fieldnotes on teaching

Huckleberry Finn resources
  Teaching Mark Twain

Study Guide: http://www.mshogue.com/English_11/Finn/finn.htm Other resources: http://www.mshogue.com/English_11/dialect.htm

Reading Schedule

Chapters 1-2-3 - Pages 1-14
Chapters 4-5-6-7 - Pages 15-36
Chapters 8-9-10 - Pages 36-55
Chapters 11-12-13 - Pages 55-75
Chapters 14-15-16 - Pages 76-95
Chapters 17-18 - Pages 95-116
Chapters 19-20-21 - Pages 117-145
Chapters 22-23-24-25 - Pages 145-170
Chapters 26-27-28-29 - Pages 171-205
Chapters 30-31-32 - Pages 205-224
Chapters 33-34-35-36 - Pages 224-250
Chapters 37-38-39-40 - Pages 251-276
Chapters 41-42-43 - Pages 277-294

Blog posts

http://normblog.typepad.com/normblog/2008/02/writers-choic-1.html (a deformed conscience vs a good heart)
http://principleddiscovery.com/?p=685 (controversy over “n word”

Glencoe Huckleberry Finn unity

PBS Teaching Unit

Chapter analyses and summaries with glossarie

A summary of the novel, quotes, metaphor analysis

Reading schedule
Study Questions
Reading review questions: http://www.bell.k12.ca.us/fac_staf/p-z/weightmanron/free/huckfinnqs.html

Reading quiz 1
Reading Quiz 2
The “N” Word

Vocabulary:

VOCABULARY

These words from Huckleberry Finn have appeared on past SAT tests. They are listed in alphabetical order.

abolish
Lincoln abolished slavery.
to do away with, annul, eradicate, exterminate, obliterate

afoot
The eclipse of the sun caused him to think that something bizarre was afoot.
developing or in the process of happening

air
I intend to air my views to the school board.
to make public utterance

blithe
Her blithe spirit provided an air of gaiety at the meeting.
lighthearted, joyous, glad, cheerful, free of spirit

brazen
Pinching that woman was a brazen act.
shameless, insolent, disrespectful

calamity
The earthquake in Jamaica was a calamity.
a serious event causing distress or misfortune

confound
I am confounded by the tax forms from the government.
to cause one to become confused

dissipation
Even though he inherited a million dollars, I expect quick dissipation of his fortune.
wasteful spending, squandering

divination
The prophet was known for his accuracy in divination.
foretelling the future by means of magic

frivolous
A teacher should limit frivolous behavior in the classroom.
lacking in seriousness or importance

haughty
Being quarterback of the football team does not give him the right to be haughty.
arrogant, excessively proud and vain

histrionic
Your histrionics do not sway my opinion.
overly theatrical

hues
A rainbow has many hues.
colors

infernal
It is not nice to wish that someone go to the infernal regions.
relating to hell

languid
The old man’s walk was languid, each pace requiring great effort.
slow, sluggish, listless, weak

muse
I have often mused about life on a tropical island.
to ponder

ponderous
The ponderous furniture was hard to move, and thus became a burden.
very heavy, unwieldy from weight

resolute
The business was run by a resolute man who set his mind on a goal and followed through with it.
characterized by a decided purpose

soliloquy
Hamlet’s soliloquy in the graveyard is a popular piece to memorize.
a speech made to oneself to reveal thoughts

stealthy
The secret organization moves by stealth to gather information on its enemies.
acting in a secret and sneaky way

sublime
The romantic cinner, which included delicious food, soft music, and a beautiful setting, was simply sublime.
exalted, noble, uplifting

temperance
The woman exercise temperance in filling her plate with small portions of food.
moderation or self-restraint in action or statement

The order in which they appear in the novel:

1. temperance
2. infernal
3. abolitionist
4. afoot
5. confound
6. frivilousness
7. haughty
8. divining
9. dissipating
10. sublime
11. histrionic
12. muse
13. brazen
14. contrite
15. languish
16. soliloquy
17. calamity
18. hue
19. resolution
20. ponderous
21. air
22. stealthiest
23. blitheful

CHAPTERS 1-16: 1) commence, 2) tolerable, 3) shrivel, 4) providence, 5) ingots, 6) oracle, 7) specimen, 8) infernal, 9) speculate, 10) hogshead, 11) vial, 12) pivot, 13) careened, 14) gaudy, 15) thicket.

CHAPTERS 17-29: 1) crockery, 2) reticule, 3) pensive, 4) impair, 5) pommel, 6) capered, 7) cavorting, 8) scow, 9) lineal, 10) histrionic, 11) phrenology, 12) contrite, 13) sublime, 14) soliloquy, 15) yawl, 16) pallet, 17) pone, 18) mesmerism, 19) frock, 20) passel, 21) rapscallion, 22) flapdoodle.

CHAPTERS 30-43: 1) dismal, 2) temperance, 3) venture, 4) bogus, 5) texas, 6) impudent, 7) insurrection, 8) garret, 9) inscription, 10) tedious, 11) brash, 12) ascend, 13) singular, 14) tapering off.

STUDY QUESTIONS

1. Explain how Huck Finn changes in the novel.

2. Discuss Hucks relationship with Jim.

3. Compare and Contrast TomҒs and Hucks characters.

4. Analyze Huck Finn as a novel of initiation.

5. What picture of society is given in the novel? Give specific examples of how Twain criticizes society.

6. Huck Finn deals with the issue of slavery. What was TwainҒs opinion of it, as viewed through the novel.

7. Explain the purpose of the river in Huck Finn, mentioning Hucks preference for the ғraft over the ԑshore?

8. How does Twain hold the book together when it is a series of separate episodes?

Chapter Questions

Chapters 1 - 5

1. How is Huck’s father first introduced?
2. Does Huck fear going to hell? Why or why not?
3. Does Huck have more faith in superstition or religion? Why?
4. In what way is Tom different than Huck?
5. What do the “robbers” think ransoming is and what are some objections to it?
6. How does Miss Watson confuse Huck about prayers?
7. What difference do you notice between Miss Watson and the Widow Douglas?
8. What does Huck mean at the end of chapter 3, “It had all the marks of a Sunday school”?
9. What is a hairball? What does this tell us about slave culture?
10. What happens as Huck just gets used to being civilized?
11. Why does Huck go to see Judge Thatcher? How do Judge Thatcher and the Widow try to help Huck?

Chapters 6 - 9

1. Where does Pap take Huck and what is it like?
2. Explain Pap’s behavior.
3. How does Twain use irony to show Pap’s ignorance of government?
4. How does Huck escape the cabin? What does this tell the reader about Huck?
5. Who appears on Jackson Island?
6. What is Huck doing when he finds out that someone else is on the island?
7. Why did Jim run away?
8. Why does Jim say, “I’s rich now”? In what ways are people rich?
9. Where do Huck and Jim get so many supplies?
10. Who is the person in the cabin? Why is this significant?

Chapters 10 - 13

1. How does superstition seem as logical as religion in Huck’s mind?
2. Why does Huck ignore Jim’s warning? Why is this significant?
3. Why does Huck go ashore? What disguise is he wearing?
4. How does Judith Loftus figure out Huck’s disguise?
5. Why is there a reward for the return of Jim? For the return of Huck? (There may be different reasons for this.)
6. How does Huck help Jim escape the man-hunt?
7. Why doesn’t Huck turn Jim in?
8. What was life like on the raft?
9. For what purpose does Huck go to the ferry boat watchman?
10. What happens on the steamboat? Be specific.
11. Why are states mentioned in connection to the boat?
12. What do Jim and Huck do with the robbers’ boat? Why is this important?

Chapters 14 - 16

1. Specifically, what does Jim object to about King Solomon? How does this perpetuate stereotypes?
2. Who shows more logic and wisdom in this argument, Jim or Huck? Explain why.
3. What are Huck’s and Jim’s motivation for going to Cairo?
4. How does the river’s tranquility suddenly change?
5. How does the theme of loneliness and isolation come out here?
6. How does Huck’s practical joke on Jim humanize Huck? What was Twain’s purpose in this passage?
7. What is Huck’s moral dilemma in chapter 16?
8. How does Huck’s quick thinking save Jim?
9. How does Huck feel about misleading the bounty hunters?
10. What is Huck’s relationship with the river? Is this normal behavior for someone his age?

Chapters 17 - 19

1. Whose home does Huck come to?
2. Who is George Jackson?
3. Review p. 9
4. Was their house in fact, “mighty nice” or in bad taste?
5. How was Miss Emmeline different from the others?
6. At what point does Huck become horrified by the feud?
7. Why does Huck think the fight was his fault?
8. Where was Jim while Huck was at the Grangerfords? How does Huck discover him?
9. How does Huck feel about getting on the raft again? What are some of the attractions of raft life?
10. How does the description of the river and the raft life differ from that just before and after Cairo?
11. How does Huck meet the Duke and the Dauphin? How does he know the truth about them? 1
12. Why does Huck go along with the two frauds who come aboard the raft?

Chapters 20 - 24

1. How does Jim show concern for Huck?
2. How does Twain satirize religious gullibility in the town of Pokeville?
3. How do Huck and company travel without hiding Jim?
4. What comment about human nature does Twain make in the “loafers” account in chapter 21?
5. What ideas does Twain get across in the Boggs-Sherburn incident?
6. Why does Huck decide the circus isn’t funny?
7. How do the Kind and Duke increase attendance at their second performance?
8. What is Twain’s purpose for including Jim’s story of his ‘Lizbeth?
9. What new, potential scheme do the King and Duke learn about?

Chapters 25 - 28

1. Who do the King and Duke claim to be?
2. Why do they give all six thousand dollars to Wilks girl?
3. What was it about the King that made Dr. Robinson suspect he was a fraud?
4. Where does Huck hide the inheritance money?
5. What makes the Wilks girls saddest about having their property sold?
6. Why does Huck want Mary Jane to leave the house after he tells her the truth?
7. Why doesn’t Huck just blow the whistle on the frauds?
8. About whom does Huck say, “She had more sand in her than any girl I ever seen; in my opinion she was just full of sand”? What does Huck mean by this?
9. Where does Huck tell Joanna and Susan that Mary Jane has gone?
10. How is Huck’s increasing maturity shown in these chapters?

Chapters 29 - 31

1. How does Huck escape the Wilks investigation?
2. What do the Duke and King get in a fight about?
3. How does Huck feel about having them back on the raft?
4. Why does Huck think he ought to let Miss Watson know about Jim?
5. Why does he change his mind?

Chapters 32 - 35

1. What satire on values does Twain make in Huck’s first conversation with Aunt Sally?
2. Who do the Phelpses mistake Huck for?
3. Why does Tom drop in Huck’s estimation?
4. Why do Huck and Tom sneak out of the Phelps’ and go to town? What is Huck’s opinion of what he sees?
5. How does Huck feel about his conscience?
6. What is the value, according to Huck, of Tom’s plan for stealing Jim?
7. How do Tom and Huck fool the “nigger” who is watching Jim?
8. What are the major differences between Huck and Tom?
9. Why does Huck go along with Tom’s wild ideas?

Chapters 37 - 39

1. How do Huck and Tom keep Aunt Sally from knowing what’s missing?
2. How does Tom show a lack of sensitivity to peoples’ feelings?
3. What’s worse to Tom and Huck than the licking they get for letting loose the rats and snakes?
4. Why do Tom and Huck write the “nonamous” letters to Aunt Sally?

Chapters 40 - 43

1. What does Huck mean when he says of Jim, “I knowed he was white inside. . .”?
2. How does Twain help us feel sympathetic toward Aunt Sally?
3. In what way do the people show gratitude to Jim at first?
4. How does Jim get rich again?
5. What happened to Pap?

Huck Finn Questions and Answers:
Chapter 1
1. With whom was Huck living at the beginning of the book? The widow douglas
2. Who is the narrator of the book? Huckleberry Finn
3. What relation is Miss Watson to the Widow Douglas? Sister
4. Who takes care of Huck and Tom’s money? Judge Thatcher.
5. Who was waiting for Huck Finn after midnight? Tom Sawyer

Chapter 2
6. To whom did Jim belong? Miss Watson
7. Who did Jim say gave him the ‘five-center piece’ he wore around his
neck? The devil
8. Who was called a cry-baby? Little Tommy Barnes
9.What was the “line of business” of the gang? Nothing, only robbery and murder
10. Who was elected Second Captain over ‘Tom Sawyer’s Gang?’ Jo Harper

Chapter 3
11. Why did huck get a good ‘going-over?’ Because his new clothes were dirty
12. How did Huck know that his ‘Pap’ waasn’t drowned? Because drowned men
don’t float face down, only drowned women do

Chapter 4
13. Where did Jim get his hairball? from the fourth stomach of an ox
14. What made Huck suspect Pap was back? He found his tracks in the snow
15. Who is Pap? Huck’s father
16. Where is Pap at the end of the chapter? In Huck’s room

Chapter 5
17. How did huck’s unexpected visitor get in the room? By the shed
18. What did Pap trade his new coat for? A jug of forty-rod
19. What did the judge recon a body would need to reform Pap? A shotgun

Chapter 6
20. What did Pap get every time he got money? Drunk
21. What object did Huck use to escape the cabin? An old saw without a handle
22. Why does Pap not vote? Because there’s a state in this country where’d
they let “That nigger” vote.

Chapter 7
23. For what did Huck dive in the water? A canoe
24. What did Huck drop “so as to look like it had been done by accident?”
Pap’s whetstone
25. What was Huck’s destination once he was in the canoe? Jackson Island

Chapter 8
26. Why was the ferry-boat firing the cannon? To make the body rise to the
top.
27. How long is Jackson Island? 3 miles
28. What did Huck find that made his “heart jump up amongst his lungs?”
Ashes of a campfire that was still smoking
29. Why was Jim afraid of Huck? He thought he was dead(a ghost).
30. Why didn’t Huck believe that bees didn’t sting idiots? They’d never
stung him.

Chapter 9
31. How wide was the island? 1/4 mile
32. What did Jim say that the little birds said? It was going to rain
33. Were they right? Yes
34. How did the man in the house die? Shot in the back

Ch. 10
35. What did Huck and Jim find sewed up in the lining of an old blanket
overcoat? 8 silver dollars
36. After Jim got bit by the rattlesnake, what did he have Huck do with the
rattles? Tie them to his wrist
37. Why does Huck think that Jim got bit by the snake? Huck touched a
snake-skin/ Huck put a dead snake in Jim’s sleeping bag
38. What two objects did they find in the stomach of the catfish? Brass
button, round ball (spool)

Ch. 11
39. Who is Sarah Williams? Huck Finn
40. Where is Sarah from? Hookersville
What three ways did Mrs. Loftus ascertain Sarah’s true gender?
41. the way she threaded the needle
42. The way she caught the lead lump in his lap
43. The way she threw the lead lump

Ch. 12
44. What is a tow-head? A sand bar that has cottonwoods as thick as
harrow-teeth.
45. What two items did Huck and Jim decide to NOT “borrow?” Crabapples and
persimmons
46. According to Huck Finn, how much do steamboat captains make per month? $60

Ch. 13
47. What’s the name of the wreck? Walter Scott
48. According to Huck Finn, how many wives did Solomon have? 1 million

Ch. 14
49. How many boxes of cigars did Huck and Jim get from the ferry-boat? 3
50. How did Louis the XVI die? decapitation

Ch. 15
51. Where did Huck lose the raft? In the fog

Ch. 16
52. What town were Huck and Jim looking for? Cairo
53. Why was Huck miserable? He thought he should turn Jim in for being a
runaway slave
54. How did the raft get destroyed? Hit by a ferry-boat

Ch. 17
55. What was Huck’s pseudonym? George Jackson
56. How did Huck find out his pseudonym after he’d forgotten it? Buck
spelled it for him
57. How did Stephen Dowling Bots Die? Fell down a well and got drownded

Ch 18
58. Who was Col. Grangerfords oldest son? Bob
59. At what time was Miss Sophia supposed to have her rendezvous?
Half-past two
60. With whom did Sophia Grangerford run off with? Harney Shepherdson

Ch. 19
61. Who wouldn’t say, “dern the fog”? Spirits
The two men said that they were really
62. The duke of Bridgewater
63. Dauphin, the king of France

Ch. 20
64. How old was the imaginary boy named Ike? Four
65. How much did the King make at the camp meeting? 87.75

Chapter 21
66. What play are the duke and the king rehearsing? Romeo and Juliet
67. What is the “most celebrated thing in Shakespeare”? Hamlet’s Soliloquy
68. Who Killed Boggs? Colonel Sherburn

Ch. 22
69. Colonel Sherburn isays that the average man is a ____________. Coward

Ch. 23
70. How much did “them rapscallions” take in in three nights? $465.00
71. Who does Huck say is Henry the Eighth’s father? Duke of Wellington
72. Why did Jim feel bad about hitting his daughter? She was deef and dumb.

Ch. 24
73. What was Peter Wilkes occupation while he was living? Tanner
Who are Peter Wilkes’ three nieces?
74. Mary Jane
75. Susan
76. Joanna

Ch. 25
77. How much were the king and duke short of $6,000 in the basement? $415.00
78. Who told the girls the King was a fraud? The Doctor

Ch. 26
79. Where did Huck hide to eavesdrop on the king and duke? Behind the curtain
80. Where did the King put the money? in the bedding

Ch. 27
81. Where did Huck stick the money? in the coffin with Uncle Peter
82. Why was the dog howling in the basement during the funeral? He had a rat.
83. Whom did Huck say he had seen in the king’s room? the niggers.

Ch. 28
84. To where was Mary Jane going for 4 days? Mr. Lothrop’s
85. In what town did the duke and the king play the “Royal nonesuch”?
Bricksville
86. Who was the man with the broken arm? William Wilkes

Ch. 29
87. What did the king say was tatooed on Peter Wilkes breast? A thin blue
arrow
88. What did Harvey Wilkes say was tatooed on his brothers breast? P-B-W

Ch. 30
89. What does the duke say is the one smart thing the king did, the thing
that saved them? coming out cool and cheeky with that blue arrow mark
90. A freebie question. This is called grace.

Ch. 31
91. At whose house was Jim when Huck came back to the raft? Silas Phelps’s
92. How much did the king get for Jim? $40
93. How much was the reward for Jim? $200
94. Huck found out that you can’t pray a Lie

Ch. 32
95. What is Silas’ wife’s name? Sally
96. Who do Mr. and Mrs. Phelps think Huck is? Tom Sawyer

Ch. 33
97. Who was coming from town in a wagon? Tom Sawyer
98. What did the stranger do to Aunt sally that made her almost hit him?
He kissed her.
99. What happened to the king and the duke? They were tarred and feathered
and rode out of town on a rail.

Ch. 34
-What two clues assured Tom and Huck that Jim was in the shed?
100. the watermelon
101. the key
102. How did Tom nad Huck finally decide to free Jim? Dig him out

Ch. 35
103. What did Tom and Huck hear that made them stop talking about Jim’s
escape? The breakfast horn
104. How many knives did Tom want Huck to “smouch”? 3

Ch. 36
105. What kind of pie did Tom tell Nat to make? Witch pie
106. How many tallow candles did tom steal? 6

Ch. 37
107. Where do they keep the boots and rags, and pieces of bottles and
wore-out tin things, and all such truck? The rubbage Pile
-According to Tom, from where did William the Conqueror come, and on what ship?
108. England
109. The Mayflower

Ch. 38
110. What does “Maggoire fretta, minore atto” mean? The more haste, the
less speed
111. What was Jim to get instead of a rattlesnake? Garter snakes with
buttons tied on their tails.
112. What was Tom going to put in Jim’s coffee pot? an onion

Ch. 39
113. What did Tom and Huck see dripping from the rafters , landing on
plates and down the back of your neck? garter snakes
114. What did Tom and Huck do with the sawdust? Ate it

Ch. 40
115. What happened that alerted the farmers to Tom, Huck, and Jim’s
presence? Tom’s clothes got snagged and he snapped a splinter getting off.
116. What was Jim wearing during the “evasion”? A dress

Ch. 41
117. Who went to get the doctor? Huck
118. Why? Tom was shot in the leg
119. Why didn’t the dogs lead the farmest to Jim and the boys? The dogs
were theirs

Ch. 42
120. How much did the doctor say a nigger like Jim was worth? $1,000.00
Chapter the last-
121. How much money was waiting for Huck back home? $6,000 and then some
122. How did Huck’s Pap die? Shot in the back

DISCUSSION/WRITING

Find examples of one of the following:

Huck fibbing, fudging, or exaggerating the truth
Օ Huck obeying social conventions and authority
Huck disobeying social conventions and authority
Օ Huck doing the right thing
Huck doing the wrong thing

Is Huck at all times a rebel or does he sometimes go along to get along? Does his doing the right thing ever clash with what society tells him is right? Concur? How does Huck deal with these tensions?

Ask the class to come up with other examples of people following their conscience despite the law or the consequences, either historical or contemporary. Where would Huck stand on the Civil Rights Movement? Protest against the Vietnam War? The war in Iraq? Abortion Clinics? The inclusion of the phrase, “under God,” in the Pledge of Allegiance? If we believe one must follow the dictates of the law, how do we reconcile Huck as a hero? If we believe that it is moral to follow one’s conscience, how do we decide which laws or social conventions are wrong? Who gives us the authority?

For homework, ask students to write an essay about a time in their lives when they’ve been confronted with a choice between doing what their conscience told them to do and what society՗friends, parents, teacherstold them to do. Was it easy to decide? Was it easy to tell what the right thing was? Does the example of Huck shed any light on their decision?

Is this a book about race, as some have argued? Freedom, as others have argued? Moral choice and responsibility? Or is it just a boy’s adventure book that somehow got out of hand?

1. For homework, ask the students to find the most important sentence in the novel, the one the novel cannot דlive without.

2. Break up the class into small groups. Assign each group one sentenceԗregardless of students’ individual choicesand ask them to come up with a one-paragraph argument why that sentence is the most important one in the book. Allow 15-20 minutes for this exercise, circulating among groups as they work.

3. Ask each group to read its argument to the class.

4. Have the class vote on their preferred sentence. Did the discussion change their minds? Reinforce their opinions?

---------------

1. Why did Twain include the “Notice” on the opening page?

2. Discuss how the feud between the Grangerfords and the Shepherdsons is symbolic of the Civil War. Do you agree that the novel is דa satirical treatment of the myth of romantic fiction, Southern chivalry, and witless honor?

3. Each stage of Huck’s moral growth culminates in a crisis of conscience and a decision to assist Jim (as when Huck tells the two slave hunters that there is “only one” man on the raft and that “He’s white"); and each decision is more consequential than the previous. What are these stages and decisions; when do they occur; and what are their consequences?

4. What are the consequences of Huck’s and Jim’s going past the mouth of the Ohio River in the fog? (Chapter XV)

5. Among the novel’s great ironies is that Huck’s and Jim’s quest for freedom takes them farther and farther into the deep South, the heart of slavery. How and why does this happen? What are the implications?

6. The primary movement of Huck’s and Jim’s journey and of the novel is linear, from north to south. A back-and-forth pattern of movement between river and shore also occurs. How is this pattern important in terms of plot? How is it related to the north-to-south movement? Does it reflect any other kind of movement experienced by Huck or Jim?

7. How do the king and the duke impact Huck’s and Jim’s life on the raft, their quest for freedom, and the novel’s movement?

8. What are the parallels between the king’s and duke’s treatment of Jim in Chapter XXIV and Tom Sawyer’s treatment of him in the final chapters?

9. The cemetery passage in Chapter XXIX is one of the few times when Huck is in immediate danger of actual harm or death. What are some similar incidents? What threatens his safety and well-being in each instance--other people or forces of nature? How does he escape in each instance?

10. Do the final chapters, beginning with Huck’s arrival at the Phelps farm, rely too much on coincidence? Do Tom Sawyer’s elaborate escape stratagems indicate that Jim’s and Huck’s goals are unobtainable?

11. Is there any justice in the fact that only Tom is wounded in the final chase through the swamp?

12. The story is told by a fourteen-year-old Huck, who admits to elaborate lies and fabrications. Can we trust him? Can we accept his version of things, or must we read between his lines?

https://secure.layingthefoundation.org/english/vocab/novels/Adventures%20of%20Huck%20Finn.pdf

15

Posted by Michael L Umphrey on 03/08 at 01:39 PM
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Huck Finn

Narrative of the Life of Frederick Douglass
  Slavery and Freedom

Teachers Guide (Penguin)

Spark Notes
Cliff Notes

INTRODUCTION

The compelling autobiography of an extraordinary man born into slavery, Narrative of the Life of Frederick Douglass, an American Slave is also a powerful inquiry into the question of what it means to be human. From the opening sentences of the narrative, Douglass delineates the context from which this question emerges—the fact that slave owners typically thought of slaves as animals. Douglass does not know how old he is, and he quickly asserts that this is not unusual, since most slaves “know as little of their ages as horses know of theirs” (p. 47). It is instructive that this initial comparison of slaves to animals does not serve to express something about the minds of the slave owners; instead, it expresses something about the minds of the slaves that is the consequence of being born into an environment constructed and carefully maintained by their owners. In an environment that does not permit the idea that slaves are human, the only perspective available to them is that of their owners. Their own perspective therefore becomes an additional barrier to thinking of themselves as human.

Learning to read and write is essential to the process whereby Douglass comes to see himself as human. As he describes it, the acquisition of these skills is inseparable from the dawning of self-consciousness. Reading gives Douglass access to a new world that opens before him, but the strongest effect of his literacy is the light it casts on the world he already knows. His anguish is so great that he “would at times feel that learning to read had been a curse rather than a blessing” (p. 84). It allows him to see his “wretched condition, without the remedy” (p. 84). Self-consciousness, the trait that most distinguishes humans from animals, produces such despair in Douglass that he confesses he often wished himself a beast.

Douglass portrays the breadth of slavery’s ability to dehumanize through his insights into the mentality of slave owners. Douglass suggests that if slaves are made rather than born, the same is sometimes true of slave owners. The mistress who began teaching him to read and write “at first lacked the depravity indispensable to shutting [him] up in mental darkness” (p. 81). Under the influence of her husband and, more generally, the institution of slavery, “the tender heart became stone, and the lamblike disposition gave way to one of tiger-like fierceness” (p. 82). The mistress not only stops teaching Douglass to read and write, but she is even more vigilant than her husband in preventing him from learning. The transformation of his mistress raises the question of how much of the behavior of slave owners toward their slaves was learned and how much was internally motivated. Douglass would have us believe that the mistress was the victim of her circumstances, yet the brutality other slave owners seemed to come by so easily makes it difficult to determine whether the behavior was learned or inherent.

Edward Covey undoubtedly counts among the slave owners who play the role as if born for it; his harsh treatment breaks Douglass “in body, soul, and spirit” (p. 105). Following his eloquent lament for the freedom he cannot have, represented by the ships sailing on Chesapeake Bay, Douglass writes, “You have seen how a man was made a slave; you shall see how a slave was made a man” (p. 107). The first part of this statement could refer to the methods employed by Covey, if not to all the owners at whose hands Douglass suffered. The second part refers to the story that follows, in which Douglass resists the whipping Covey intends to give him for disobeying. They fight for two hours, with Covey “getting entirely the worst end of the bargain” (p. 113). Douglass is never whipped again, and he describes this incident as “the turning-point in [his] career as a slave” and says that it “revived within [him] a sense of [his] own manhood” (p. 113). Douglass emphasizes the importance of literacy in developing his sense of himself as human. Is he suggesting, though, that his refusal to submit to Covey’s punishment was ultimately more important than his ability to read and write in shaping his sense of self?

In a letter that prefaces the narrative, Wendell Phillips, social activist and friend of Douglass’s, recalls “the old fable of ‘The Man and the Lion,’ where the lion complained that he should not be so misrepresented ‘when the lions wrote history’” (p. 43). As Phillips observes, Douglass’s narrative is history written from the perspective of those who previously had no voice. The very existence of the narrative makes it a testament to its author’s humanity and, therefore, a document of revisionist history. However, what gives Douglass’s narrative its universal relevance is his acute awareness of the complexities of human psychology. He observes that slaves usually spoke of themselves as content and of their masters as kind, concluding that slaves “suppress the truth rather than take the consequences of telling it, and in so doing prove themselves a part of the human family” (p. 62). Douglass is ever mindful that our humanity encompasses our failings no less than our capacity for nobility.

ABOUT FREDERICK DOUGLASS

Frederick DouglassFrederick Douglass was born into slavery in rural Maryland in 1818. Sent to work in Baltimore, he was taught to read by the mistress of the house and regarded this achievement as a turning point in his life. Another such point was his violent resistance to a beating by the man to whom he had been bound as a field slave at age seventeen. Three years later, he escaped to the North, married, and worked menial jobs until his debut as an orator at an antislavery convention in 1841.

To expand his audience and to document the authenticity of his story, Douglass published his autobiography, Narrative of the Life of Frederick Douglass, an American Slave, in 1845. The book was critically acclaimed and sold well both in the United States and in Europe. Douglass left for England later the same year, where he spent two years writing and lecturing. He returned to the United States after abolitionist friends purchased his legal emancipation.

From 1847 to 1863, Douglass published his own weekly paper, The North Star, leading to a break with his mentor William Lloyd Garrison. Douglass also produced a number of other periodicals, as well as two extensions of his narrative—Life and Times of Frederick Douglass and My Bondage and My Freedom. In 1848, he played a prominent role at the women’s rights convention in Seneca Falls, and he was a lifelong supporter of the women’s suffrage movement. During the Civil War he was an adviser to President Lincoln and recruited blacks, including his own sons, for the Union army. He was appointed to several government positions, including recorder of deeds for the District of Columbia and United States minister and consul general to Haiti. Douglass died in 1895.

DISCUSSION QUESTIONS

1. Why does Douglass believe “Slavery proved as injurious to [his master’s wife] as it did to [him]” (p. 81)?

2. After his confrontation with Mr. Covey, what does Douglass mean when he writes “however long I might remain a slave in form, the day had passed forever when I could be a slave in fact” (p. 113)?

3. Why is Douglass able to “understand the deep meaning of those rude and apparently incoherent songs” (p. 57) sung by slaves only when he no longer is a slave himself?

4. When Douglass writes, “You have seen how a man was made a slave; you shall see how a slave was made a man” (p. 107), what does he understand a man to be?

5. Douglass describes knowledge as “valuable bread” (p. 83) and the Liberator, an anti-slavery paper, as his “meat and drink” (p. 151). How does literacy sustain him?

6. How is Douglass able to maintain his religious faith when that of his owners is used to justify their treatment of him?

7. Why does Douglass consider holiday celebrations as part of the “inhumanity of slavery” (p. 115)?

8. Why does Douglass describe the sails on Chesapeake Bay as “so many shrouded ghosts” (p. 106)?


For Further Reflection

1. To what extent should a piece of autobiographical writing be regarded as “factual”?

2. Can literacy be a curse as well as a blessing?

Frederick Douglass, Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself

1. What purposes of this book are emphasized in its title? What function is served by the opening testimonials by W. H. Garrison and Wendell Phillips?

2. What does Garrison believe are the conclusions readers should draw from this book? Why is Daniel O’Connell an appropriate person to cite for an opinion of the effects of slavery?

3. What does Garrison believe are the most devastating effects of slavery? Is there evidence for this view from Douglass’s Narrative?

4. Why does Garrison cite two reports of cases of slave murder? According to him, can slaves testify at law against cruelties perpetuated on them?

5. What opinions about slavery does Phillips add in his introduction? Why does he believe Douglass’s publication placed him in jeopardy?

6. Toward what audiences do these prefaces seem addressed?

7. What kinds of brutality did Douglass witness when he was a child? How did they affect him later in life?

8.  What is the turning point in Douglass’s life as a slave?

9. What role does literacy play in Douglass’s emancipation?

10. How is the white man a victim of slavery, according to Douglass?

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Chapter 1

Why do you think Douglass is so detailed in describing his home and its location?

What kinds of knowledge about themselves does he believe are kept from slaves, and why does he believe this is important?

What does Douglass regret in his memories of his parents? What qualities does he associate with memories of his mother? Why wasn’t he able to live with her?

What does he believe are some of the worse consequences of masters’ siring of children on their slaves?

What kinds of cruelty did Douglass witness as a boy? What may be the motivation of the cruel beating of Aunt Hester?

Chapter 2

What were the economic circumstances of Douglass’s master, Colonel Lloyd? What conditions does he describe on the plantations? How were the slaves housed and clothed? Under what conditions did they work?

What explanation does Douglass give for the singing of slaves? What features does he ascribe to the songs he heard? How do you interpret the refrain he reproduces? ("I am going away to the Great House Farm!/ O, yea! O, yea! O!")

What seems his attitude toward the desire of other slaves to travel to the Great House Farm?

Chapter 3

How did Col. Lloyd treat his stable keepers? What incident does Douglass narrate to indicate why slaves often gave seemingly contented replies when asked about their treatment?

What does Douglass think of the practice he describes of slaves fighting to defend the alleged virtues of their masters? To what psychological impulse does he attribute this?

Chapter 4

What violent events does this chapter record? Why do you think nothing was done to prosecute the murder of slaves?

How would you describe Douglass’s style? How does he show emotion in recounting the horrible sights he has witnessed?

Chapter 5

What were the circumstances of Douglass’s life in childhood? What was his relationship to his siblings?

What was his response to his removal to Baltimore? What sentiment did he hold about his future?

What seems to be indicated about Douglass’s character by his account of his childhood?

Chapter 6

What effect on the character of his new mistress Mrs. Auld does Douglass ascribe to slavery? What information does Mr. Auld unintentionally provide him?

How was Baltimore life different from that on the plantation?

Chapter 7

How does Mrs. Auld try to inhibit Douglass from learning to read and write? How does he succeed in attaining his aim?

What books does he read, and how do these influence his beliefs about slavery? How does he come to learn about the abolitionist movement?

What first suggests to his mind the possibility of escape?

Chapter 8

What happens to Douglass after the death of Captain Anthony? What treatment of his brother does he witness?

After his return to Baltimore and the death of Master Andrew Auld, what is done to Douglass’s grandmother?

Whom does Douglass regret to leave when Master Thomas orders him sent from Master Hugh’s residence? What kind of information does he seek before he leaves Baltimore, and for what purpose?

What are some general features of Douglass’s writing style? Which qualities help make it effective? Does the narrative create suspense?

Chapter 9

Under what conditions did Douglass live when with Thomas Auld and his wife at St. Michael’s? What behavior toward a lame woman slave does Douglass record?

In Douglass’s view, what was the disappointing effect of Mr. Auld’s conversion? What was the fate of Mr. Wilson’s Sabbath school for slaves? What effect may the behavior of professing Methodists have had on his later opinions?

What motivated Mr. Auld to send Frederick to Mr. Covey’s farm?

Would it surprise you to learn that years later Douglass visited Mr. Auld and bade him a kind farewell shortly before the latter’s death?

Chapter 10

How did Mr. Covey treat Douglass and his peers? What enabled Douglass to survive the incidents of the oxen and the beatings?

What psychological effect did Covey’s brutality have on Douglass? What thoughts or hopes encouraged him in his despair? (46)

What assistance in his plight did Douglass seek? What responses did he receive? Why do you think Mr. Auld refused to help him?

Why do you think Douglass included the incident of Sandy’s offer of the root? What seems to have been Douglass’s attitude toward this form of African folk practice?

How did Douglass regain his self-confidence? How does he add interest to his description of his long fight with Mr. Covey?

How does he analyze the fact that Mr. Covey failed to prosecute him for resistance? What lesson does he seem to have gained from this experience?

How does Douglass interpret the motives and psychological effects of the owner’s encouragment of excess among the slaves during holidays? Do you think his analysis may be correct?

What improvements does Douglass find in his labors for Mr. Freeland?

What were the results of Douglass’s efforts to teach his fellow slaves?

How did he and his friends resolve to emancipate themselves, and how is their effort failed?

Why do you think Mr. Auld sent the imprisoned Douglass back to Baltimore, rather than punishing him more severely?

In Baltimore, how was Douglass treated in Mr. Gardner’s shipyard, and how did he resist? Why was his master unable to obtain legal redress on his behalf?

What trade did he learn, and how did this alter his status?

Chapter 11

What reasons does Douglass give for not describing more of his manner of escape? From his other writings, how in fact was this escape effected?

What immediate considerations prompted Douglass to act? How did he plan to leave without arousing suspicion?

What aspects of his escape does he especially remember?

What part does his intended wife play in these recollections?

How does he choose his new name? Why may he have found it fitting?

What aspects of New Bedford life surprised him? What difficulties followed him in the exercise of his work?

What publication especially inspired Douglass? How did he commence his career as an orator and writer?

What is the effect of the book’s closure?

Appendix:

What clarification of his views about the relation of religion and slavery does Douglass provide in the appendix?

What effect might it have had on religious readers?

Do you think the appendix provides a useful addition to the narrative of his life?

As you think back on this book, what features of its content or rhetoric most impress you? 

Posted by Michael L Umphrey on 11/18 at 01:21 PM
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Parrott

Posted by Michael L Umphrey on 09/25 at 09:56 PM
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Island selves: human disconnectedness in a world of interdependence.
  by Yi-Fu Tan

Growing awareness of the ecological crisis, together with increasing familiarity with images of the earth taken from outer space, should support the viewpoint that human beings share a small but beautiful planet with other living organisms and that there is something very special about the earth. This opinion is not merely human bias, for it is supported by the objective fact that life of any kind in the universe is extremely rare. Life teems on the earth; the more it is studied in its myriad manifestations the more evidence accumulates of their interdependence. “No species is an island, entire of itself,” one might say, with apologies to John Donne. “We are part of the main, part of the single weave of life.”

Concurrent with this acceptance of life’s oneness and interdependence, there has emerged in the late twentieth century a rather passionate need on the part of many people to see themselves as different from one another. They may push their separateness and autonomy, their cultural singularity, to the point that no one outside the group and its unique experiences can understand it, much less speak about or for it. Peoples and cultures are, in this sense, islands, their insularity both fate and a source of pride.

This split in contemporary consciousness is not in itself exceptional. In other times and places thinkers have wrestled with the dialectical tension between the whole and its parts, how the parts are related to the whole, whether the whole is greater than the sum of its parts; or, on the contrary, the whole exists to serve its parts when these are not subgroups but human individuals, each with an eternal destiny, as the Judeo-Christian tradition teaches. In this tradition, more than in others, individuals with a philosophical turn of mind have repeatedly asked, what does it mean to be a human being apart from the identity and satisfactions that derive from group membership? What are some of a reflective person’s most fulfilling and most disturbing experiences?

Note that the two scales so prominently addressed in the last quarter-century - global and local elude the question of the individual. Whether the enthusiasm is for global ecological interdependence or for communal solidarity, the individual is submerged in a larger whole. Why is this? Could it be that in contemporary society’s growing intellectual sophistication, people find it more difficult to escape confronting the true nature of being an individuated self? Because habits and customs of the past, such as harvest festivals, rites of passage, and state ceremonies, can no longer quite inter the anxiety that goes with selfhood, new or refurbished cultural covers that are plausible and congenial to the modern mind need to be put in place. Ecological interdependence and communal oneness, as quasi-religious doctrines, are among the most effective covers of recent times. Although they are undoubtedly worthy of the most serious attention and commitment, they also perform, as did religion and elaborate social ceremony not so long ago, the service of burying the uncomfortable truth of individual uniqueness and, with it, another truth - the world’s indifference that together aggravate every person’s sense of isolation and vulnerability.

UNIQUENESS

Consider first the question of uniqueness. In the United States no one wants to be treated like part of the woodwork. Americans want to be recognized for their distinctive quality, their importance to the group. In other societies, especially those called folk or traditional, people are less eager to stand above the crowd. An individual would not want to be seen as assertive and so targeted for criticism. Yet, in perhaps more covert ways, each person wants to be recognized and acknowledged as somehow special and nonexchangeable with others. This wanting to be special is one face of human nature. The other face shows that there are times when even the most ardent individualists want to fade into the background, to sink into the reassurance and protective coloring of some larger being. To be special or unique is ego boosting, but it also makes one feel disconnected, an island.

The uniqueness, in a nontrivial sense, of every human being has a variety of causes. Among them, at the most basic level, is biology. In a large cosmopolitan city, anyone can see how humans differ in body size, shape, and color, often to an arresting degree. More subtly, body scents and fingerprints vary from person to person. Outwardly so unlike one another, humans are hardly “brothers under the skin.” On the contrary, as biochemist Roger Williams (1967, 1978) noted, the size and shape of stomachs differ far more than do those of noses and mouths. If noses varied proportionately to stomachs, some would look like cucumbers, others like pumpkins. A hand with six fingers is considered abnormal, yet pipes that branch from the aorta above the heart vary in number from one to six. Individuals equipped with a narrow esophagus have a difficult time swallowing pills; at the opposite extreme, those well favored may accidently ingest a whole set of false teeth. Politicians would do well to have an esophagus large enough to allow them to finish eating and still leave plenty of time to bend their neighbors’ ears.

The perceptual senses vary widely in their scope and degree of sensitivity, even among individuals considered normal. Ears that can barely register sound at certain frequencies may be supersensitive at others. When pitch sensitivity is combined with other capabilities of hearing, people’s daily lives are affected in matters such as tolerance of the level and kind of noise, ability to grasp certain words in speech, and appreciation of music. Standard eye tests reveal unique strengths and weaknesses in visual acuity. Peripheral vision is not ordinarily tested, yet it can show remarkable differences that affect competence in sports, driving cars, or flying airplanes and perhaps also in the ease and speed of reading. Whereas color vision is a species trait, sensitivity to shades of color and to the appreciation of a color’s richness can differ widely. “Is the redness of the rose the same to you and me?” lovers may wonder as, hand in hand, they stroll through a garden. But the question is not merely philosophical; it is also neurological - a matter of knowing the number of pigment genes on the eye’s X chromosomes (Neitz and Neitz 1995).

Most remarkable of all are differences in the human brain. Every feature that has been measured shows surprising diversity. The brain makes every individual truly unique, a fact that is a source of pride but also of isolation and discomfort. A wizard at chess may not be much good at algebra. Excellence in one branch of mathematics does not guarantee high performance in another. The talented French mathematician Jacques Hadamard (1949, 115) admitted that he had difficulty mastering Lie group: it was as though his mental energy for that specialty had been exhausted in the process of attaining mere competence. Some people are very verbal, but there too the talent may show itself in one area rather than another - for example, in poetry rather than in expository prose. Double negatives in a sentence can be a stumbling block for some listeners, who otherwise do not lack aural-verbal competence. Exactly how specialized is the human ability to form grammatical sentences? An extreme example is a family whose members, as a result of a defective gene, have difficulty forming plurals, although in other respects they speak or write normally (Gazzaniga 1992).

THE WORLD’S INDIFFERENCE

One consequence of human biological uniqueness is that a person often feels slightly out of step with other persons, including ones who are closest by virtue of blood or affection - still eating when others have finished, feeling cold when others complain of heat, unable to catch the meaning of a sentence when others nod, and so on in the course of an ordinary day. Reminders of disconnectedness are easily repressed. Beginning with lessons in the family, people are schooled to attend to what holds them together. The family is par excellence mutual support and community, despite differences in sex, age, and temperament. Each family member lives in a world uniquely its own, for both biological and sociocultural reasons. Yet all family members are one, not in spite of but because of these differences. Still, it is also within the family that a child first learns the fact of human disconnectedness. The child learns that just as it has a project, so does its mother, and that the two by no means always coincide. The look of annoyance that clouds the mother’s face as the child disrupts her reverie to show her a picture it has proudly drawn creates in the child, however fleetingly, a sense of disorientation, even of betrayal. Through incidents of this kind, trivial in themselves, a person first encounters a hint of the world’s indifference (Updike 1989, 100).

The world is composed of people, other living things, and inanimate matter. If people at times find their own species uncomprehending and incomprehensible, what expectation can they reasonably have of their ability to connect at a personal level with plants and animals, rock and wind? Fortunately for their peace of mind, the question seldom arises. The world’s comprehensibility and responsiveness are almost taken for granted. As an illustration, consider a man and his dog. The man reads a newspaper; at his feet the dog wags its tail. What can the dog really know of the man’s world of thought, or the man of the dog’s world of odor? What real mutual understanding and communication can there be? Very little. An abyss separates the two beings, yet they are often seen as a perfect picture of companionship and compatibility. If this abyss can exist between a man and a dog, which is humankind’s oldest domesticated animal, what is one to think of wild animals - cockroaches, for example, that scuttle across the kitchen table in the dark? Or, still further from humans - plants and inanimate nature?

From time to time, people are aware of their isolation and the world’s indifference. Such awareness is rarely the result of failing to penetrate imaginatively another’s existence and world. Rather, it comes through simply noting the disjunction between one’s mood or condition and that of the surrounding world (Kolakowski 1989, 69-77).

Among life’s most common experiences is the world’s indifference. Though awareness of this distressing fact is deeply buried so that life may go on, once in a long while people, ordinary people, speak out. Consider the eloquent exchange between Aua, an Iglulik Eskimo, and Knud Rasmussen, the Danish explorer. Rasmussen tries to get Aua to articulate a coherent philosophy. Aua replies that it cannot be done and that it is indeed presumptuous to try to do so. Look at it this way, he says: “In order to hunt well and live happily, man must have calm weather. Why this constant succession of blizzards?...Why must people be ill and suffer pain? We are all afraid of illness. Here is this old sister of mine: as far as anyone can see, she has done no evil; she has lived through a long life and given birth to healthy children, and now she must suffer before her days end. Why? Why?” “You see,” says Aua to Rasmussen, “you are equally unable to give any reason when we ask you why life is as it is. And so it must be.” In the midst of an enigmatic and chaotic world, the Iglulik seek comfort and security in the rules that they have inherited from their ancestors. To quote Aua again, “We do not know how, we cannot say why, but we keep those rules in order that we may live untroubled” (Rasmussen 1930, 69).

Human beings create order and meaning, suspecting even as they do so that their works may well be a measure of their desperation. The anthropologist Monica Wilson asked the women of an African village why they set such store by their ceremonies. Their answer was always the same. The purpose of such ceremonies, they responded, is “to stop people going mad” (Drury 1974, 52). Nature is indifferent and often unpredictable; people, for their part, can be not only indifferent but malevolent - the malevolence descending on the victim unexpectedly like a sudden shift of wind. What to do? The advice of the poet W. H. Auden (1991, 153) is like that of the African women. Not to be born may well be the best, but there is, he says, a second best, which is formal order, the “dance’s pattern.” We should dance while we still can.

To a character in a novel by Iris Murdoch (1975, 45), “unironed handkerchiefs could lead to madness.” People must opt for order somewhere down the line. A touching confession of helplessness before the world’s bewildering complexity, verging on chaos, comes from Claude Levi-Strauss. He has been accused of reductionism, of suggesting that mathematical models have the power to illuminate human experience and social reality. Levi-Strauss denies this. “This idea that structural analysis can account for everything in social life seems outrageous - it has never occurred to me. On the contrary, it seems to me that social life and the empirical reality surrounding it...unfold mostly at random.” “Disorder reigns” in social life’s “vast empirical stew,” as the famous anthropologist picturesquely put it. He, for his part, has chosen to study only its “scattered small islands of organization.” Moreover, these “islands” refer not to “what people do, but [to] what they believe or say must be done” (Levi-Strauss and Eribon 1991, 102-103).

OVERCOMING ISOLATION

Human beings have found numerous ways to overcome isolation and the self’s problematic uniqueness. These ways constitute a large part of culture. Culture is the human answer to the world’s disjunctions, unconnectedness, and indifference. Some of these ways may well be considered as much biological-instinctive as cultural: for instance, bodily contact. In a hunting-gathering band, huddling, fondling, and caressing occur frequently not only between adults and children but also among adults. Young men, in particular, sleep together in clusters, with arms and legs slung over one another’s bodies as though they are a band of lovers. Bodily contact establishes a feeling of oneness so strong that it can transcend even close kinship ties (Henry 1941, 18, 33; Turnbull 1982, 137).

Communal singing has a similar effect, asserts musicologist Victor Zuckerkandl (1973). In preliterate and folk communities, people gather to sing and so make a reassuring bubble of sound around themselves. There are singers, but no listeners - no outsiders to evaluate the performance and so make the singers feel self-conscious. Because looking tends to create distance, eyes may be closed in communal singing to enhance the sensation of total immersion in sound. This way, individuals are blissfully able to lose their burdensome identities in the larger whole (Turnbull 1990, 56).

If human togetherness were the sole aim, tones without words should suffice. People, however, feel a strong need to be emotionally engaged not only with other human beings but also with the nonhuman world of plants, animals, rock, and wind. For this to occur, says Zuckerkandl (1973, 27-29), words must be used. Words alone, as in ordinary speech, can already capture things for people, making them a part of their world. But the capture is insecure - the things still seem separate, “islands” out there. When words are sung rather than merely spoken, people and things are finally able to resonate emotionally: the separateness is then fully bridged.

All sorts of communal activities have the power to repress the self, especially when these require coordinated movements, as, for example, farmers working in a field, soldiers marching to the music of a military band, or people enacting their designated roles in a ceremony. An awareness of the Other - an indifferent or hostile reality out there further intensifies group solidarity and weakens the feeling of individual separateness. To farmers laboring together, the fields to be plowed and the weeds to be uprooted constitute the Other. To soldiers, the Other is the sharply defined human enemy. But it is always present, hazily or vividly, for any group that is engaged in common activity and shares a way of life. A possible exception is cosmic ritual, which in principle is all-inclusive. But there too, something lies outside: chaos, which the cosmic ritual is designed to forestall or tame.

Human beings are able to build an artifactual world from the material of nature. This world, especially at the microscale of rooms and houses and perhaps of neighborhoods and small towns, can promote a sense of group solidarity. In the living room, family members do different things and think separate thoughts: the baby crawls on the floor, the teenager studies algebra, the mother balances the budget, the father dozes before the television set. Yet they feel very much a close-knit family, and any observer of the scene would conclude the sam.e. The enclosed space of the room, a cheerfully illuminated interior set against the darkness outside, encourages a sense of oneness. Likewise, the pictures on the wall, the coordinated pieces of furniture, all attest to a whole that is greater than the sum of its parts. The classroom provides another example. All the chairs in it are identical, which helps to create the illusion that the students who sit in them are alike - that they all have much the same body shape and weight, much the same sensory equipment, much the same kind of mind and intellectual preparedness, absorbing professorial wisdom in much the same way. What a shock when the professor reads the blue books!

SPEECH AND BONDING

Speech binds. Human beings feel that they live in the same world in large part because they apply the same words to the same things - because they speak alike. If I am not a botanist, why do I still want to know the name of a flower? What additional information do I gain when I am told that I am looking at an African violet - a specimen of the Saintpaulia ionantha? None. Knowing its name reassures me not because I know more about a plant, a feature of nonhuman reality, but because I now share one more term with other people, which gives me the impression that I share one more bit of the world with them. For a people to sustain the belief that they live in a common world, their conversational vocabulary has to be severely limited, as it almost invariably is (Whiting and Whiting 1975, 170-171). In modern society, even when men and women chatter away, they use perhaps no more than a hundred different words in the course of a day. Bonding among members of a group is further strengthened if they develop a distinctive pronunciation, a jargon; and linguists assert that every close-knit human group has its own manner of speech that sets itself off, however subtly, from others.

Speech both binds individuals and tempers their peculiarities so that they can fit into a larger and blander whole; it also binds, as I have noted previously, people with the nonhuman environment. It does so most effortlessly and effectively by means of metaphors, which are a universal feature of language. Apparently, human beings can only know who they are through the use of animal and plant metaphors and similes. “I am a fox; you are a pig; he or she is a prickly cactus.” In the process of learning who they are, people also become aware of their intimate ties to other living things: the two processes are inseparable, melded into one by the character of language (Fernandez 1974, 122-123). As for things in the mineral realm, anatomical metaphors such as foothills and headlands, the spine of a ridge, the mouth of a river, the face of a cliff make them all seem familiar and personal, features of a world impregnated with human values. Indeed, language tricks its users into believing that the features are all in some sense alive. And remember: there was never a time when natural human language did not perform this comforting trick. Language in itself makes the inanimate appear animate. Historically, as Hans Jonas (1966, 11-12) has observed, the problem that confronts human beings is not how life has emerged in a lifeless universe, but rather how a warm body can turn into a corpse. Ordinary speech lacks neutral ways of referring to that which is not alive. The inanimate depends on the prior conception of animate. Words such as lifeless or dead, when applied to rocks and stars, imply a prior state of aliveness.

SPEECH AND SOLITUDE

Through most of human history, speech has helped to maintain a sense of group cohesion. In numerous myths and lores, the kinship of all things - some kind of mutual understanding at the level of feeling and verbal communication - is assumed. Speech nevertheless is not solely a social glue. It is also an instrument of critical reflection and inventiveness. Used in a certain way, speech enables people to penetrate its social character, its power to elevate the fetishes of the group into nature’s norm, and to mask the disjunctions and separateness in the world, as well as its fundamental indifference. Self-critical speech eschews metaphors and other rhetorical devices that so effortlessly rope the nonhuman into the human world. It seeks to become a more austere scientific language that, in the interest of hard truths, sets aside human-bonding needs. Ironically, such a language creates its own bonding among scientists, who by speaking in a way understandable only to themselves are able to forget their status as complex human beings and to assume the simpler role of experts, distinguishable from one another by their scientific viewpoints, which they offer to their colleagues in a warm bubble of mutual appreciation. Life in this specialized community can be fully satisfying unless or until some other dimension of reality rudely intrudes.

In a well-coordinated and well-designed room it can seem as though the armchair and its ottoman, a standing lamp and the adjoining side cabinet are “conversing” with one another, such that a polite person would hesitate to disrupt the exchange by passing between them. When human beings stand side by side talking, is there a similar sense of coordination - of souls in deep and sympathetic exchange that should not be lightly disrupted? I would say yes, but even more often no, at least on social occasions, which means on most occasions. The fact is, people seldom truly speak with or listen to another. It is tempting to say, “Well in the old days, friends and family had genuine conversation. In our time, with so much television watching, we have lost the art.” Tolstoy would have disagreed. In an early literary effort, which was published posthumously, he wrote, “I don’t know how people were in the old days, but conversation there can never be....It is not from any deficiency of intelligence but from egotism that conversation fails. Everyone wants to talk about himself or about what interests him” (Bayley 1978, 37-38). I am reminded of Andre Gide, who reportedly believed that people were not really interested in what he had to say and that hence he had a tendency, even in his prose, to rush the ending. He based this conclusion on the fact that when he was interrupted in the middle of a story, no one ever asked, “And what comes next?” (Green 1985, 63).

Egotism may indeed be the heart of the problem. Egotism, however, is not just the moral defect of some people; it is an inescapable fact by virtue of a person’s uniqueness of body, mind, experiences, and projects. Having an ego makes listening truly to another a superhuman achievement, because it calls for an emptying of sell and how many people can do that? In Simone Martini’s altarpiece, The Annunciation, the Angel of the Lord speaks; Mary listens but discreetly keeps her place in the book she was reading when the Angel arrived. The Angel’s mission is no doubt momentous, but it is not hers: she listens with a hint of reluctance, because she was otherwise engaged. In Anton Chekhov’s play “The Three Sisters,” anguished cries from the heart are deflected by a rebuke to the servant or an asinine comment on the weather. Misunderstanding in a familiar setting - in the family and among friends - is a common theme in modern literature: things are said but are not understood; distress signals are sent out but are lost in indifference. Human beings have not become more egotistical, only more aware of their egotism - of their disinclination to listen, thanks in part to modern works like those of Chekhov and numerous other writers. Such awareness may encourage a person to become a better listener, and so a better person.

If a small vocabulary and the frequent use of cliches promote understanding and communal solidarity, the achievement of verbal-intellectual sophistication can have the opposite effect. The more people know and the more subtle they are at expressing their knowledge, the fewer listeners there will be and the more isolated individuals will feel, not only at large but also among colleagues and coworkers. Let me use an architectural metaphor to show how this can come about in academic life. Graduate students live in sparsely furnished rooms but share a house - the intellectual house of Marx, Gramschi, Foucault, or whoever the favored thinker happens to be. A wonderful sense of community prevails as the students encounter one another in the hallways and speak a common language, with passwords such as capital formation, hegemony, and the theater of power to establish firmly their corporate membership. Time passes. As the students mature intellectually, they move from the shared life of a house to rented apartments scattered in the same neighborhood. The apartments are close enough that friends still feel free to drop in for visits, and when they do the entire living space is filled with talk and laughter, recapturing as in younger days not only the bonhomie but also the tendency to embrace wholeheartedly the currently favored doctrine. Eventually the students become professors themselves. They begin modestly to build their own house of intellect and add to the structure as they prosper. Because each house bears witness to a scholar’s achievement, it can be a source of great personal satisfaction. But the downside is, who will want to visit? And if a colleague or friend does, why should the person spend time in more than one room?

Social scientists assert that a tenement, at which people hang out the washing or sit on the stoop to socialize, can be a warm and communal place. By contrast, a suburb with freestanding houses is cool and unfriendly. I am saying that the same may be true of intellectual life as one moves to larger houses of one’s own design. Both types of move - socioeconomic and intellectual - signify success, and with both the cost to the mover can be an exacerbated feeling of isolation.

FEAR OF LIGHT

Culture may be variously defined. One that promises new insights is culture as a form of escapism unique to human beings. When it rains, what do people do? They escape by going indoors. Shelters are built so that people need not confront nature’s pummeling and unpredictability, which not only can be dangerous but are unwelcome reminders of nature’s indifference. People also erect conceptual shelters - that is, tell stories, conduct ceremonies and rituals - for much the same reason, as well as to soften dissonances in social life and to reduce, for the individual, a sense of aloneness and anxiety. Material shelters can be taken down, but so can conceptual shelters - those reassuring covers composed of words and gestures - by an unusually reflective individual. Understandably, all societies strongly discourage the practice. One possible exception is the modern West. In modern Western society, blowing the cover is not simply an odd happening initiated by an exceptionally bold and gifted individual, but it is fairly common, emerging from a intellectual climate that has, at least ostensibly, the approval of society itself.

A strongly analytical and critical inclination of mind, sustained over time, can lead to cynicism and despair. In the West this has not yet happened to a pronounced degree, and one reason is ironic: the same hard questioning that has corroded traditional cultural covers has enabled Westerners to build a new one the dazzling technological world that has its own great powers to shield, entertain, and distract. Still, in the course of the last two centuries, critical thinking has undoubtedly dented the modern person’s sense of what it means to lead a moral and rewarding life, the true nature of relationships among human beings and between them and nature. May this not be another reason, perhaps even the deepest reason, for the vehemence with which the West is sometimes attacked? Besides its egregious faults of imperialism, racism, and specieism that are generic to civilization, the West is uniquely destructive of cultural covers and escape routes, not only other people’s but its own. I wonder, however, whether the critics, who are themselves nearly all Westerners or Western trained, know that they derive a personal benefit from their indignation? The benefit lies in the forging of a camaraderie, a warm feeling of being in the right in the company of others also in the right, the creation of a strong sense of Us through the postulation of an implacable and powerful Other, which is among humankind’s most time-honored and effective means of repressing the tormenting awareness of personal guilt and anomie, aloneness and vulnerability. In short, the attack hides a deep human fear - one that has always been a part of conscious life - the fear of light in places that best remain in the dark.

CITATIONS

Auden, W.H. 1991. Death’s echo. Collected poems, ed. E. Mendelson. New York: Vintage.

Bayley, J., ed. 1978. The portable Tolstoy. New York: Viking.

Drury, J. 1974. Angels and dirt. New York: Macmillan.

Fernandez, J. 1974. The mission of metaphor in expressive culture. Current Anthropology 15:119-145.

Gazzaniga, M. S. 1992. Nature’s mind: the biological roots of thinking, emotions, sexuality, language, and intelligence. New York: Basic Books.

Green, J. 1985. Diary 1928-1957. New York: Carroll & Graf.

Hadamard, J. 1949. The psychology of invention in the mathematical field. Princeton, N.J.: Princeton University Press.

Henry, J. 1941. Jungle people: a Kaingang tribe of the highlands of Brazil. New York: J. J. Augustin.

Jonas, H. 1966. The phenomenon of life: toward a philosophical biology. New York: Harper & Row.

Kolakowski, L. 1989. The presence of myth. Chicago: University of Chicago Press.

Levi-Strauss, C., and D. Eribon. 1991. Conversations with Claude Levi-Strauss. Chicago: University of Chicago Press.

Murdoch, I. 1975. A word child. London: Chatto & Windus.

Neitz, M., and J. Neitz. 1995. Numbers and ratios of visual pigment genes for normal red-green color vision. Science 267 (17 February):1013-1018.

Rasmussen, K. J. V. 1930. Intellectual culture of the Iglulik Eskimos. Report of the fifth Thule expedition 1921-24, vol. 7, nos. 2 and 3. Copenhagen: Gyldendalske Boghandel, Nordisk Forlag.

Turnbull, C. M. 1982. The ritualization of potential conflict between the sexes among the Mbuti. Politics and history in band societies, eds. E. Leacock and R. Lee, 133-155. Cambridge, U.K.: Cambridge University Press.

-----. 1990. Liminality: a synthesis of subjective and objective experience. By means of performance, eds. R. Schechner and W. Appel, 50-81. Cambridge, U.K.: Cambridge University Press.

Updike, J. 1989. Self-consciousness. New York: Alfred A. Knopf.

Whiting, B. B., and J. W. M. Whiting. 1975. Children of six cultures: a psycho-cultural analysis. Cambridge, Mass.: Harvard University Press.

Williams, R. J. 1967. You are extraordinary. New York: Random House.

-----. 1978. Nutritional individuality. Human Nature (June):46-53.

Zuckerkandl, V. 1973. Man the musician. Princeton, N.J.: Princeton University Press.

DR. TUAN is the John K. Wright professor of geography and a Vilas Research Professor at the University of Wisconsin, Madison, Wisconsin 53706.

-1-

Questia Media America, Inc. http://www.questia.com

Publication Information: Article Title: Island Selves: Human Disconnectedness in a World of Interdependence. Contributors: Yi-Fu Tuan - author. Journal Title: The Geographical Review. Volume: 85. Issue: 2. Publication Year: 1995. Page Number: 229+. COPYRIGHT 1995 American Geographical Society; COPYRIGHT 2002 Gale Group

Posted by Michael L Umphrey on 07/05 at 12:34 PM
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Audio Visual
  DVDs, VHS, MP3

DVDs Time Location
Age of Innocence 138 min Room 205
Amazing Grace 118 min Room 205
Apocalypse Now 202 min Room 205
Ben Franklin 210 min Room 205
Desperate Crossing (Mayflower Docudrama) 137 min Room 205
Emperor’s Club 110 min Room 205
Fast Food for Thought (advertising) 28 min Room 205
Frontier House (PBS homesteading) 360 min Room 205
Great Gatsby 143 min Room 205
Innocent Year (America 1900-1914) 60 min Room 205
John & Abigail Adams 120 min Room 205
Libby, Montana (documentary) 124 min Room 205
Mark Twain 225 min Room 205
Mark Twain Tonight (Hal Holbrook) 90 min Room 205
Mark Twain’s America 60 min Room 205
Matrix 136 min Room 205
Montana Mosaic (MHS 20th Century) 220 min approx Room 205
Murder of Emmett Till 60 min Room 205
Pride & Prejudice 129 min Room 205
Red Badge of Courage 69 min Room 205
River Runs Through It 124 min Room 205
Sell & Spin (history of advertising) 100 min Room 205
Shane 117 min Room 205
Titanic 194 min Room 205
TR (Roosevelt) 225 min Room 205
When History Speaks (oral history) 45 min Room 205
In Love and War (Farewell to Arms) 113 min Room 205

VHS
1776 (musical) 148 min Room 205
Aldo Leopold: A Prophet for All Seasons 59 min Room 205
Aldo Leopold: Learning from the Land 51 min Room 205
Camelot (musical) 177 min Room 205
Chosen 105 min Room 205
Gone with the Wind 235 min Room 205
Heartland 96 min Room 205
High Noon 85 min Room 205
Middle Passage 76 min Room 205
Moby Dick (Gregory Peck) 116 min Room 205
Really, Really Big Floods (Lake Missoula) 28 min Room 205
Richard Hugo (film portrait) 57 min Room 205
Stagecoach 97 min Room 205

Audio CD
Timberrr: Conflict and Change in the Pacific Northwest

Audio MP3
Great Gatsby
Huckleberry Finn
Night
Red Badge of Courage

Posted by Michael L Umphrey on 06/16 at 01:30 PM
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Conservative Foundations
  primary bankrollers of conservative politics

The Koch Family Foundations, controlled by David H. Koch and Charles G. Koch, the billionaire owners of Koch Industries.

The Lynde and Harry Bradley Foundation, with assets exceeding $532 million, was founded by brothers Lynde and Harry Bradley, who made their fortunes producing electronic and radio components. Harry Bradley was an active member of the John Birch Society and a contributor to William F. Buckley, Jr.’s National Review. It has played a key role in promoting the privatization of education, funding research and pilot projects in school vouchers in its home state of Wisconsin.

The Scaife Foundations, controlled by billionaire Richard Mellon Scaife.

The Adolph Coors Foundation, funded by the family that owns the Adolph Coors brewery. Recipients of its funding have included the Heritage Foundation, Phyllis Schlafly’s Eagle Forum and STOP ERA campaign, the John Birch Society and a variety of organizations affiliated with the religious right.

Posted by Michael L Umphrey on 03/30 at 11:31 AM
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Bellringers
  Writing Prompts

What is…

* What is something you dislike about yourself?
* What is something you do well?
* What is your favourite room in your home and why?
* What is a good neighbour?
* What is the worst thing parents can do to their children?
* What is your favourite time of day?
* What is your idea of a dull evening?
* What is the best way to treat meddlesome people?
* What is something you are optimistic about?
* What is something you are pessimistic about?
* What is your most indispensable possession and why?
* What is the meaning of “He laughs best who laughs last”?
* What is your favourite song and why?
* What is the best birthday present you ever received?
* What is the best birthday present you could receive?
* What is something that makes you feel sad?
* What is your favourite book and why?
* What is something that really bugs you?
* What is something that really makes you angry?
* What is the best advice you ever received?
* What is your favourite holiday? What makes this holiday special?
* What is your favourite day of the week?
* What is your favourite month? Why?

What if…

* What would happen if you could fly whenever you wanted? When would you use this ability?
* What would happen if there were no television? Why would this be good? bad?
* What would happen if everyone lived in space? What type of houses would they live in? What type of clothing would they wear? What type of food would they eat? How would they travel?
* What if cows gave root beer instead of milk?
* What if all the streets were rivers? What would be different?
* What would happen if people never co-operated? Why do you think it is important to co-operate?
* What would happen if it really did rain cats and dogs?
* What would happen if animals could talk? What are some of the questions you would like to ask animals?
* What would happen if you could become invisible whenever you wanted to? What are some of the things you could do that you cannot do now?
* What would happen if everyone wore the same clothes?
* What would happen if you threw a piece of trash on the ground? What if everyone did?
* What if you could walk up walls and across ceilings?
* What would happen if you loved your neighbour as yourself? What if everyone did?
* What would happen if you grew taller than trees? How would this change your life?
* What would happen if children ruled the world?
* What would happen if there were no cars, buses, trains, boats, or planes? How would this change your life?
* What if everyone lived under water? Where would people live? What games would children play? What would school be like?
* What would happen if you found gold in your backyard?
* What would you do if a bully bothered you on your way home?
* What would you do if you did very poorly of a test?
* What would you do if a friend borrows things from you but never returns them?
* What would you do if You were the teacher and everyone forgot his homework?
* What would you do if you were in the middle of the lake and your boat began to leak?
* What would you do if Your friend had a broken leg? How would you cheer him up?
* What would you do if you saw little bugs in your salad?
* What would you do if you woke up in another country and no one could understand you?
* What would you do if you ordered an ice cream cone and you forgot to bring money?
* What would you do if someone got in front of you when you were in line at the movies?
* What would you do if your jelly sandwich fell upside down on the floor?
* What would you do if only one hot dog is left and neither you nor your friend have had one?
* What would you do if two of your best friends went to the movies without inviting you?
* What would you do if the surprise party was for you but you weren’t surprised?
* What would you do if you got a present you didn’t like?
* What would you do if you were at home and your homework was at school?
* What would you do if you dropped the cookie jar and it broke?
* What would you do if you were invited to two parties on the same day?
* What would you do if you promised to feed your pet and you didn’t?
* What would you do if someone said you did something wrong and you didn’t?
* What would you do if your new shoes felt fine in the store but now they are hurting?
* What would you do if someone told you a joke that you don’t think is funny?
* What would you do if an hour before the party you remember you don’t have a gift?
* What would you do if a friend comes to your house and his/her mom doesn’t know he’s/she’s there?
* What would you do if you had four math problems marked wrong that were right?
* What would you do if you found in the street?
* What would you do if you found a magic wand?
* What would you do if you wanted to be friends with someone who spoke no English?
* What would you say if someone told you it was all right to steal from a large department store?
* What would you do if you saw a friend cheating--report it, confront the friend, nothing--and why?
* If you could have been someone in history, who would you have been?
* If you could only take 3 people with you on a trip around the world, who would you take and why?
* If you could give any gift in the world, what would you give and to whom?
* If you could live anywhere in the world, where would it be?
* If you received any sum of money as a gift, what would you do with it?
* If you could do whatever you wanted to right now, what would you do?
* If you were principal of this school, what would you do?
* If you were a mouse in your house in the evening, what would you see your family doing?
* If you were five years older you would…
* If you were lost in the woods and it got dark, what would you do?
* If it were your job to decide what shows can be on t.v., how would you choose?
* If there were no rules, what do you think would happen?
* If you owned a store, what would you do to discourage people from stealing from you?
* If you could participate in an Olympic event, which one would you choose and why?

* If you could break the Guiness Book of Records it would be for?
* If you had to describe yourself as a colour, which would you choose?
* If your friend told you of a secret plan to run away from home, what would you do and why?

What do you think…

* What do you think of 3D movies?
* What do you think someone your age can do to help reduce the amount of pollution in our environment?
* What do you think the world needs now?
* What do you think your friends say to each other when you’re not around?
* What do you think about the amount of violence on T.V.?
* What do you think about people polluting the environment?
* What do you think about having set rules for people to follow?
* What do you think about people who are inconsiderate of others?
* What do you think should be done to keep people who are under the influence of alcohol off the road?
* What do you think the world will be like when you are a grown up?
* What do you think about ghosts?
* What do you think of someone who has bad manners?
* What do you think about people who take advantage of others?
* What do you think about when you can’t fall asleep?
* What do you think courage means?
* What do you think makes a good friend?
* What do you think makes a happy family?
* What pollutants do you think do the most damage and why?
* What things do you think are beautiful?

What...misc.

* What do you like most about yourself?
* What do you like to do in your free time?
* What kind of animal would you like to be and why?
* What kind of trophy would you like to win?
* What TV or movie star would you like to invite to your birthday party?
* What does “Clothes make the person” mean to you?
* What does “Have your cake and eat it too” mean to you?
* What does “The early bird gets the worm” mean to you?
* What do we mean when we say, “The grass is always greener on the other side of the fence”?
* What does “You can’t take it with you” mean?
* What do we mean when we say, “You can catch more flies with honey than with vinegar”?
* What do we mean when we say, “Hitch your wagon to a star”?
* What does “still waters run deep” mean to you?
* What does “There are two sides to every coin” mean to you?
* What does Canada mean to you?
* What are you afraid of? Why?
* What are junk foods?
* What are some nutritious foods that you like?
* What are some rules you have to follow at home?
* What are some examples of prejudice?
* What is more important to you, appearance or personality?
* What is most important to you in a friend--loyalty, generosity, honesty--why?
* What is something that makes you melancholy?
* What makes your best friend your best friend?
* What makes you feel safe?
* What makes you laugh?
* What would you invent to make life better?
* What would you do to entertain your family without spending any money?
* What effects does watching violence have on people?
* What effects do cigarette and alcohol advertising have on young people?
* What kind of t.v. commercial would you like to make? Describe it.
* What kind of pet would you most like to have--monkey, snake, goat--why?
* What kind of program do you enjoy most on TV--detective shows, comedies, game shows--and why?
* What advice would you give a new student?
* What advice would you give to someone who stole something but now feels guilty?
* What things are better than going to school? Why?
* What talents do you have?
* What three words would describe you right now?
* What four things are most important in your life?
* What colour makes you think of happiness?
* What has been the most fun activity at school so far?
* What quality do you like about yourself--creativity, personality, appearance--why?
* What eccentric behaviour in a friend disturbs you the most?
* What parts of nature do you like best?
* What do you do for exercise?

How…

* How do you feel when it’s your birthday? Why?

* How do you feel on the first day of winter? Why?
* How would you feel if you were going to be on a show? Why?
* How do you feel when you do something wrong?
* How do you feel when you do something that is very good?
* How do you feel when you play a trick on someone?
* How would you feel if a new child moved into your neighbourhood?
* How do you think the new child would feel?
* How do you feel when you have had a fight with your best friend?
* How do you think your friend felt?
* How do you feel when you are in bed with the lights out?
* How do you feel when you want something very badly and you cannot have it? Why is this so important to have?
* How do you feel on a warm sunny day?
* How do you feel when you stay with a babysitter?
* How do you feel when you’re leaving home on vacation?
* How do you feel when you sleep at someone’s house?
* How do you feel during a thunderstorm?
* How do you feel on the first day of school?
* How do you feel when your parents are upset with you? Why do they become upset with you?
* How do you feel on Thanksgiving? What are you thankful for?
* How do feel on (any holiday)?
* How do you feel when something scares you? What do you do when this happens?
* How would you feel if someone told you that you were his or her best friend?
* How do you feel about your appearance?
* How would you change the world to make it better?
* How do you think eating junk food affects you?
* How do you have the most fun--alone, with a large group, with a few friends--and why?
* Explain how to play your favorite game.

I wish…

* I wish I had a million… Then I would…
* I wish I had one… because
* I wish I could be like.... This person is special because....
* I wish to be a ________ when I grow up. Then I will....
* I wish there were a law that said..... This would be a good law because....
* I wish I could forget the time I ..... because....
* I wish trees could..... because....
* I wish I could see...... because.....
* I wish I could learn..... because.....
* I wish I didn’t have to eat...... I don’t like this food because.....
* I wish everyone would learn to ..... Then everyone would.....
* I wish I never......
* I wish I had one more chance to..... Then I would.....
* I wish there was an electric......
* I wish I had enough money to......
* I wish everyone loved......
* I wish all children would......
* I wish everyone had.....
* I wish I could touch......
* I wish animals could...... If they could, then.....
* I wish I looked like.... because......
* I wish there were no more.....
* I wish I didn’t have to.....
* I wish I could go to.....
* I wish there really was..... If there really was, then.....
* I wish I could hear......
* I wish I could give......
* If all my wishes came true, I would......

Describe…

* Describe a time when you felt vengeful.
* Describe your favourite toy. Why do you like it best?
* Describe the most ludicrous outfit you can think of.
* Describe the best teacher you ever had.

When…

* When you are angry, how do you look?
* When are you happiest?
* When have you felt lonely?
* When do you feel proud?
* When was the last time you cried and why?
* When a friend was in an embarrassing situation, what did you do?
* When it might hurt their feelings, how do you feel about telling your friends the truth?
* When might it be bad to be honest?
* When someone picks on someone else, how do you feel? What do you do?
* Once, when you were very frightened, what happened?
* Once, when you were embarrassed, what happened?
* Once, when your feelings were hurt, what happened?

Which…

* Which quality best describes your life--exciting, organised, dull--and why?
* Which quality do you dislike most about yourself--laziness, selfishness, childishness--and why?
* Which place would you most like to visit--Africa, China, Alaska--why?
* Which holiday has the most meaning for you-Canada Day, Thanksgiving, Valentines Day--and why?
* Which is least important to you--money, power, fame--and why?
* Which is most important to you--being popular, accomplishing things, being organised--and why?

Who…

* Who do you talk to when you have a problem?
* Who is your favourite Star Wars character (or other movie/book/t.v. show, etc.)?
* Who or what has had a strong influence in your life?

Where…

* Where would you prefer to be right now--mountains, desert, beach--and why?

Why…

* Why is it important to be honest?
* Why is important to have good manners?
* Why do you think adults smoke/drink?
* Why is exercise important to someone your age?
* Why do you think some people encourage others to smoke/drink?
* Why do you think the rules you must follow are good or bad?
* Why would it be good to be honest?
* Why have men and women usually only done certain types of work?
* Why should or shouldn’t a man stay home to care for the house and children while his wife goes to work?
* Why do you think some people take advantage of others?
* Why do you think prejudice exists in the world?
* Why would we say that someone is “passing the buck”?
* Why would a Prime Minister have a sign on his desk which read, “The buck stops here”?
* Why do you think tact is an important quality?
* Why is it not wise to squander your money?
* Explain why we say, “dead as a door nail”.

Misc…

* Do you think there is too much fighting on t.v. Why or why not?
* Do you think it is necessary to have alcohol at a party in order to have a good time?
* Does it bother you to be around someone who has bad manners?
* Should there be a dress code in places such as school, restaurants, and places of business? Why or why not?
* Should animals be used for medical research?
* Should the Canadian Government financially support Olympic teams?
* Should people be prohibited from smoking in certain places?
* Families are important because…
* Would you like to be famous? Why or why not? What would you like to be famous for? 

Posted by Michael L Umphrey on 03/02 at 11:26 PM
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Caring for your Introvert
  Close Reading: What makes writing good?

Caring for your introvert: Close Reading
View SlideShare presentation or Upload your own. (tags: writingteachingeducation)
Posted by Michael L Umphrey on 01/08 at 02:20 PM
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Bookmarks
  bookmarks 1-04-09

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Backpack: Links

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Polson High School
Michael L. Umphrey is a writer and teacher who sometimes focused on the relationship between education and placemaking. He lives on the Flathead Indian Reservation in western Montana. He has been a teacher, a principal, director of the Montana Heritage Project, and a newspaper editor.
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Posted by Michael L Umphrey on 01/04 at 06:54 PM
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Teaching the Romantic period with music
  Thoreau, Emerson, etc

STI Lesson 13 - Marching to the Beat of a Different Drum

During my year poetry unit I would often start a lesson with a song and then chose a particular lyric to study. For example I played ‘Louder than words’ From Tick, Tick Boom and wrote on the board the phrase ‘Cages or wings, which do you prefer? Ask the birds’.
I asked the class what this question was asking? Then we discussed how it was a much more interesting way of asking if you want to be free etc.
I tried to vary the music.

Also during free reading I allow the first 3 students to select a song, which I will then search for on a free music site (the kids have shown me lol) and play for them. I get the last choice (to broaden their music experience) and then it is time to move on to the class activity.

Contributed by Andrew Kenen and Diane Seskes, Kenston High School, Bainbridge Township, OH
Rationale

What are the advantages and disadvantages of conforming to society’s expectations? Adolescents strive to answer this question. By studying writers, philosophers, artists, musicians, inventors, and other creative minds, students will see how others have answered this question.
Objectives

The students will be able to:

1. read and analyze selections by Emerson, Thoreau, Tyler, Frost, and Oates relating to conformity and nonconformity.
2. listen and analyze selected songs relating to conformity and nonconformity.
3. write in response to prompts in journal format.
4. create a poster representing interpretations of quotations on conformity.
5. create a drawing showing the literal and figurative interpretation of an extended metaphor.
6. research creative people to understand how they deal with conformity issues.
7. write and present a paper showing how a creative person has responded to the issue of conformity vs. nonconformity.

Audience

Suggested for secondary English students. This would work well in a unit on Transcendentalism.
Time Frame

3-5 class periods. The research component may require 5 or more class periods depending upon the time allowed in class for accessing the Internet and the writing process. The time needed for sharing of the research will be determined by the class size.
Materials

Copies of Ralph Waldo Emerson “Self-Reliance;” copies of Walden by Henry David Thoreau or at least a copy of the Conclusion of Walden; copies of “Teenage Wasteland” by Anne Tyler; copies of “Journey” by Joyce Carol Oates; copies of “The Road Not Taken” by Robert Frost; copies of lyrics of selected songs; CD’s/tapes/records of selected songs; sound system; access to the Internet and research facilities.
Procedures

1. Introduce Emerson. Read excerpts from “Self-Reliance.” Discussion should include an analysis of some of his key concepts and infamous quotations including the following:
* “Trust thyself, every heart vibrates to that iron string.”
* “Society everywhere is in conspiracy against the manhood of every one of its members.”
* “Whoso would be a man, must be a nonconformist.”
* “A foolish consistency is the hobgoblin of little minds.”
* “To be great is to be misunderstood.”

Focus the discussion on Emerson’s belief in individualism.
2. Introduce Thoreau. Read the Conclusion of Walden. Focus the discuss upon the most commonly quoted portions of this work:
* “If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.”

Discuss the concept of conformity and nonconformity in relation to this quote. Include background on Thoreau’s nonconformity in going into the woods to live.
3. Have students write in their journals in response to the following prompt: What are the advantages and disadvantages to conforming to society’s expectations? Allow at least 15 minutes for the writing. Then go around the room allowing every person to read all or a portion of the writing. Do not allow comments or questions at this time. The oral sharing is for listening to the diversity in responses.
4. Listen to “Different Drum” by Linda Ronstadt with The Stone Poneys. Provide copies of the lyrics.
5. Discuss the use of Thoreau’s quote in the song “Different Drum.” How is the quote used and interpreted? Is this interpretation in agreement with Thoreau?
6. Read Anne Tyler’s short story “Teenage Wasteland.” This is a contemporary story involving an adolescent boy, Donny, who goes through changes which lead to his eventual running away. Within the story the following quote is used:
* “I wouldn’t be surprised to learn the school was in on it. Any kid that marches to a different drummer, why, they’d just love an excuse to get rid of him”

The discussion of this story should focus upon the changes that occur to Donny as well as the reactions by his parents, his sister, his tutor, and the school. Many students will identify and empathize with Donny while others will empathize with the parents. Also discuss the use of Thoreau’s “different drummer” concept. How has his quote been adapted? Discussion may also focus upon the viewpoint of schools towards conformity and nonconformity.
7. Listen to the song “Baba O’Riley” by Pete Townshend. Provide lyrics for the students. This song is mentioned in the short story as “Teenage Wasteland.” It is also used as the title to Anne Tyler’s short story. Discuss the connection between the song and the short story. What viewpoint does this song represent? How does the song fit the short story?
8. Now listen to “My Generation” by Pete Townshend. Provide lyrics. Discuss the message of this song. How do the lyrics represent each succeeding generation? Do the lyrics apply to the present generation? How does each generation view conformity and nonconformity? What are some of the current fads that represent conformity and nonconformity?
9. Provide copies of Robert Frost’s poem “The Road Not Taken.” Read this aloud. Discussion should focus upon the concept of conformity and nonconformity. Robert Frost’s poem is a metaphor for the decisions and choices in life. Have students explain the metaphor. Focus the discussion on the final stanza:
* “I shall be telling this with a sigh
Somewhere ages and ages hence:
Two road diverged in a wood, and I--
I took the one less traveled by,
and that has made all the difference.”

10. In their journals, ask students to list three difficult choices they have made. Select on of these choices and freewrite on why this was so difficult. Think about the option that was not chosen and then make a list tabulating the imaginary chain of consequences that might have followed if the other alternative would have been chosen. Draft a description of the person who might have evolved had the other path been chosen.
11. Read Joyce Carol Oates’ extended metaphor “Journey.” This story may be read on two levels--literal and figurative. On the literal level, this is a person’s journey in a car and on foot toward a city. On the figurative level, this represents a person’s journey through life making multiple decisions on the way.
12. After the students have read Oates’ “Journey” have them draw a literal and figurative representation of the story. The literal drawing will be a road map. The figurative drawing will be a symbolic, abstract depiction of the journey through life. Have the students share and explain their drawings.
13. Listen to the song “Who You Are” by Pearl Jam. Provide lyrics. After listening to the song, discuss the meaning--especially the last few lines:
* “So I would say you’ve got a part
What’s your part
Who you are
You are who
Who you are.”

Discussion should focus on making meaning of Pearl Jam’s symbols and references. Discuss the reference to “transcendental consequence.” How do you “transcend Where we are?” What does Pearl Jam have to offer on the concept of conformity and nonconformity? What is their advice?
14. Assign a creative poster to students at this time. They are to select a one or two-line quote from any of the writers or performers studied. The quote should represent a viewpoint on conformity or nonconformity. The poster will visually include the quote and a representation of the meaning of the quote. Have students share their posters and place them around the room to remind the students of the differing perspectives.
15. Assign a research project requiring students to select an individual whose life has addressed the conformity vs. nonconformity issue. Students should select an individual in whom they are interested. Students should be encouraged to look at those creative minds in the areas of science, math, writing, music, art, photography, medicine and computers. Allow freedom in their selections.
16. Focus the research on several key ideas:
* What is this individual’s special creative talent?
* How has this individual been accepted in society?
* How has society influenced this particular individual?
* In what areas of life does this individual conform?
* In what areas of life does this individual non-conform?
* Does this particular individual have any advice for society?

17. After the students have completed their research, assign a paper and presentation. Have the students present their findings incorporating examples of the selected creative individual’s work, i.e. show an artist’s painting; listen to a musician’s song; share the scientist’s invention.

Evaluation

There are several assessments built into this lesson. Students may be evaluated on their posters depicting one-line philosograms. Focus areas may include the visual representation of the quote and the oral explanation of the quote.

The research paper and presentation is a culminating assessment. The focus areas may include the content focused upon the questions in #16, the structure and organization of the paper, and the presentation of the individual’s work.
Selected Recordings

“Different Drum” recorded by Linda Ronstadt with The Stone Poneys (Greatest Hits, Elektra/Asylum/Nonesuch Records, 1976); lyrics and music by Mike Nesmith.

“Baba O’Riley” recorded by The Who (Who’s Next, MCA Records, 1971); lyrics and music by Pete Townshend.

“My Generation” recorded by The Who (Who’s Greatest Hits, MCA Records, 1983); lyrics and music by Pete Townshend.

“Who You Are” recorded by Pearl Jam (No Code, Epic, 1996); lyrics and music by Pearl Jam.
Enrichment/Additional Resources

Emerson, Ralph Waldo. “Self-Reliance.” Prentice Hall Literature--The American Experience. New Jersey: Prentice Hall, 1989.

Frost, Robert. “The Road Not Taken.” Everyday Creative Writing--Panning for Gold in the Kitchen Sink. Illinois: NTC Publishing Group, 1996.

Oates, Joyce Carol. “Journey.” Prentice Hall Literature--The American Experience. New Jersey: Prentice Hall, 1989.

Thoreau, Henry David. Walden. New York: Signet Books, 1960.

Tyler, Anne. “Teenage Wasteland.” Coming of Age--Short Stories About Youth and Adolescence. Illinois: National Textbook Company, 1995.

Posted by Michael L Umphrey on 01/01 at 11:14 PM
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Thoreau Resources
  Walden and Civil Disobedience

YouTube

Thoreau & Individualism and Transcendentalism, emphasis on Civil Disobedience, Part 1 (9 minutes): http://www.youtube.com/watch?v=AGdreCP6shU&feature=related

Thoreau & Individualism part 2 (references Winthrop’s community)(9:10): http://www.youtube.com/watch?v=HV4YHOjJLDk&feature=channel_page

Thoreau & Individualism, Part 3 (8:43): http://www.youtube.com/watch?v=_66e7ufanX4&feature=channel_page

Introduction with good interpretation, both Walden and “Civil Disobedience” (4 minutes): http://www.youtube.com/watch?v=JhP7PKoRmmY&feature=related

Photographs and quotations focused on observation of nature (6 minutes): http://www.youtube.com/watch?v=b0Quw_RPB0U

Civil Disobedience Seminar

Walden curriculum materials

Thoreau-civil-disobedience-annotated.doc

Thoreau-civil-disobedience-annotated.pdf

Posted by Michael L Umphrey on 12/25 at 12:40 PM
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Literature

Benjamin Franklin Resources
  The Autobiography

After reading Ben Franklin’s Autobiography and discussing his list of virtues to achieve perfection, I had my class develop its own list of virtues for the 21st century. In groups, the students had to make a list of 10 virtues. Each virtue had to have a title and a description/definition. After the group had developed its list, the members needed to decide which 3 of the virtues are most important. They wrote these 3 virtues and the definitions on the board. Once all the groups added their virtues, I had the students play The List (the show on VH1). Each group was able to “nix” any virtue it wanted, but the students from that group had to supply an explanation.

Benjamin Franklin (1706-1790)

Contributing Editor: David M. Larson

Classroom Issues and Strategies

The primary problem involved in teaching Benjamin Franklin in an American literature course is persuading students to view Franklin as a writer. The myth surrounding Franklin and the fact that he writes in genres many students view as informational rather than literary keep students from viewing Franklin’s works as literature. In order to persuade students to treat Franklin as a writer, it is useful to demonstrate through literary analysis that issues of personae, organization, irony, style, and so forth are as applicable to writing that deals with factual information as they are to poetry, fiction, or drama. In teaching the Autobiography, instructors should keep in mind that it is helpful to have students approach it as though it were a picaresque novel; they can then bring to bear upon the work the techniques that they have developed for analyzing fiction.

Students usually respond to and are rather disturbed by the protean quality of Franklin’s personality and the variety of his achievement. They want the “real” Franklin to stand up and make himself known, and they want to know how he accomplished so much.

Major Themes, Historical Perspectives, and Personal Issues

Franklin’s contribution to the creation of an American national identity is perhaps the most important theme that needs to be emphasized. In connection with this, the students can discuss his role in the shift in the American consciousness from an otherworldly to a this-worldly viewpoint. Franklin’s abandonment of Puritanism in favor of the enlightenment’s rationalism reflects a central shift in American society in the eighteenth century. In addition, his works reflect the growing awareness of America as a country with values and interests distinct from those of England--a movement that, of course, finds its climax in the Revolution. Franklin’s participation in the growing confidence of the eighteenth century that humanity could, through personal effort and social reform, analyze and deal with social problems reveals the optimism and self-confidence of his age, as do his scientific achievements. His belief that theory should be tested primarily by experience not logic also reflects his age’s belief that reason should be tested pragmatically. Perhaps most important, in the Autobiography Franklin creates not only the classic story of the self-made man but also attempts to recreate himself and his career as the archetypal American success story. Since such varied writers as Herman Melville (Israel Potter, “Bartleby, the Scrivener,” and Benito Cereno), Mark Twain, Thoreau (the “Economy” chapter of Walden), William Dean Howells (The Rise of Silas Lapham), and F. Scott Fitzgerald (The Great Gatsby) respond to the myth Franklin creates, the Autobiography can be used as a basis for examining the question of what it means to be an American and what the dominant American values are. Given the current debate over multiculturalism, a discussion of Franklin’s career as statesman and writer as an attempt to create a unified American identity--and thus to suppress the multicultural elements in the emerging nation--should prove provocative. When placed in context with the works of Crèvecoeur and Jefferson, Franklin’s writings should help students understand why, in the later eighteenth century, the shedding of ethnic and religious tradition and the embracing in their place of a national identity based on shared ideas are seen by many progressive intellectuals as ways to free the individual from the constricting hand of the repressive past.

Significant Form, Style, or Artistic Conventions

Franklin must be viewed as essentially an eighteenth-century writer. The eighteenth century’s didacticism, its refusal to limit literature to belles lettres, its ideal of the philosophe or universal genius, and its emphasis on the rhetoric of persuasion all need emphasis. In this connection, students need to become familiar with the use of personae in eighteenth-century writing, with both straightforward and satiric means of rhetorical persuasion, and with the ideal of the middle style in English prose. In addition, students studying Franklin need to become familiar with the conventions of political and other persuasive writing, with those of scientific writing, with those of the letter, and, especially, with the conventions of satire and autobiography in the period. Since for most students the eighteenth century is foreign territory and since the study of eighteenth-century writers has especially been neglected in American literature, students need to learn the ways in which the ideals and practice of literature in Franklin’s age differ from the romantic and post-romantic works with which most of them are more familiar.

Original Audience

Since almost all of Franklin’s writing is occasional, prompted by a specific situation and written for a particular audience, a consideration of situation and audience is crucial for understanding his work. Each of the satires, for example, is designed for a particular audience and situation. Also, Poor Richard’s Almanac can nly be appreciated when it is viewed as a popular publication for a group of nonliterary farmers and mechanics. In contrast, Franklin’s French bagatelles are written for a very sophisticated audience who would savor their complex persona and ambiguously ironic tone. The Autobiography is designed not merely for Franklin’s contemporaries but for posterity as well. Consequently, one of the most interesting features of the study of Franklin as a writer is an examination of the ways in which he adapts his style, tone, organization, and personae to a variety of audiences and situations.

Comparisons, Contrasts, Connections

Franklin can usefully be compared to a host of different writers. The traditional comparison between Franklin and his Puritan predecessors remains useful. For example, while Puritan spiritual autobiographies emphasize their authors’ dependence upon God for grace and salvation and their inability to achieve virtue without grace, Franklin’s Autobiography focuses on his own efforts to learn what is virtuous in this world and to put his discoveries to use in his life. Franklin retains the Puritan concern for self-improvement but removes its otherworldly orientation. Similarly, Cotton Mather’s and Franklin’s views of the importance of benevolence can usefully be compared and contrasted. And Edwards’s thought, with its attempt to understand this world in the light of Puritan assumptions about God and his divine scheme for humanity, can be contrasted with Franklin’s, which focuses on this world, largely ignores the next, and sees morality and experience as more important than faith.

Franklin’s works also can be compared to those of the great eighteenth-century English prose writers. In his preference for reasonableness, common sense, and experience over emotion or speculation, Franklin shows his indebtedness to the English writers of the early eighteenth century and to the new scientific spirit promoted by the Royal Society. Franklin’s style owes much to the example of Defoe and Addison and Steele; his satiric practice--especially his mastery of the creation of diverse personae and, at times, his use of irony--reflects his familiarity with Swift’s satire, even though Franklin’s effects are very different.

And Franklin’s ideas, persuasive methods, assumptions, and empirical bent can be compared to and contrasted with those of his great British contemporary and pamphlet opponent, Samuel Johnson. Also, Franklin’s achievements in such diverse fields as science, literature, politics, and diplomacy can be compared to the achievements of the eighteenth-century philosophers, such as Voltaire, Rousseau, and Diderot, with whom he was classed in his own age.

Finally, it is useful to compare Franklin’s stylistic and persuasive methods and his intellectual assumptions in relation to his younger contemporary, Jefferson.

It is useful at some point to discuss the ways in which contemporary assumptions about literature differ from those of Franklin and affect our response to his works and the reasons Franklin has not traditionally been given the same degree of attention in American literature courses that such figures as Swift and Johnson have in British literature courses. Such topics can lead to a discussion of the formation of canon.
Questions for Reading and Discussion/Approaches to Writing

The study questions that are useful before students read Franklin depend entirely on the works that they have read previously. Since students in a historical survey of American literature usually approach Franklin after reading heavily in Puritan literature, ask questions that force students to confront the similarities and the differences between Franklin and his Puritan predecessors. If most students have had a British literature survey, ask questions that encourage them to pinpoint some of the similarities and differences between Franklin and such eighteenth-century writers as Swift, Defoe, and Samuel Johnson.

With Franklin, paper topics can be historical (focusing on Franklin’s contribution to any number of events or ideas), comparative (comparing Franklin’s works to those of American, British, or European writers), cultural (focusing on Franklin’s pertinence to American culture at any stage past the eighteenth century), or narrowly literary (focusing on any number of facets of Franklin’s artistry as a writer). The success of a topic depends largely on the extent to which it ties in with the approach taken by the teacher during the course.


Chapter VI

Franklin, who is writing from France immediately after the Revolution ended, returns to some of his old accomplishments. He mentioned that the library he started in 1730 was a big success. He had bought books from England because there were no good bookstores in Philadelphia. His library, he writes, helped “reading become fashionable...[and] people become better acquainted with books.” Nevertheless, fearing resentment from others because of his increasing success and fame, Franklin writes that he did not take too much credit for the library when it first started.

As the library is started, Franklin himself is just starting a new family with Miss Read, his new wife. He uses the library for his own mental development, and meanwhile he manages to support his family based on “industry and frugality.” He saves money wherever possible. He remains a firm Deist, but he mentions that he respects all religions and dislikes religious strife. He does not ever attend “public worship,” and he finds fault in some Christian theological interpretations of morality.

Continually obsessed with self-betterment, Franklin consents “to the bold and arduous project of arriving at Moral Perfection.” He creates a list of 13 virtues that are, in order: Temperance, Silence, Order, Resolution, Frugality, Industry, Sincerity, Justice, Moderation, Cleanliness, Tranquility, Chastity, and Humility. He sets about creating a weekly plan by which he will develop one virtue per week, eventually perfecting them all. He focuses on one virtue per week, keeping track of his successes and failures in a small book he keeps with him at all times. He also develops a daily planner to help him acquire Order. Franklin finds many faults at first, but over time he manages to correct most of them. He finds that Order is the most difficult for him to acquire, partly because Franklin’s good memory makes Order not as necessary. However, Franklin ends up being pleased with his inability to perfect all his virtues, deciding, “a speckled axe is best....A benevolent man should allow a few faults in himself, to keep his friends in countenance.” Franklin writes that although he never became perfect, he did become happier. He writes about his hope that all his descendants who read his Autobiography will derive the same enjoyment and benefits from acquiring these virtues.

Franklin adds that the list of virtues are likely to appeal to people of all religions. They are not geared specifically at any one particular faith because Franklin stresses their utilitarian benefits rather than their moral benefits. He mentions that Humility was added last when his friends started to complain that he was too arrogant. To make himself seem more humble, he used such phrases as “I conceive” or “I apprehend” rather than “certainly, undoubtedly,” etc. Franklin writes that he afterwards started enjoying conversations more. However, he found his pride impossible to vanquish. In fact, he sardonically mentions that he became so humble so as to be proud of his own humility.

Note: In 1784, Franklin once again stops writing his autobiography. He resumes back in America, four years later, in August 1788.

Commentary

He seems to want his autobiography to be as useful as possible towards the betterment of others. This also adds a new twist to the book; it is no longer just the story of Franklin’s life told so as to let his son know about his father. It is now also a general-purpose self-help manual.

Of course, Franklin’s mention of his goal of achieving “Moral Perfection” is meant to be humorous. Franklin is stating in a tongue-in-cheek fashion that he does not think man can really be perfected, and he is mocking the 18th-century optimism that promoted the belief in the perfectibility of man. In one sense, Franklin may also be mocking his own youthful idealism. Franklin enjoys being ironic and humorous throughout the biography, and this is one of the times in which he does so.

At the end of Part One, it may be useful to reflect upon Franklin’s writing style. Compared to many authors of the 18th century, Franklin’s style is noticeably concise and easy to read. He gets to the point very quickly and reports on the important facts rather than the secondary ones. It is oftentimes remarkable how much information and how many stories he can fit into a single page. Franklin carried that style into his newspaper writing, and it has survived there right up into the present. Franklin played a major role in developing journalism as a terse form of writing, always sticking to the point. Also, while some of the anecdotes in the Autobiography are slightly unclear, Franklin rarely tells tangential stories unless they contribute directly to whatever point he is trying to make. Furthermore, he always finds the shortest way to express any particular thought, a fact that is evidenced by his prolific coinage of aphorisms. Its accessibility may be another reason for the enduring popularity of Franklin’s Autobiography; as an 18th-century work, it is certainly among the most easily read and understood.

At the end of Part Two, we see Franklin again struggling with the issue of his own vanity. To his credit, he is more than willing to confess that he could never quell his pride, even though he did his best to feign humility. Nevertheless, the very act of publishing an autobiography in order to lay out one’s life as a model is itself a vain act. This is one of the more common criticisms of Franklin. Many have argued that he is too hypocritical in his overt praise of humility. Other critics, however, have been unfazed by this apparent contradiction. Either way, Franklin himself is clearly aware of the humility vs. pride problem, and there are times in the Autobiography when he is obviously confessing his own faults so as to be honest.

Act VII

Franklin is writing Part Three from his home in America. He is writing in August 1788, about four years after ceasing work on Part Two and 17 years after completing Part One.

Franklin in 1731, begins a project “great and extensive” to create a new political party with international appeal. He writes a note outlining his political beliefs as they relate to parties, which he believes carry on and effect “wars, revolutions, etc.” He thinks that someone ought to found a international Party for Virtue, open only to the wise. Franklin begins forming this party by preparing a condensed set of the essential principles of every major religion (it includes such basics as the existence of God, the power of God and the immortality of the soul). All the people in the Party for Virtue would have to subscribe to the thirteen virtues from Part Two as well as these religious principles, and they would each have to form a plan for helping mankind. However, due to constraints of time and the necessity to focus on other issues, his ideas for such a party were abandoned.

In 1732, Franklin begins Poor Richard’s Almanac, a publication that lasts 25 years. Franklin founds it out of the intent to begin something “both entertaining and useful.” He also wants something to instruct “the common people,” which he does via his many aphorisms. One issue, for instance, quips, “It’s hard for an empty sack to stand upright.” He uses parts of his newspaper, The Pennsylvania Gazette, to the same educational purpose. The paper, with its circulation of 1,500, comprises over half of Franklin’s income. He makes sure at all time to keep the paper free from libel and abuse, and he never allows private arguments to make their way into his presses.

As he moves further into adulthood, Franklin takes up more political issues, advocating publicly the education of women, particularly in accounting. He flourishes intellectually, learning French, Italian, Spanish and Latin, and he advocates that Latin be taught in schools as the last language rather than the first after English. He plays chess regularly. He also gives support to his local Presbyterian church, although he withdraws that support when he realizes that the preacher plagiarizes his sermons.

His life is far from perfect, however. He is particularly hurt, for instance, when his son dies at the age of four, although he does not give the event any more than brief mention. Despite hardships, he does return to Boston for a visit to see his family, and he makes amends with his brother, James helping him with printing types.

Back in Philadelphia, Franklin oversees the branching out of the Junto, his debating club, which expands to include different chapters in other parts of the nation. Meanwhile, he keeps up his printing work, becoming the Clerk of the General Assembly of Pennsylvania in 1736. The following year, he becomes the Deputy Postmaster of Philadelphia, a job which allows him to see that his paper, the Gazette, is delivered by mail. In 1753, Franklin rises to the top of the mail delivery world, becoming Postmaster General of the United States.

Franklin begins to turn his attention more and more to “public affairs” and the betterment of society. He comes up with a plan for better funding the police by setting up a type of property tax. He also publishes a pamphlet on fire causation, and with some help he forms the Union Fire Company, the first modernized fire department in America.

While he begins to grow in fame during the 1730s, Franklin pays close attention to the events of the Great Awakening, a national religious revival marked by an emphasis on emotions and firebrand, charismatic preachers such as Jonathan Edwards. In 1739, Franklin meets Rev. Whitefield, an English preacher who helps spark the Great Awakening in the colonies. Franklin observes people go from being “thoughtless or indifferent about religion” to being religious fanatics. Franklin is pleased to see the increase in charitable giving, and he himself is persuaded by Whitefield’s powerful oratory to donate a huge sum towards the building of an orphanage in Georgia even though Franklin believes the orphanage should be built in Philadelphia. However, Franklin does criticize Whitefield’s writing style.

Commentary

The Party for Virtue is a large testament to Franklin’s idealism. Again, we see in Franklin a reflection of 18th-century zeitgeist, or spirit of the times. He was incredibly ambitious and optimistic as a young man. His idealism as a youth and his good-natured cynicism as an older man are both present in the Autobiography, and as a result the work is partially a reflection on the process of growing older. Franklin implicitly shows a large transformation in himself that occurs between the 1730s and the 1780s. Franklin does not intend necessarily to demean the optimism of youth, but he certainly does show the loss of optimism and birth of skepticism that comes about with age.

Franklin’s discussion of Poor Richard’s Almanac is oftentimes regarded as overly arrogant because of Franklin’s reference to his desire to educate the “common people.” This comment is striking particularly because Franklin himself was, for the first part of his life, one of the “common people”? He was not born into any natural aristocracy, and all the good repute he gained he did so through luck and his own hard work. Nevertheless, he seems distanced as a young man from the roots from which he emerged. While he does not seem to condemn common folk, he certainly looks down on them from an educated perch he himself has not known for a very long period of time.

Arrogance aside, it is Book Three that is most responsible for the mythologization of Franklin. It is in this book that he discusses most of his common inventions that we have always associated with him--the discovery of electricity in lightning, the invention of the fire brigade, the work as Postmaster General, the funding of a hospital, the organization of a street-sweeping force, and many others. The Autobiography is still read today in part because it enshrines Franklin as an American legend who is responsible for many improvements in American life that we today take for granted. Part Three discusses the majority of these.

As mentioned in the previous section, Franklin’s style is concise, and it usually only discusses important events without writing tangentially. However, Franklin may sometimes be terse to a fault. For instance, he seems to gloss over the death of his son without giving it any real attention. He does not discuss his emotions or circumstances any more than to tell other parents that they ought to deliver inoculations to their children. While the death of his son was no doubt a very major event in his family life, Franklin is very clearly more concerned about his growth in the public sphere rather than the circumstances of his own private life. It is important when reading any literature to keep in mind why anyone writes something. In the case if Franklin, he is writing to solidify his image and the memory of him as a great public figure rather than as a great father. His initial goal of writing a personal, private memoir to his son, as he initially seems to have set out to do, has been laid aside.

FRANKLIN’S STYLE

Franklin’s admiration towards Addison has a direct bearing on Franklin’s style of writing. Franklin uses clear and lucid prose and a simple style in conveying his message. The book is also filled with rhetorical language. In the narrative, Franklin speaks not in the style of high fashion but in a colloquial manner; however, he avoids a tone of familiarity. His usual tone is didactic and authoritative, in the manner of a patriarch speaking to posterity, to the younger generations. Franklin attempts to subtly present himself as a role model.

Franklin keeps the narrative in control, while controlling the reader’s perspectives. It is obvious that he works both as the narrator and the writer. While composing the narrative, Franklin uses the first person point of view to detail the events and experiences that has made him what he is. Franklin creates an appropriate distance between the narrator and the writer that enables the narrative to be objective in tone.

Franklin appropriates the language of his times to bridge the gap between his role as a prophet and the audience for whom he is writing. Although the narrative is personal, Franklin assumes the role of a historian as he records and reports the events and implications surrounding his life in eighteenth century America.

1. What is the Junto Club? Why is it so important to Franklin?
2. Discuss Franklin as a versatile genius.
3. Explain Franklin’s “bold and arduous project”.
4. What are Franklin’s religious beliefs? Who is Whitfield and how does he figure in to those beliefs?

10. What does Franklin accomplish for the public utility services
.
11. Explain three of Franklin’s scientific accomplishments.

http://www.pinkmonkey.com/booknotes/monkeynotes/pmBenFranklin01.asp

Determination, perseverance, hard work, and reliance on a sound code of ethics are the ingredients of success. Through these traits, Franklin rises from obscurity to eminence and wealth.

BENJAMIN FRANKLIN

The Autobiography of Benjamin Franklin portrays the life of a very important American. In order for the reader to more fully appreciate the events described in the book, it is important to have an overview of his entire life. Franklin was born in 1706 in the Massachusetts Bay Colony in Boston. He was the tenth son of his parents. His father, Josiah Franklin, had hoped that Benjamin would be well educated and become a scholar; unfortunately Josiah could not afford a formal education for his son. At the age of ten, Benjamin began to participate in the tallow and soap business of his family. Benjamin, however, did not like the family business, and as a young man he dreamed of going to sea. His father was against the idea of seamanship. As a result, Benjamin was made to become an apprentice to his older brother James, who owned a printing business.

Franklin’s apprenticeship later proved quite advantageous to him in his career development. During his years as his brother’s apprentice, he read widely during his leisure time, trained himself to write, and started printing articles under the name of a fictitious widow named “Silence Dogood.” His brother James, however, did not meet with success. He was jailed for offending the conservative government through his newspaper, “The New England Courant”. Rather than closing down the paper, James continued publishing it in Benjamin Franklin’s name. Before long, there was a disagreement between the brothers over the paper. As a result, Franklin left Boston and went to New York. When he could not find work in New York, Franklin at age seventeen, left for Philadelphia where he immediately found a job as a journeyman printer. In 1726, while living in Philadelphia, he wrote and printed “A Dissertation on Liberty and Necessity, Pleasure and Pain,” an essay that earned him a reputation as an author and allowed him the association of writers and scientists.

Over the next few years, Benjamin Franklin proved himself to be a versatile genius. In 1727, he founded the Junto club that helped to improve young minds and helped Franklin perfect his art of persuasion. By 1730, he had successfully established himself as the owner of a flourishing printing business. In 1732, he wrote his famous Poor Richard’s Almanac, which became an annual publication. In 1734, he became Grand Master of his Masonic lodge. The Pennsylvania Legislature chose him to be the clerk in 1736, and the first fire company was set up by him during that time. He was appointed the postmaster of Philadelphia in 1737, and between 1743 and 1744, he proposed and established the American Philosophical Society. By 1748, at age forty-two, Franklin was in a comfortable financial position. As a result, he retired from the printing business to devote himself to scientific ventures and politics.

Between 1748 and 1757, Benjamin Franklin devoted himself to politics in and around Philadelphia. In 1757, he was sent to London to settle governmental issues for the colonies, but he returned in 1762 with no effective solution. In 1764, he was once again sent to settle the issue of British rule over the colonies, and because of his statesmanship and political acumen, he became the American spokesman in London. After his return, he held the positions of colonial agent for Georgia in 1768, for New Jersey in 1769, and for Massachusetts in 1770. His greatest accomplishment in this period was his drafting the Declaration of Independence. After the war with England, Franklin held the post of President of the Executive Council of Pennsylvania for three years and was the delegate to the Congressional Convention in 1787. He finally retired from public service in 1788. By this time Franklin suffered from ill health. He died on April 17, 1790 at the age of eighty-four. During his lifetime, Franklin had proven his multifaceted personality as a husband, father, friend, printer, inventor, scientist, writer, educator, diplomat, and politician. Although John Adams, a contemporary of Franklin, disliked him personally, he acknowledged that Benjamin Franklin was an honor to humanity. Adams admitted that “Franklin’s fame was universal. His name was familiar to government and people, to kings, courtiers, nobility, clergy, and philosophers, as well as plebeians, to such a degree that there was scarcely a peasant or a citizen, a valet de chambre, ... who did not consider him as a friend to human kind.”

Chapter V

FRANKLIN - HIS PRUDENCE

In this section, Franklin shows how he refuses to listen to people who attempt to mislead society. A man by the name of Samuel Mickle comes to Franklin and warns him that his new printing house will be a disaster; Mickle claims that Philadelphia is sinking into financial disaster. Franklin refuses to listen to such rumors and continues his hard work in the printing business
. Before long, Philadelphia is prosperous once again, and Franklin reaps the benefits of the new prosperity.

With a group of friends, Franklin forms the Junto Club, which meets on Fridays. Every member of the club must answer at every meeting one or more inquiries about morals, politics, or natural philosophy; the purpose of the questioning is an effort to seek truth. In addition, once every three months, each member must write an essay on a topic of the member’s choosing; the member must be able to defend the content of the essay. A director presides over all inquiries and debates. The director fines any member who speaks negatively during a debate. The club members include Joseph Breintnal, a copier of deeds for the scriveners; Thomas Godfrey, a self-taught mathematician; Nicholas Scull, a surveyor; William Parsons, a shoemaker; and other joiners, such as William Maugridge, Hugh Meredith, Stephen Potts, George Webb, Robert Grace, and William Coleman. Besides participating in club activities, these people greatly help Franklin in locating business for the printing house. Very soon Franklin’s work is the talk of the town. Everybody has noticed the amount of time and effort put in by Franklin. Franklin himself notes that hard work pays rich rewards; advice that he passes on to the younger generations.

During this period, George Webb, who is working with Keimer, wants to work with Franklin. Though Franklin is willing to employ Webb, there is no work at hand. Franklin asks Webb to wait until he starts his newspaper. Franklin asks Webb not to reveal his plans, but Webb reveals the newspaper venture to Keimer, who quickly starts a newspaper of his own. When Keimer finds it difficult to manage the paper, he sells it to Franklin; it later became a very profitable venture for Franklin.

Franklin works hard on the newspaper, acting as the editor, a reporter, and sole manager of the press. He also improves the type style and printing. As a result, the number of subscribers gradually increases.

Notes

In this section, Franklin’s hard word, diligence, and perseverance are once again described. When he starts his new printing business, Franklin is determined to make it prosper. He refuses to listen to those who have negative things to say. Due to his personal effort, the business prospers. His starting of the Junto Club is another successful venture for Franklin. Through this club, he makes influential friends who help him in his printing business. It also allows him to develop his writing and persuasive skills. When Franklin buys the newspaper from Keimer, he determines to make a success of it as well. He serves as reporter, editor, and pressman. Once again his efforts pay off and the subscriptions steadily increase, largely due to Franklin’s own writing in the paper.

THE OWNERSHIP

Mr. Meredith, Franklin’s business partner, is unable to pay the remaining one hundred pounds of debt on the printing business. Two of Franklin’s friends, William Coleman and Robert Grace, offer to help him in repaying the debt himself, but only on the condition that he will separate himself from Meredith, who has a reputation as a heavy drinker. The honorable Franklin feels he has an obligation to Meredith’s family and refuses to suggest the separation. When Franklin finally talks to the younger Meredith about the debt, Meredith reveals that his father is not happy with the business. Franklin volunteers to resign, but the younger Meredith suggests that Franklin buy his father out of the business. It is decided that Franklin will repay the hundred pounds advanced by his father, clear the debts of Meredith, pay him an additional thirty pounds, and give him a new saddle. Thus, the partnership ends, and the whole business is passed into the capable hands of Franklin. With the help of his two friends, Franklin clears the company’s debts, and by 1729 Franklin becomes the proprietor of the whole business.

Notes

In this section, Franklin’s integrity is depicted. He refuses to accept his friends’ advice and merely abandon Meredith. He feels honor bound to fulfill his commitment to his business partner. He stands by his principles come what may, and never lets anyone suffer on his account. Knowing fully well that if Mr. Meredith does not pay the debt it will ruin him, he willingly continues with the business until the Merediths suggest that he buy them out. Once he owns the business by himself, he works with the same diligence he has always displayed to clear the debts incurred by Meredith.

BUSINESS VENTURES

As a businessman, Franklin becomes interested in the monetary policies of the country. When there is a push for more paper money, he favors the idea. He supports the proposition that paper money helps in the economic growth; with more money he believes trade and business would flourish, and employment and population would increase. The rich, however, oppose more paper money, fearing it will lead to a depreciation of their wealth.

Franklin discusses the money issue with the members of the Junto Club and writes and prints an anonymous pamphlet entitled “The Nature and Necessity of a Paper Currency.” This pamphlet influences many people to favor more money being distributed. When the government finally approves more paper money, Franklin is given the job of printing it. He always wins the right to print the New Castle paper money and legal papers for the government.

Franklin opens a stationer’s shop and it also flourishes. He succeeds in paying off all his debts and begins to prosper. In spite of his success, he lives frugally. To save money, he uses a wheelbarrow to carry paper, and he dresses in a simple manner. He never spends time hunting or fishing and is cautious to stay away from scandals.

Because of the diligence and quality of his work, Franklin soon finds he has no competitors in the printing business. He also earns the position of Post Master.

Notes

This section discusses Franklin successes. His printing business flourishes to the point that he has no competitors, his stationer’s shop is prosperous, and his writing is eagerly read and often influences others. Everything he touches seems to turn into gold, but behind the success is honesty, hard work, and frugality. In spite of his prosperity, Franklin remains a humble worker who is not too proud to push his wheelbarrow through the streets. His diligence, honesty, and sincerity are admired by one and all. He especially serves as an inspiration to the young men of these times.

As Franklin is growing his printing business, he shares a house with the Godfrey family, and Mrs. Godfrey brings a marriage proposal to him. Franklin considers the offer and courts the young lady. In order to marry, however, he expects money from the matrimony to pay off his debts. His proposal is rejected, for there are questions as to whether he will make his printing business profitable. But Franklin is eager to marry and settle down. He again courts Ms. Read, whose marriage to the potter has ended. They are married on September 1, 1730. They live with mutual respect, affection, and understanding for one another. Franklin is delighted to have corrected one of the errata in his life.

Notes

In this section, Franklin’s practicality is seen. When Mrs. Godfrey presents a marriage proposal to him to a wealthy young lady, he explains that he expects his debts to be paid off as part of the matrimonial agreement. When his offer is rejected, he seeks out the company of Ms. Read. He does not begrudge her previous marriage in his absence and understands why she has left her husband. He knows he is ready to marry and settle down, so he courts Ms. Read with those intentions. They are married and live a very comfortable life together.

THE FIRST SUBSCRIPTION LIBRARY

Franklin proposes to the Junto Club members that they bring all their personal books to the club so that everyone can use them as references while writing or preparing a debate. The members agree and bring their personal collections for a period of time; when it becomes hard to properly maintain them, the books are again taken home. This, however, is the basis for Franklin’s subscription libraries. With the help of Brockden, the scrivener, Franklin puts together fifty subscribers; they each pay a membership fee of forty shillings and ten shillings annually for a period of fifty years. With the money, space is obtained and books are purchased. The subscribers often come together to do research, to read, or to discuss current issues. The subscription libraries make many contributions to society and generally help to improve knowledge and conversation.

Franklin stops his narration of Part I, which he intends to be exclusively a personal account. His intention is to begin a more public narration in the book. He is interrupted, however by the Revolutionary War, which consumes most of his time and effort. He returns to his writing almost ten years later.

Notes

Franklin’s determination is highlighted in this section. He tries to create a “lending” library at the Junto Club, where all members pool their personal books for the good of everyone. The idea works well at first; then the owners become concerned over the maintenance of the books. In the end, the Junto members return their private book collections to their own homes. But Franklin is unwilling to give up the library idea. With the help of the scrivener, he successfully organizes a more public venture, known as the subscription library, where fifty or so subscribers pay to belong and share with one another. The libraries are another success story for Franklin; they improve the public standards of behavior and conversation and help in widening the general knowledge of people. The organization of the libraries also thrust Franklin further into public life, where he reveals to others his remarkable organizational and leadership
abilities.

FRANKLIN’S SIMPLICITY and MORAL PERFECTION

Franklin commences Part II in France without having his personal papers, which would have helped him in recollecting the necessary dates. He plans to make corrections to his manuscript after returning home.

Franklin starts his new narration by again explaining the start of the Pennsylvania public library. He discusses in detail how the people of Pennsylvania become subscribers to the library and make reading the fashion of the day. As a result, they improve their minds and become more educated. The young tradesmen are particularly interested in joining the library, for they have no better diversion than reading, Franklin forms the library with the help of Charles Brockden, the scrivener. They create an article of principles to spell out the terms of the library. Later, another charter is drawn to give it perpetuity. Finding subscribers in the beginning is not an easy task, and Franklin tries a variety of approaches before he is successful.

The library helps Franklin further his personal knowledge. Every day, he dedicates two hours for study, allowing himself no other entertainment than reading. At the same time, he continues working very hard in his business. He follows his father’s advice that he who works hard will perhaps have the honor of standing before kings, which of course, comes true in his case. He has the opportunity to stand in front of five kings and the honor of sitting with one.

Franklin gives credit for his success to his wife Deborah, who serves Franklin as a sincere helpmate. She works along with him in his business by doing small, but essential jobs like folding and stitching pamphlets, tending shop, and buying old linen rags. Like her husband, she believes in a life of simplicity. She has no servants, chooses inexpensive furniture, and sets a plain and simple table. For a long time, she serves Franklin his bread and milk in an earthen bowl with a pewter spoon. Later, she buys him a china bowl and a silver spoon for the simple reason that she feels he deserves them.

Notes

This section reveals Franklin’s commitment towards the society in which he lives, towards his own personal growth, and towards his wife. He feels that he has prospered due to the society around him, and he willingly devotes his time and energy for its betterment. He introduces the library system for the public good, knowing that reading would generally enable a person to enlarge his scope of vision and understanding. He admits that at first people were suspicious about having to pay subscriptions to join the library, but through his typical hard work and persistence, he made the library a success.

Franklin uses the library he has created to better himself. Although he is committed to his work, he also commits himself to reading and studying two hours each day. He faithfully goes to the library to accomplish this goal. Franklin is also committed to his wife Deborah, who he sees as his helpmate. He influences her in her simple lifestyle and allows her to be a part of his business. His commitment to her pays big rewards, for she obviously cares deeply about her husband.

FRANKLIN’S VIEWS ABOUT RELIGION

In this section, Franklin discusses his religion. Although he no longer attends public religious meetings, he believes in God and his creation. In addition, he believes that serving humankind and doing good for a fellow man are the best services offered to God. He also believes in the immortality of soul, that bad will be punished and good will be rewarded. Franklin observes that almost all religions preach principles similar to his, but they often teach certain doctrines that do not inspire morality and bring indifference or hostility among people. For this reason, he has little respect for organized religions. However, he takes great care in avoiding any discussion that may hurt an individual’s respect for his own religion.

As Pennsylvania increases in size, there is a need for more religious places. Building funds are always being collected and Franklin is always willing to make a contribution. He also continues to pay his annual subscription for the support of the only Presbyterian Minister in Philadelphia. This minister finally persuades Franklin to attend the Sunday meetings at his church. Though it causes an interruption to Franklin’s reading, he attends church for five consecutive Sundays, expecting some morals and principles to be taught through the preaching. The Minister’s teachings, however, are comprised of religious arguments and explications of doctrines and are very boring. After this, Franklin completely avoids attending church. Franklin mentions a form of prayer that he has composed during the year of 1728, entitled ‘Articles of Belief and Acts of Religion.’

Notes

This section gives a glimpse into Franklin’s personal beliefs. His attitudes about religion prove his liberal interpretations. He believes in God and his creation; he also believes in prayer, but he feels organized religions are stifling and hung up on their own doctrines. Franklin believes in the equality of men and respects their rights and freedom to choose their own beliefs. He avoids religious discussions, for he does not want to negatively influence anyone of faith. He also feels a responsibility towards organized religion, for he pays a subscription for the support of the Presbyterian minister and he contributes to the building funds of different churches.

For Franklin, religion is not attending church on Sundays. It is a form of expression and a way of life, never reduced to a mere sermon or a memorized prayer. Franklin’s true religion is his service to his fellow man. He feels that he can best serve God by serving mankind. His own composition of a prayer asserts his depth and individuality of faith.

“BOLD and ARDUOUS PROJECT”

His “Bold and arduous project” is to obtain moral perfection. His intention is to avoid committing any kind of fault and to do only what he consciously thinks is right. He starts by avoiding the company of people who would lead him away from moral perfection and concentrates on avoiding wrongdoing. To his dismay, as he avoids one fault, he finds himself unknowingly committing another. Franklin quickly realizes that intention of being good and doing right does not make one virtuous. As a result, he contrives a method by which he intends to break all his bad habits and acquire good ones. He catalogues all the moral virtues, including them under different names. He winds up with thirteen virtues that he thinks are absolutely necessary. He lists each of them and attaches a brief idea which defines its limits:

1) Temperance—Eat not to dullness. Drink not to elevation. 2) Silence—Speak not but what may benefit others or yourself. Avoid trifling conversation.

3) Order—Let all your things have their places. Let each part of your business have its time.

4) Resolution—Resolve to perform without fail what you resolve. 5) Frugality—Make no expense but to do good for others or yourself; i.e., waste nothing.

6) Industry—Lose no time. Be always employed in something useful. Cut off all unnecessary actions.

7) Sincerity—Use no hurtful deceit. Think innocently and justly; and, if you speak, speak accordingly.

8) Justice—Wrong none by doing injuries or omitting the benefits that are your duty.

9) Moderation—Avoid extremes. Forbear resenting injuries so much as you think they deserve.

10) Cleanliness—Tolerate no uncleanness in body, clothes, or habitation.

11) Tranquillity—Be not disturbed at trifles or at accidents common or unavoidable.

12) Chastity—Rarely use but for health or offspring--never to dullness, weakness, or the injury of your own or another’s peace or reputation.

13) Humility—Imitate Jesus
and Socrates.

Franklin strives methodically to attain these thirteen virtues. He keeps a record in which he marks out the seven days of the week. For every virtue, he allows one day. He marks it in black if he fails to observe the virtue on its given day. In the same fashion, he makes a schedule of his day, planning about seven hours for sleep, eight hours for work, and the remaining hours for planning, reading, thinking, eating, writing, examining, and carrying on the daily routine.

Franklin proceeds with the zest to pursue his arduous project, but he soon realizes he is a man with no less faults than other men. However, his attempt to live the thirteen virtues helps him to improve himself. The virtues that give Franklin the most problems are Order and Humility. He always falls a little short of total organization, and he knows he is often proud of his accomplishments. When he tries to act humbly, he finds himself feeling proud of his humility.

Franklin intentionally does not mention any sect or religion on his list of virtues, for he feels that the list is universal and should be pursued by all humans.

Notes

Franklin sincerely feels that all his prosperity and his good reputation is due to his efforts to act in a virtuous manner. He has never regretted his attempt to attain moral perfection, even though he failed. He feels happy that he has endeavored to better himself and willingly acknowledges that he is only human and capable of error. He particularly notes that he has always struggled with being proud and orderly.

A GREAT PROJECT

Franklin returns home to Philadelphia and resumes his writing in August of 1788. Unfortunately, he learns that all his personal papers have been lost in the war.

Upon his return home, Franklin plans a great project. He decides to bring all the virtuous young men together to form a “united party for virtue”. It is to be based upon the basic belief that virtue is rewarded and vice is punished. The young men must practice Franklin’s list of thirteen virtues for a period of thirteen weeks and help one another in accomplishing their goals. They must also believe in the immortality of the soul and the oneness of God. Franklin calls this party the Society for Free and Easy. He is also sure about the project’s success if his plans are executed properly. Because of his ill health and lack of time, he keeps delaying the project. In the end, it never comes into being.

Notes

In this section, Franklin’s spirit of altruism is portrayed. He wants to help the young men of Philadelphia lead moral lives. He plans to start a society called Free and Easy, where virtuous young men come together to practice Franklin’s list of virtues and to help one another become more virtuous. In spite of his good intentions, Franklin never forms the society due to his ill health and lack of time.

POOR RICHARD’S ALMANAC

Starting in 1732, Franklin publishes a book called “Poor Richard’s Almanac” under the name of Richard Saunders. Its purpose is to instruct and entertain. In the book, Franklin tries to give only pertinent facts and avoids any biased opinions that might cause controversy. The almanac is written in calendar format with proverbs inserted amongst the dates. The almanac is published for twenty-five years, and every year nearly one thousand copies are sold. In the 1757 edition of the almanac, Franklin includes the proverbs of different nations. As a result, the almanac is soon distributed to France in a French translation.

Notes

In this section, Franklin reveals that he seeks a harmonious society. He believes that the press has a responsibility to encourage peace and understanding among its readers. As a result, he never allows his newspaper to be used for any kind of communal disharmony or criticism. When he creates “Poor Richard’s Almanac,” he makes certain that it too presents pertinent facts and that it avoids controversy. The almanac, which is published for twenty-five years, is very popular.

FRANKLIN - A MAN With MANY SHADES

In 1733, Franklin helps one of his employees to set up a printing press in Charleston, South Carolina. Franklin pays one-third of the expenses of the Charleston press and receives one-third of the profits in return. When his partner in this enterprise dies, Franklin allows his Dutch widow to continue the business. Franklin is pleased with her skills of accounting and business management, and feels that more American women should be involved in business.

Around 1734, a preacher named Hemphill arrives in town, and Franklin hears that he delivers good sermons that instruct the congregation about virtue. As a result, Franklin begins to attend church again. There is, however, severe opposition to this minister from the conservative element. Before long they accuse him of delivering sermons composed by others. The preacher transfers as a result, and Franklin again stops attending church.

In 1733, Franklin starts learning languages. He masters French, and learns Italian and Spanish. He practices his Italian while playing chess with a friend; whoever wins the game gets to assign the other an assignment in grammar. Franklin finds the romance languages easy to learn and feels that students should study one of these languages before learning Latin, which is more difficult.

During this period, Franklin tries to make up for another errata in his life. He has been alienated from his brother James for ten years. When Franklin returns to Boston, he tries to make up for all the lost affection with James. Later, when James is sick and dying, Franklin promises to take care of James’ son after his death. Franklin also helps James’ wife in looking after their printing business until her son grows up and can manage the business.

Franklin regrets that his carelessness results in the death of his four-year-old son from small pox. Franklin advises all parents that a timely inoculation against small pox is vitally important. Franklin feels that an inoculation would have saved his child.

The Junto Club continues to prosper. Several other gentlemen want to become members, but the number of the club is restricted to twelve. Franklin advises the interested men to start new clubs. He feels such clubs help people, especially young men, to improve their knowledge and their ability to influence public opinion.

In 1736 Franklin is selected unanimously as the clerk of the General Assembly for the first time. The following year a wealthy and influential man opposes him. Franklin has enjoyed the position and its monetary benefits and power, so he does not want to lose the election. He overcomes his opponent very cleverly. Franklin requests his challenger to lend him a book, which Franklin promptly returns with a sincere note of thanks. This act makes the opponent feel obliged to Franklin, and they later become good friends after Franklin wins the election. Franklin observes that services requested of a man will make him feel more obliged than a man to whom you oblige with a service.

Franklin continues to make gains from his honesty and hard work. In 1737, Col. Spotswood, late governor of Virginia, grows unhappy with his deputy’s work in accounting and offers the post to Franklin, who he knows is diligent and honest. Besides giving him more public exposure, this office proves to be beneficial to Franklin in promoting his business.

Now financially secure, Franklin begins his life of public service in earnest. He starts by writing and presenting a series of papers about the ills prevalent in society. He calls for regulating the City Watch and for creating an organization for fire fighting. These papers are the basis for the formulation of the Union Fire Company, to fight fires in the community, and for laws governing the City Watch.

While returning from England in 1739, Franklin meets a very interesting preacher, Mr. Whitfield. Although the traditional clergy opposes Whitfield, Franklin supports him. Mr. Whitfield’s oratory powers and his ability to communicate with a vast multitude of people who attend his sermons impress him. As a result, Franklin helps in constructing a large meeting place, which provides a pulpit for any preacher from any religion. Franklin decides, however, that he is not going to contribute to Mr. Whitfield’s project of constructing an orphan house in Georgia. After hearing Whitfield’s sermon about the orphan house however, Franklin empties his pocket of his gold and silver for the project. Obviously, Franklin is impressed with this preacher’s persuasive powers. He regrets that Whitfield decides to publish his sermons, for in print they lose their power. Many critics attack Mr. Whitfield’s written sermons, which only serves to decrease the number of his followers.

Franklin continues to be a successful printer
, and his main business is minting money. He also continues to set up other partnerships, on the same terms that he did in South Carolina. Franklin has obviously become an honest, but shrewd, businessman.  Notes

The purpose of this section is to depict the many “shades” of Franklin—his diversity and interest in many varied projects. He continues in the printing business, specializing in the minting of money. He also goes into partnership with printers in other locations, which proves to be a very successful business venture for him. Franklin also continues to define his religious faith and seeks to find a preacher that can really challenge and instruct him, as evidenced in his relationships with Hemphill and Whitfield. The Junto Club remains important to his life, for it is a place where he can study and be challenged by other probing minds. In his effort to continue his education, he learns French, Italian, and Spanish. He also becomes a public servant, serving as the clerk of the General Assembly. As a writer, he also turns his interest to public services, and his essays about the need for fire fighting and regulations for the City Watch bring about the needed changes.

Franklin’s generosity is also noted in this section. He tries to make amends with his brother James, and after his death, he takes care of James’ son and helps his wife run the family printing business. He is also generous with causes in which he believes. Not a man to attend church on a regular basis, Franklin is impressed with the oratory powers of a minister named Whitfield and begins attending his sermons. He also contributes to the building of a large non- denominational church where Whitfield can preach and supports a fund for an orphan home in Georgia that Whitfield has proposed. Franklin always yields to causes that he thinks are good and worthy.

A PHILOSOPHICAL SOCIETY and A DEFENSE SYSTEM

In 1744, Franklin starts the philosophical society, which provides a center for education in Pennsylvania. His next venture is to set up a system of defense for the security of the province. He publishes a pamphlet entitled ‘Plain Truth’, which immediately brings the people to action. A large meeting is called, and there are talks and articles on the issue. Nearly ten thousand people volunteered to defend the province. Men furnish themselves with arms; companies and regiments are formed; officers are chosen; and regular meetings are held for exercise and instruction. Women make the flags for the regiments, and Franklin supplies the mottoes. Franklin also proposes a lottery to raise funds for the town battery. Since they lack cannons, Franklin, along with three other men, go to New York to request a cannon from Governor Clinton. Though he refuses at first, by the time the dinner is over, he has agreed to furnish eighteen cannons.

Franklin knows that Quakers, prevalent in Pennsylvania, are reluctant to favor any proposal regarding issues of war. But the Quaker Assembly generally grants funds “for the King’s use” and never inquires about what it is for. When New England needs money to buy gunpowder, it asks for money for “ Flour, Wheat, or other Grain,” with this other grain being gun powder. The Quakers approve such a proposal. Franklin learns to deal in a similar fashion. When he fears that the Quakers will oppose his proposal for a cannon, he asks for money for a fire engine and equipment, which can be the cannon.

Notes

In this section, Franklin continues to be concerned with the public good. He forms the philosophical society to provide a center of education in Pennsylvania. He also rallies the citizens to form regiments for the defense of the province. In order to gain the needed supplies, he organizes a lottery, gains a contribution of cannons from the Governor of New York, and cleverly avoids disclosing the purchase of armaments to the Quakers. 

Posted by Michael L Umphrey on 11/09 at 06:40 PM
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Using Excel for surveys
  Analyzing survey data

https://learningstore.uwex.edu/pdf/G3658-14.pdf

Posted by Michael L Umphrey on 10/10 at 01:56 PM
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Mary Rowlandson Resources
  Captivity Narrative

Study Questions

1. How does the Narrative demonstrate Puritan theology and thinking at work?

2. In what ways does Rowlandson use her experience to reaffirm Puritan beliefs? How does she view herself and her fellow Christians? How does she see the Indians? What do her dehumanizing descriptions of the Indians accomplish?

3. Are there any instances where she seems to waver in her faith?

4. Why does Rowlandson distrust the “praying Indians”?

5. How does she use the Bible and varied scriptural allusions in her analysis of her captivity and restoration?

6. Does her world view change at all during her eleven weeks of captivity? Why or why not?

How does the preface, perhaps written by Increase Mather, frame the narrative and/or Rowlandson’s character? What does it establish about her and her text and why?

Notice the treatment of the following in the preface and the narrative proper: Does each offer the same reading of Rowlandson’s experience? Specifically, compare their depictions of Indians, the captivity experience, and Rowlandson herself.

Based on her narrative, who do you think Rowlandson’s audience was and how do you think they viewed her? What evidence leads you to this conclusion?

When and at what points do you feel as if you have access to Rowlandson’s feelings or inner self? What enables and prevents this access?

Keep track of when Rowlandson uses scripture? What patterns can you generate from this use? What do these patterns suggest about how the narrator wants us to view Rowlandson and her captors?

In what ways does her narrative play out what it means to be a Puritan? a woman in Puritan culture?

What, if anything, do you make of her insomnia once rescued?

Comprehension

1. What is Mary Rowlandson’s main intention in writing this story?

o To arouse hatred toward the Wampanoag
o To show how her experience revealed God’s purpose
o To analyze another culture

2.  Why is the Indian group that captures Rowlandson forced to keep moving?

o They are being pursued by the English
o Because of their religious practices
o They need food

3.  What is Rowlandson’s attitude toward her children?

o She cares passionately about them and grieves about being apart from them.
o She misses them but believes that it builds character to live separately.
o She treats them as if they were adults capable of taking care of themselves.

4.  From where does Rowlandson primarily draw her strength?

o Her desire to avenge the death of her child.
o Her belief in God’s ultimate purpose.
o Her desire to return and tell her story to the Puritans.

5. What does Rowlandson exchange for food with several members of the tribe?

o Washing clothes
o Gathering firewood
o Sewing and knitting

Chronological Order

6.  Put these events in chronological order:

1. Mary Rowlandson’s master leads her to her son.
2. Mary Rowlandson’s child dies.
3. Mary Rowlandson enters a wigwam.
4. Mary Rowlandson helps carry an American Indian on a bier.

7.  Put these events in chronological order:

1. Mary Rowlandson is reunited with her daughter.
2. Mary Rowlandson learns to eat bear meat.
3. Mary Rowlandson cares for her sick baby.
4. One of the American Indians gives Mary Rowlandson a Bible.

The psalms: http://lonestar.texas.net/~mseifert/rowlandson2.html
spark notes: http://www.sparknotes.com/lit/sovereignty/themes.html

Posted by Michael L Umphrey on 09/18 at 07:31 AM
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Moodle website
  enrollment keys

English 11 pilgrim
Advanced: honors
Montana Lit: hugo
cohort: polson

Posted by Michael L Umphrey on 09/09 at 10:32 AM
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