<p>
These, then, are the two points I wanted to make. First, that human beings, all over the earth, have this curious idea that they ought to behave in a certain way, and cannot really get rid of it. Secondly, that they do not in fact behave in that way. They know the Law of Nature; they break it. These two facts are the foundation of all clear thinking about ourselves and the universe we live in.&nbsp;
</p>]]></content>
    </entry>

    <entry>
      <title>Huckleberry Finn Handout: Soloman and Frenchmen</title>
      <link rel="alternate" type="text/html" href="http://www.flatheadreservation.org/index.php/site/huckleberry_finn_handout_soloman_and_frenchmen/" />
      <id>tag:flatheadreservation.org,2008:index.php/phs/index/14.2365</id>
      <published>2008-03-04T06:21:01Z</published>
      <updated>2008-03-04T06:34:14Z</updated>
      <author>
            <name>Michael L Umphrey</name>
            <email>mlumphrey@flatheadreservation.org</email>
                  </author>

      <content type="html"><![CDATA[<p><b>Thinking about Solomon</b>
</p>
<p>
Jim is &#8220;down on Solomon&#8221; for threatening to cut a child in two, and this is plainly preparation for our later discovery that Jim cares very much for his own children, and blames himself for having been unintentionally cruel to his daughter.
</p>
<p>
According to 2 Chronicles, two prostitutes ask Solomon to adjudicate their claim to the same baby. Lacking witnesses, the king resorts to the letter of the law, treats the baby as property, and orders it cut in half. Predictably, the sound heart of the real mother compels her to plead for the child&#8217;s life, Solomon finds his credible witness, and justice prevails. When the biblical account is viewed as an allegory about the relationship of justice (what is morally right) and the law (what is legally sanctioned), King Solomon becomes the wise intercessor; the child, a human being treated as property (the condition of the Israelites during much of Solomon&#8217;s reign); the fraudulent mother, a diseased conscience potentially abetted by civil law;